Issued in a standard jewel case with clear tray and 12-page booklet.
Catalog number NBR 68152 is printed on spine.
Catalog number NB 6815-2 is printed on the CD.
Re-recording of Sepultura's 1986 [url=https://www.discogs.com/it/master/58036-Sepultura-Morbid-Visions]debut album[/url] along with a new track, "Burn the Dead".
[Booklet]
Daniel Gonzalez' lead guitar recorded at Feral Cat Studios.
Tony Roberts lead guitar recorded at Dungeon of Gloom Studios.
"Morbid Visions" by Cavalera is a powerful CD release that pays homage to the roots of extreme metal. This album, released under the renowned label Nuclear Blast, showcases raw energy and relentless aggression, capturing the essence of early death and thrash metal. The tracks are characterized by crushing riffs, thunderous drumming, and guttural vocals that transport listeners back to the genre?s formative years. Cavalera consists of legendary brothers Max and Iggor Cavalera?founders of Sepultura?who have been pivotal figures in shaping heavy music worldwide. Their previous successes include classic albums like "Roots," "Chaos A.D." (with Sepultura), and acclaimed projects such as Soulfly and Cavalera Conspiracy. With "Morbid Visions," they revisit their iconic sound with renewed intensity while maintaining their signature ferocity. Nuclear Blast stands as one of the world?s leading independent record labels for heavy music genres, known for supporting influential artists across decades.
For those who love Brazilian metal and Sepultura. This remake is more heavy and faster than the original Morbid Visions. Must to Listen and have!
Yuriy P. - 20/Jun/2024
You can disparage and disparage this debut album of the Brazilians as much as you like, but in my understanding this thing will remain an excellent example of what is called the presence of the germs of talent and the desire to show everything that you are capable of at a small age and with scanty funds for instruments and recording. The latter is expressed only in the rather poor sound quality, which still looks quite tolerable for a debut work (and even from Brazil! And even in the mid-80s!). The material itself is impenetrably raw and clumsy, but one can clearly hear not only the efforts of Max and the company to devote themselves completely to the music (no matter how undeveloped it may be), but also the well-sprouted shoots of mastery and mastery of their tools, bringing death to everything unprepared. Death metal, which has not yet completely turned into thrash, or, on the contrary, thrash, which has almost completely transformed into death - what is here is difficult to say, because even the debut work of one of the founders of the deadly trend, the group Death, was called this and that. The transition period is difficult, however. What can be directly said about guitar, drums and vocals is only that, as in all debut works of subsequently legendary bands, we get a truly teenage desire to saturate their music with as many elements as possible, and do not care that it may look awkward ! But, naturally, what stands out here is the speed, which still does not completely dominate here, and quite frequent slow passages demonstrate to us that from a young age the guys can seriously creep out the listener.