Bavouzet / Tákacs-Nágy / Manchester Camerata -Klavierkonzerte Vol.7 -Chandos Records CD Grooves.land/Playthek

Details / Tracklist:

01. Manchester Camerata "Overture to 'Le nozze di Figaro', K. 492"
Concerto (No.24), K. 491

02. Jean-Efflam Bavouzet "I. Allegro"

03. Jean-Efflam Bavouzet "II. Larghetto"

04. Jean-Efflam Bavouzet "III. Allegretto"
Concerto (No.25), K. 503

05. Jean-Efflam Bavouzet "I. Allegro maestoso"

06. Jean-Efflam Bavouzet "II. Andante"

07. Jean-Efflam Bavouzet "III. Allegretto"

Number of discs:

Extra-Infos:

.. Vol. 7

Description:

Volume 7 of Jean-Efflam Bavouzetâ??s Mozart piano concertos survey with GÃ¡bor TakÃ¡csNagy and the Manchester Camerata features two of the late concertos â?? Nos 24 and 25 â?? along with a spirited reading of the Overture to Le nozze di Figaro (The Marriage of Figaro). Concerto No. 24 was written whilst Mozart was busily composing Le nozze di Figaro, between October 1785 and the premiÃ¨re, in Vienna, in May 1786. One of only two piano concertos in a minor key, this extraordinary work possesses many unusual features, including the deliberately ambivalent tonality of the opening melody, which uses all twelve tones of the scale (a pre-echo of serialism??!). Concerto No. 25 was probably first performed, in Vienna, in December 1786, and was certainly a success as there were many repeat performances in the following years (probably including one by Beethoven, in 1795). The disc was recorded in Manchesterâ??s Stoller Hall, Bavouzet playing a Yamaha CFX nine-foot Concert Grand Piano. - .. VOL. 7

Volume 7 of Jean-Efflam Bavouzet's Mozart piano concerto features two of the late concertos - nos. 24 and 25 - coupled with a spirited reading of the Marriage of Figaro overture from Gábor Takács-Nagy and the Manchester Camerata. Concerto no. 24 was written whilst he was busily composing the Marriage of Figaro between October 1785 and the premier in Vienna in May 1786. One of only two of his piano concertos in a minor key, there are many unusual features in this extraordinary work, including the deliberately ambivalent tonality of the opening melody, which uses all 12 tones of the scale (a pre-echo of serialism?!). Concerto no. 25 was probably first performed in Vienna in December 1876, and was certainly a success as there were many repeated performances in the following years (including one by Beethoven in 1795). Recorded in Manchester's Stoller Hall, Bavouzet plays a Yamaha CFX nine-foot Concert Grand Piano.

Manufacturer No.:

CHAN20192

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