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1.1 Tout le temps1.2 Pasmado, Le Serpent1.3 L'appel du pied1.4 Double Détente1.5 Comme Nicolas Ker1.6 Canon1.7 L'aurore |
| | Number of discs: |
1 |
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| | Description: | Last summer, we locked ourselves in the Versatile studio for eight days, with a plan: create a new song every day from scratch. And we did, we did eight songs. Each morning, weâ??d listen to the previous dayâ??s work and move on.
Truth is, we didnâ??t really start from scratch: Gilbâ??r had a collection of loops to build upon. We worked pretty much like a beatmaker with a rapper â?? except I canâ??t rap, so I sang, and played instruments, and then we structured the tracks until they sounded like actual songs, with a beginning and an end.
The whole time, the mood was very relaxed. Of course, we worked as hard as we could on getting everything just right, but we didnâ??t deprive ourselves of taking nice breaks on Parisâ?? sunny street cafés. And I think our sunny timeouts shine throughout the record itself, and I am proud of it, because when an album bears the trace of the environment it was created in, it is a testament to the spontaneity of its recording.
When came the time to mix, I:Cube entered the process. We also limited the mixing to a week to retain that same energy. Cubeâ??s genius upped the level several notches. We experimented all the way. Some songs had to be extended to make room for all his ideas. Really, this is a three-men album, not just two. And that second phase of work was just as happy go lucky as the first.
Yet, we were emerging from a dark period: like all of you, we had to lockdown, and for such a long time, we couldnâ??t play shows nor dj, which is our livelihoodâ?¦ and then, within a few weeks, both Gilbert and I lost our dads. Immediately afterwards, they were followed by our friend, the singer Nicolas Ker. These events are present in the lyrics of the songs â?? I probably wouldnâ??t have mentioned them for a solo album, but as it happened, we lived these tragedies collectively.
However it is not a sad record. For the three of us, its inception was a beautiful sunbath of creativity after a very long, cold, and cruel winter. Which is why we named the album Lâ??Aurore, which means Sunrise. - Last summer, we locked ourselves in the Versatile studio for eight days, with a plan: create a new song every day from scratch. And we did, we did eight songs. Each morning, we'd listen to the previous day's work and move on. Truth is, we didn't really start from scratch: Gilb'r had a collection of loops to build upon. We worked pretty much like a beatmaker with a rapper - except I can't rap, so I sang, and played instruments, and then we structured the tracks until they sounded like actual songs, with a beginning and an end. The whole time, the mood was very relaxed. Of course, we worked as hard as we could on getting everything just right, but we didn't deprive ourselves of taking nice breaks on Paris' sunny street cafés. And I think our sunny timeouts shine throughout the record itself, and I am proud of it, because when an album bears the trace of the environment it was created in, it is a testament to the spontaneity of it's recording. When came the time to mix, I: Cube entered the process. We also limited the mixing to a week to retain that same energy. Cube's genius upped the level several notches. We experimented all the way. Some songs had to be extended to make room for all his ideas. Really, this is a three-men album, not just two. And that second phase of work was just as happy go lucky as the first. Yet, we were emerging from a dark period: like all of you, we had to lockdown, and for such a long time, we couldn't play shows nor dj, which is our livelihood... and then, within a few weeks, both Gilbert and I lost our dads. Immediately afterwards, they were followed by our friend, the singer Nicolas Ker. These events are present in the lyrics of the songs - I probably wouldn't have mentioned them for a solo album, but as it happened, we lived these tragedies collectively. However it is not a sad record. For the three of us, it's inception was a beautiful sunbath of creativity after a very long, cold, and cruel winter. Which is why we named the album L'Aurore, which means Sunrise.Enregistré au studio Victor à Paris, Juillet 2021.
? + © Versatile records.
Ce disque est dédié à nos pères, André Cohen et Diego Cesarsky."L'Aurore" is a captivating LP collaboration between Judah Warsky and Gilbert Cohen, released by the renowned label Versatile. This album stands out for its seamless blend of electronic textures, hypnotic rhythms, and atmospheric soundscapes that transport listeners into a unique sonic journey. Judah Warsky is celebrated for his innovative approach to electronic music, merging pop sensibilities with experimental sounds; he has previously garnered acclaim with albums like "Avant/Après." Gilbert Cohen (also known as DJ Gilb'R), co-founder of Versatile Records, is an influential figure in the French electronic scene whose productions and DJ sets are recognized worldwide. The synergy between these two artists on "L'Aurore" results in a mesmerizing listening experience that pushes genre boundaries while maintaining emotional depth. Versatile Records itself has been at the forefront of independent music since 1996, consistently releasing groundbreaking projects across house, techno, disco, and beyond. | | | No. of tracks: |
7 |
| | Manufacturer No.: |
VERLP44 |
| Product Safety
Responsible Person for the EU:
375 Media GmbH
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https://375media.com | |
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