Heike Matthiesen

Guitar Divas
Heike Matthiesen

21,89 EUR  18,09 EUR
SACD+ CD
Ars Produktion
Release date: 05/May/2023
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Sales Rank: #9 in Guitar
#15936 in Classic
Style: Guitar
Product No.: 2100840819

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Content:

Details / Tracklist: MP3 Audio listen now for free 01. "Prelude No.1"
MP3 Audio listen now for free 02. "Variazioni su Non pi? mesta di Rossini op.5"
MP3 Audio listen now for free 03. "Six variations pour la guitar seule"
MP3 Audio listen now for free 04. "Carneval de Venise"
MP3 Audio listen now for free 05. "Rambling thoughts"
Fairy Sketches
MP3 Audio listen now for free 06. "Queen Mab"
MP3 Audio listen now for free 07. "Puck"
MP3 Audio listen now for free 08. "Dance of the witches (Fantasia Grotesque)"
MP3 Audio listen now for free 09. "5th Divertimento (Variations on a theme by Mozart)"
MP3 Audio listen now for free 10. "Serenade"
MP3 Audio listen now for free 11. "Spanish Dance"
MP3 Audio listen now for free 12. "Moorish Dance"
MP3 Audio listen now for free 13. "La Jota Aragonese"
MP3 Audio listen now for free 14. "Carnival of Venice"
MP3 Audio listen now for free 15. "L'Adieu"
Number of discs: 1
Description:Between child prodigy and wife: I have selected virtuoso works by four female composers of a generation with very different lives, but all the pieces have in common temperament and often effervescent lightness. In the meantime, many names of female composers are known, their works are played more and more. However, especially in the 19th century, a disproportionate amount of music unfortunately did not find it's way into the publishing houses. This was the greatest obstacle to the safe transmission of works for posterity until the end of the 20th century. It was not until the internet that women composers were able to find their own players and audiences. In addition, female musicians' careers were made more difficult or even prevented by social circumstances. Educating a child prodigy was not only a potentially very lucrative business for ambitious parents in Mozart's time, but also in the 19th century many children were educated to stage maturity at a very early age. But after marriage, which was obligatory at some point, the girls had to limit their sphere of activity to salons or charity galas. And studying was not possible for many years anyway, so unfortunately women often received a rather superficial musical education. As always, exceptions confirm the rule. One can see from the exemplary biographies of "my" four female composers that long careers then seemed possible only in tandem with a musician who was also working professionally. And that often different rules applied to foreign women than to the "respectable ladies" of the domestic society.
Manufacturer No.: ARS38355
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