Your search:
No selection
Filter results:
|
 |
| Details / Tracklist: |
1. TOUCH AND GO
2. FEATHERS
3. PARABLE LICKERS
4. EAGER COPY
5. BRILLE
6. ON THE SLY
7. AND CHAIRS
8. AWAY KIT
9. SUFFER DRAGON
10. MIRROR MIRROR
11. GLEN BEIGE
12. TUMBLEBOY
13. NICKS AND GRAZES |
| | Number of discs: |
1 |
| | Regioncode: |
0 What's that?
Please note our information regarding region codes:
DVDs and Blu-Rays often are country encoded and do not play worldwide. Please check whether your player is compatible with the area code of the item.
DVD code - Area
0/free - Informal term meaning "worldwide"
1 - United States, Canada, Bermuda, U.S. territories
2 - Europe (Central Europe, Northern Europe, Southern Europe, Western Europe), Egypt, Middle East, Japan, South Africa, Swaziland, Lesotho, Greenland, British Overseas Territories, British Crown Dependencies, French Overseas departments and territories
3 - Southeast Asia, South Korea, Taiwan, Hong Kong, Macau
4 - Latin America (except French Guiana), Guyana, Suriname, New Zealand, Australia, Papua New Guinea, much of Oceania
5 - South Asia, Afghanistan, Eastern Europe (Ukraine, Belarus, Russia, Kazakhstan), Africa (except Egypt, South Africa, Swaziland, Lesotho), Central Asia, Mongolia, North Korea
6 - China
7 - Reserved for future use, MPAA-related DVDs and "media copies" of pre-releases in Asia
8 - International venues such as aircraft, cruise ships, spacecraft, etc.
9 - all eight flags set, allowing the disc to be played in any location, on any player
Blu-Ray Code - Area
free/0 - Informal term meaning "worldwide".
A/1 - United States and their dependencies, East Asia, and Southeast Asia; excludes instances that fall under Region C.
B/2 - Africa, Middle East, Southwest Asia, most of Europe, Australia, New Zealand, and their dependencies; excludes instances that fall under Region C.
C/3 - Central Asia, mainland China, Mongolia, South Asia, Belarus, Russia, Ukraine, Kazakhstan, Moldova, and the aforementioned regions' dependencies.
|
| | Description: | To confuse parts for the whole is inevitable with Palm. Drummer Hugo Stanley, bassist Gerasimos Livitsanos and guitarists/vocalists/high school sweethearts Eve Alpert and Kasra Kurt started making music together as teenagers, and spent much of their twenties in the kind of proximity unusual for adults, outside of touring bands and the International Space Station. For a number of years the band consumed the lives of its members to a point of exhaustion: ??To be honest I think we got a little burnt out. There were times where it wasn??t clear if we??d make another record,? says Alpert. It was only after multiple freak injuries followed by a pandemic, forced a pause - from touring but also from writing, rehearsing, even seeing each other- that the four were able to regroup and see a way forward again.
On their latest effort, Nicks and Grazes, Palm embrace discordance to dazzling effect. ??We wanted to reconcile two potentially opposing aesthetics,? Kurt says. ??To capture the spontaneous, free energy of our live shows while integrating elements from the traditionally gridded palette of electronic music.? In order to avoid what Kurt refers to as ??Palm goes electro,? the musicians spent years educating themselves on the ins and outs of production by learning Ableton while also experimenting with ??the percussive, textural, and gestural potential? of their instruments. To this end, the band continued the age-old tradition of instrument-preparation, augmenting guitars with drumsticks, metal rods and, at the suggestion of Charles Bullen (This Heat, Lifetones), coiling rubber coated gardening wire around the strings. The unruliness of the prepared guitar on songs like ??Mirror Mirror? and ??Eager Copy? contrasts with the steadfast reproducibility of the album??s electronic elements.
While Palm cite Japanese pop music, dub, and footwork as influences on this album??s sonic palette, they found themselves returning time and again to the artists who inspired them to start the group over a decade ago. ??When we were first starting out as a band, we bonded over an appreciation of heavy, aggressive, noisy music,? Alpert reflects. ??We wrote parts that were just straight-up metal.? Kurt adds, ??I found myself rediscovering and re?? falling in love with the visceral, jagged quality of guitars in the music of Glenn Branca, The Fall, Beefheart, and Sonic Youth, all important early Palm influences.? Returning to the fundamentals gave Palm a strong foundation upon which they could experiment freely, resulting in their most ambitious and revelatory album to date. - 'Away Kit' version, exclusive to Saddle Creek, limited to 200.
Includes download card. | | | Manufacturer No.: |
LBJ351LP |
| Product Safety
Responsible Person for the EU:
Believe Digital GmbH
Believe Digital GmbH
Im Mediapark 6B, 50670 Kln, DE
legal.de@believe.com | |
|
There are currently no product reviews.
|  |
|
|
|
|
Alternative
38.096
