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1. NOTHING ELSE MATTERS 2. THE ARCHER 3. GALLOPING 4. MOLLY, MY DEAR! 5. WALLS 6. CARRY ON 7. I AM NOT A TRAVELER 8. CONTENTED 9. WHO I'M MEANT TO BE 10. GET ALONG LIL' DOGGIES 11. EARTHLY SYNDICATION |
 | Number of discs: |
1 |
 | Description: | Das neue Album der geigenden Folk-Singer/Songwriterin auf Popped Corn Records.
Warum Geige und Stimme? Nun, man sagt, die Geige sei das Instrument, das der menschlichen Stimme
am ähnlichsten sei. Es ist, als ob ich dreistimmige Harmonien mit mir selbst singen kann und mich darauf
vorbereite, die Lieder mit anderen spielen zu können. Ich spiele Geige, solange ich denken kann. Im
College wechselte ich zur Geige, nachdem ich mich von so vielen groÃ?artigen Geigenspielern inspirieren
lieÃ?, die ich auf Camps und Festivals traf. Als ich Bruce Molsky vor etwa einem Jahrzehnt zum ersten Mal
hörte, erinnere ich mich noch daran, wie ich mir sein Album "Soon Be Timeâ?? immer wieder anhörte und mich
dann zurückzog, um mir Videos anzuschauen, in denen er gleichzeitig spielte und sang. Als ich dann sah,
wie andere auf diese Weise auftraten, insbesondere Tim Oâ??Brien und Laura Cortese, war ich immer wieder
verblüfft. Die Art und Weise, wie die beiden Stimmen zu einer Einheit verschmelzen. Die Fäden der
Doppelgriffe sorgten oft für zwei einzigartige Stimmen, was die Authentizität der Texte unterstrich. Ich
konnte fühlen, wie die Texte, so verletzlich und entblö�t, durchschnitten wurden. - 2023 release. Why fiddle and voice? They say the fiddle is the instrument that most resembles the human voice. It's like I get to sing three part harmony with myself, preparing to be able to play the songs with others. I have played violin as long as I can remember... it changed to fiddle in college after being inspired by so many great fiddle players I ran into at camps and festivals. About a decade ago, when I first heard Bruce Molsky, I remember vividly listening to his album, Soon Be Time over and over, and then going down a rabbit hole to watch videos of him playing and singing at the same time. Then, as I saw others perform in this way, notably Tim O'Brien, Laura Cortese, it would continually floor me. The way the two voices weave as one. The threads of the double stops often accounted for two unique voices, lifting the authenticity of the lyrics. I could feel the lyrics, so vulnerable and exposed, cut through. I was scared to perform this way for years, finally giving it a go in a situation where I was asked to perform and my band members were unavailable. I have always felt that as a musician I want to have strength as a collaborator... Now I am realizing that requires a musician to be able to carry the song alone. If you can feel the groove, the chords, the melody and the meaning all at once, then it makes it easier for others to connect to the song, and lift it up. How is this album a natural progression for you at this point in your career? For years, I have been fortunate enough to play with some extremely talented collaborators. My hope is that never ends, and that this album gives me the chance to learn how to stand firmly on my own two feet, rooted in the song in my heart, calling in friends and collaborators with the resonance of my spirit as naturally as they appear in my life. - Phoebe HuntHype sticker on shrink: "'Phoebe Hunt tells the story of a woman who is determined to make her own way in the world' -NPR" |  | Manufacturer No.: |
PCR985CD |
 | Product Safety
Responsible Person for the EU:
Membran Media GmbH Langenhorner Chaussee 602, 22419 Hamburg, DE gpsr@membran.net |  |
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