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1.1 Elements I ; II1.2 Changing Times1.3 Bedrock Deadlock1.4 Spirit Level1.5 Torso1.6 Snakehips' Dream |
 | | Number of discs: |
1 |
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 | | Description: | What a record! The outstanding Solar Plexus, the much-loved third album from Ian
Carr and Nucleus, was first released on Vertigo in 1971. Inevitably, original
copies are now very tricky to score and, like all the Nucleus records, it??s aged
ridiculously well. This Be With re-issue, re-mastered from the original analogue
tapes, shows off just why this deserves to be back in press.
Genius trumpeter and visionary composer Ian Carr was one of the most respected
British musicians of his era. He was a true pioneer and saw the potential in
fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams
Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr
quintet, and tiring of British jazz, Carr assembled the legendary Nucleus.
Regarding music as a continuous process, Nucleus refused to ??recognise rigid
boundaries? and worked on delivering what they saw as a ??total musical
experience?. We can get behind that.
Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled
musicians. This constant evolution and revolution was all part of the continuous
musical exploration and discovery that took jazz to new levels. And the music
has kept relevant. To steal a line from a review of our re-issue of Roots, when
it comes to anything Nucleus ??it??s basically already hip-hop?.
We'll let Ian describe this one: "I wrote Solar Plexus' last year with the help
of an Arts Council grant. It is based on two short themes which are stated at
the beginning (Elements I & I1). The first theme is angular and has a slow,
crab-like movement: the second theme is direct, simple and diatonic. CHANGING
TIME and SPIRIT LEVEL explore the first theme and BEDROCK DEADLOCK and TORSO
explore the second one. SNAKEHIPS DREAM tries to fuse both themes. (The title is
a reference to the famous dancer 'Snakehips' Johnson)."
Solar Plexus features the same lineup as Elastic Rock and We'll Talk About It
Later, but they're augmented by six guests, three of which play brass. Carr
himself had almost full control of the writing and it does feel very different
to the previous albums. It's more of a jazz record loosely based on a rock
foundation rather than jazz fusion jamming.
The haunting synth-and-bass soundscape "Elements I and II" opens the album in
dramatic, experimental fashion. It gives way to the bright, funky feel-good jazz
of "Changing Times". An elegant onslaught of horns, courtesy of guests Kenny
Wheeler and Harry Beckett, ride a solid groove for the duration. How the brass
refrains have eluded samplers is beyond us. The melancholic "Bedrock Deadlock"
features the brooding majesty of Jenkins' oboe and Clyne's mournful, skittering
double bass. Wah wah guitar, drums and funky percussion then take over before
the horns ride us out over frenetic beats. The dark, angular "Spirit Level" is a
real highlight, by turns harmonic and beautiful then dissonant and wayward.
Wonky jazz with no apparent structure or melodic bones. Regardless, it
represents a great showcase for each virtuoso performer.
The breezy soul of "Torso" feels like a breath of fresh air, skipping along in
the uptempo style with guitar, horns, drums and bass. A track which truly sounds
scintillating, featuring sax solos, fantastic propulsive interplay from all the
group around the halfway stage before Marshall gets his chance to really shine
in closing out with a polyrhythmic drum solo. Final track "Snakehips' Dream"
stretches cooly out over 15 minutes to round out a spellbinding album. An epic,
suave groove, it's a relaxing piece with warm electric keys, laconic guitar and
languorous horns. Truly sophisticated soulful jazz. An absolute masterclass. We
could easily listen to this all day long.
This Be With edition of Solar Plexus has been re-mastered from the original
Vertigo master tapes, Simon Francis?? mastering working together with Cicely
Balston's cut at AIR Studios to weave their usual magic with these wonderful
recordings. The stunning gatefold sleeve has been restored to complete this
sensational package. - Vinyl LP pressing. What a record! The outstanding Solar Plexus, the much-loved third album from Ian Carr and Nucleus, was first released on Vertigo in 1971. Inevitably, original copies are now very tricky to score and, like all the Nucleus records, it's aged ridiculously well. This Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.Gatefold sleeve
A Be With Records release, licensed courtesy of Universal Music Operations Ltd.
? 1971 Mercury Records Ltd., 2023 Mercury Records Ltd."Solar Plexus" is a landmark LP by the British jazz-fusion band Nucleus, originally released in 1971 and now reissued by Be With Records. This album captures the innovative spirit of early '70s jazz-rock, blending complex rhythms, adventurous improvisation, and psychedelic textures. The music flows seamlessly between energetic brass sections and atmospheric passages, showcasing the band's technical prowess and creative vision. "Solar Plexus" stands as one of Nucleus's most celebrated works?a testament to their influence on progressive jazz scenes worldwide.
Nucleus was formed in 1969 by trumpeter Ian Carr and quickly became pioneers of British jazz fusion. Their debut at the Montreux Jazz Festival won them international acclaim, leading to a series of critically acclaimed albums throughout the 1970s. Known for their experimental approach that fused rock grooves with intricate jazz harmonies, Nucleus helped shape modern European jazz.
Be With Records is renowned for its high-quality vinyl reissues across genres such as soul, funk, disco, electronic music?and classic jazz like this release from Nucleus. The label has built a reputation among collectors for meticulous remastering and faithful artwork reproduction while making rare gems accessible to new audiences. |  | | No. of tracks: |
6 |
 | | Manufacturer No.: |
BEWITH127LP |
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