Coline Dutilleul / Kunal Lahiry -Licht in der Nacht -Fuga Libera CD Grooves.land/Playthek

Remarque / Liste des chansons:

Vier Lieder, op. 2

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01. Coline Dutilleul "I. Erwartung"

02. Coline Dutilleul "II. Schenk mir Deinen goldenen Kamm"

03. Coline Dutilleul "III. Erhebung"

04. Coline Dutilleul "IV. Waldsonne"
Trois chansons de Bilitis

05. Coline Dutilleul "I. La Fl?te de Pan"

06. Coline Dutilleul "II. La Chevelure"

07. Coline Dutilleul "III. Le Tombeau des Naiades"

08. Kunal Lahiry "Fantasien über Gedichte von Richard Dehmel, op. 9 - Stimme des Abends"
Deux ?pigrammes de Cl?ment Marot

09. Coline Dutilleul "I. D'Anne qui me jecta de la neige"

10. Coline Dutilleul "II. D'Anne jouant de l'espinette"

11. Kunal Lahiry "Trois morceaux pour piano : D'un vieux jardin"
Fünf Lieder

12. Coline Dutilleul "I. Die stille Stadt"

13. Coline Dutilleul "II. In meines Vaters Garten"

14. Coline Dutilleul "III. Laue Sommernacht"

15. Coline Dutilleul "IV. Bei dir ist es traut"

16. Coline Dutilleul "V. Ich wandle unter Blumen"

17. Coline Dutilleul "Reflets"

18. Coline Dutilleul "Un grand sommeil noir"

19. Coline Dutilleul "Clairi?res dans le ciel : Si tout ceci n'est qu'unpauvre r?ve"
Vier Lieder, op. 2

20. Coline Dutilleul "I. Schlafen, schlafen"

21. Coline Dutilleul "II. Schlafend tr?gt man mich"

22. Coline Dutilleul "III. Nun ich der Riesen St?rksten überwand"

23. Coline Dutilleul "IV. Warm die Lüfte"

Nombre de disques:

Description:

Coline Dutilleul writes: "What could be more fascinating than the play of light and shadow? To descend into sensual melancholy, to dare to be fragile and to reveal oneself in it's depths and inner nuances. I find that one way of illustrating this complexity of the senses is to compare two musical and pictorial schools: French Impressionism and German Expressionism. The colors and timbres employed by these two schools have long fascinated me just as much as the extreme refinement and detail of the paintings and compositions themselves. Each painter and composer explored the depths of the human soul in his or her own manner. This program of works composed between 1899-1914 that laid the foundations for modern music is intended as a bridge between Expressionism and Impressionism. This parallel does not claim to illustrate their differences but rather to highlight their common points, to reveal the voluptuous and almost decadent sensuality of these two currents as well as their geographical and stylistic contrasts.", Runningtime: 00:00:00, Labelcode FUGL810.2

N° de fabricant:

FUG810

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