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Disc 01 01. Hopkins, Lightnin' "Mojo Hand" 02. Lipscomb, Mance "God Moves on the Water" 03. Shaw, Robert "The Clinton" 04. Kid Wiggins "Sugar Blues" 05. Dudley Alexander and Washboard Band "St. James Infirmary" 06. Davis, Cedell "Darlin' (You Know I Love You)" 07. Dennis Gainus "You Gonna Look Like a Monkey" 08. Grey Ghost "One Room Country Shack" 09. Edwin "Buster" Pickens "Groceries on My Shelf (Piggly Wiggly)" 10. Wilson, Hop "3 O'Clock Blues" 11. Jealous James Stanchell "Anything from a Foot Race to a Resting Place" 12. James Tisdom "Salty Dog Rag" 13. Gozy Kilpatrick "Goin' to the River" 14. Joe Patterson "Quills" 15. Hopkins, Lightnin' "Ma Pa Cut the Cake" 16. Otis Cook "Crazy About Oklahoma" 17. Grey Ghost "Little Red Rooster" 18. The Spiritual Light Gospel Group "My Work Will Be Done" 19. James Tisdom "Steel Guitar Rag" 20. Lipscomb, Mance "Tall Angel at the Bar" 21. George "Bongo Joe" Coleman "This Whole World's in a Sad Condition"
Disc 02 01. Hopkins, Lightnin' "World's in a Tangle" 02. Shaw, Robert "Someday Baby" 03. Davis, Cedell "It's Alright" 04. R.C. Forest and Gozy Kilpatrick "Cryin' Won't Make Me Stay" 05. Allen Van "China Tea" 06. George "Bongo Joe" Coleman "Put Your Money Where Your Mouth Is" 07. Hopkins, Lightnin' "Tom Moore's Farm" 08. Lipscomb, Mance "Tom Moore's Farm" 09. Jealous James Stanchell "Don't Do Me No Small Favors (Help the Bear)" 10. Billy Bizor "Fox Chase" 11. R.C. Forest "Black Widow Spider Blues" 12. Hardy Gray "Come and Go with Me to That Land" 13. Davis, Cedell "Rollin' and Tumblin'" 14. Leroy "Country" Johnson with Edwin "Buster" Pickens "Train Roll Up" 15. Edwin "Buster" Pickens "Shorty George" 16. Joel Hopkins "Matchbox Blues" 17. Blues Wallace "It's My Life Baby" 18. Andrew Everett "Hello Central, Gimme 209" 19. Jim Wilkie "Bad Lee Brown" 20. R.C. Forest and Gozy Kilpatrick "Tin Can Alley Blues" 21. Murl "Doc" Webster "Medicine Show Pitch"
Disc 03 01. Lipscomb, Mance "So Different Blues" 02. James Tisdom "I Feel So Good" 03. Hopkins, Lightnin' "Mr. Charlie" 04. Edwin "Buster" Pickens "The Ma Grinder" 05. Paul Elliott "Deep Ellum Blues" 06. Andrew Everett "K.C. Ain't Nothing but a Rag" 07. Kid Wiggins "Lonesome Road" 08. Dennis Gainus "Old Judge Blues" 09. Melvin "Jack" Jackson and Lightnin' Hopkins "The Slop" 10. Hopkins, Lightnin' "Corrine, Corrina" 11. Jimmy Womack "Talking Blues" 12. Joel Hopkins "Good Times Here, Better Times Down the Road" 13. Shaw, Robert "Put Me in the Alley" 14. Walter Britten "Auctioneer" 15. Hardy Gray "Runaway" 16. Wilson, Hop "Broke and Hungry" 17. Mager Johnson "Big Road Blues" 18. Lipscomb, Mance "Casey Jones" 19. Jimmy Womack "Atomic Energy" 20. Long Gone Miles with Lightnin' Hopkins and Love Crazy "Natural Born Lover" 21. E.B. Busby "Swanee River Boogie" 22. Long Gone Miles "Rock Me Baby" 23. Hopkins, Lightnin' "Blues Jumped a Rabbit" 24. George "Bongo Joe" Coleman "George Coleman for President, Nobody for Vice President"
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 | Number of discs: |
1 |
 | Description: | Playing For The Man At The Door by Various, released 4 August 2023.
This version of Playing For The Man At The Door comes as a 4xCD. - .. THE DOOR / MACK MCCORMICK FIELD REC. 1958-71In the 1950s and 60s, the blues was the dominant form of Black vernacular music throughout Texas andthe surrounding areas. In segregated neighborhoods, community members gathered in saloons,dancehalls, and each other's homes to hear their neighbors sing their stories of sorrow, heartbreak,jubilation, and triumph. Robert "Mack" McCormick, an academically untrained but fanatical devotee ofthe blues, stepped into this world and became one of it's most devout advocates and documentarians.By photographing Black and Latino Texans and their neighborhoods, as well as recording andinterviewing musicians-many of whom never stepped foot into a proper recording studio-McCormickendeared and eventually embedded himself into these communities. By the time he died in 2015,McCormick had amassed a collection of 590 reels of sound recordings and 165 boxes of manuscripts,original interviews and research notes, thousands of photographs and negatives, playbills, and posters.Because McCormick never published or released most of these materials, his collection became a thingof legend and intense speculation among scholars, blues aficionados, and musicians alike.Playing for the Man at the Door: Field Recordings from the Collection of Mack McCormick, 1958-1971 isthe first compilation of music drawn from this fabled collection, which indelibly documents a pivotalmoment in African American history. It features never-before-heard performances not only frommusicians who became icons in their own right-including Lightnin' Hopkins and Mance Lipscomb-butalso, crucially, performers whose names may be unfamiliar to even the most devoted blues fans andscholars. Newly mastered recordings and accompanying photographs bring to life many of theseforgotten figures: offering insight into their lives and illuminating in new, enlightening ways their joysand anguish, deep social connections, distinctive voices, and cultural networks. The collection spansgospels, ragtime, country blues dirges, the unclassifiable music of George "Bongo Joe" Coleman, andmore, showing that no community, no matter how tight knit, is monolithic.Accompanying the music is a 128-page book, which contains breathtaking photographs by McCormickand his associates, as well as contextual essays by producers Jeff Place and John Troutman onMcCormick's life, and by musicians Mark Puryear and Dom Flemons on some of the marginalizedcommunities throughout "Greater Texas" to which McCormick devoted his life's work. This release is apartnership with the Smithsonian's National Museum of American History.Accompanying the music is a 128-page book, which contains breathtaking photographs by McCormick and his associates, as well as contextual essays by producers Jeff Place and John Troutman on McCormick?s life, and by musicians Mark Puryear and Dom Flemons on some of the marginalized communities throughout ?Greater Texas? to which McCormick devoted his life?s work. This release is a partnership with the Smithsonian?s National Museum of American History."Playing for the Man at the Door - Field Recordings" is a remarkable CD compilation released by Smithsonian Folkways, showcasing an extraordinary collection of field recordings that capture the authentic sounds and voices of African American blues musicians from Mississippi between 1958 and 1971. This anthology offers listeners a rare glimpse into the raw, unfiltered musical traditions rooted in rural America, featuring haunting vocals, resonant guitar work, and deeply emotional storytelling. The selection spans various blues styles?Delta blues, country blues, gospel-infused tracks?and preserves performances by both well-known artists and lesser-documented local talents. Smithsonian Folkways is renowned for its dedication to preserving cultural heritage through sound; their catalog includes thousands of historic recordings across genres worldwide. With "Playing for the Man at the Door," they continue their mission to honor diverse musical legacies and provide invaluable resources for music lovers and researchers alike. |  | No. of tracks: |
66 |
 | Manufacturer No.: |
SFW40260 |
 | Product Safety
Responsible Person for the EU:
Galileo Music Communication GmbH Dachauer Str. 5-7, 82256 Fürstenfeldbruck, DE
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