| Details / Tracklist: |
3 orchestrale Pr?ludien zu Oedipus Rex von Sophokles 01. Gatti, Daniele "Nr. 1 Largo" 02. Gatti, Daniele "Nr. 2 Con impeto, ma non troppo mosso" 03. Gatti, Daniele "Nr. 3 Cn molta espressione di dolore"
Oedipus Rex (Oratorium) (Gesamtaufnahme) 04. Semenchuck, Ekaterina "Spettatori, state per ascoltare... (Prolog)" 05. Semenchuck, Ekaterina "Kaedit nos pestis (1. Akt)" 06. Semenchuck, Ekaterina "Liberi, vos liberabo a peste" 07. Semenchuck, Ekaterina "Ecco Creonte" 08. Semenchuck, Ekaterina "Respondit deus" 09. Semenchuck, Ekaterina "Non reperias vetus skelus" 10. Semenchuck, Ekaterina "Edipo interroga la fonta della verit?" 11. Semenchuck, Ekaterina "Dlie, expectamus Minerva" 12. Semenchuck, Ekaterina "Dikere non possum" 13. Semenchuck, Ekaterina "Invidia fortunam odit" 14. Semenchuck, Ekaterina "Gloria! Gloria! Gloria!" 15. Semenchuck, Ekaterina "La disputa dei principi (2. Akt)" 16. Semenchuck, Ekaterina "Nonn'erubeskite, reges" 17. Semenchuck, Ekaterina "Pavesco subito, Jocasta" 18. Semenchuck, Ekaterina "Il testimone dell'omicidio" 19. Semenchuck, Ekaterina "Adest omniskius pastor" 20. Semenchuck, Ekaterina "Oportebat takere" 21. Semenchuck, Ekaterina "Nonne monstrum reskituri" 22. Semenchuck, Ekaterina "In monte reppertus est" 23. Semenchuck, Ekaterina "E ora ascolterete il famoso monologo" 24. Semenchuck, Ekaterina "Divum Jocastae caput mortuum!" 25. Semenchuck, Ekaterina "Ekke! Regem Oedipoda"
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.. / Pizzetti: Three Orchestral Pieces For Oedipus Rex |
| | Description: | Stravinsky: Oedipus Rex / Pizzetti: Three Orchestral Pieces For Oedipus Rex by Orchestra E Coro Del Maggio Musicale Fiorentino, released 4 August 2023.
This version of Stravinsky: Oedipus Rex / Pizzetti: Three Orchestral Pieces For Oedipus Rex comes as a 1xBlu-ray. - .. / PIZZETTI: THREE ORCHESTRAL PIECES FOR OEDIPUS REXBoth Pizzetti and Stravinsky were drawn to the subject of Oedipus Rex, but in very different contexts. The 24-year-old Pizzetti was commissioned to write Three Orchestral Preludes for use in a theatrical production. He wrote with an austere sense of orchestral colour, devoid of impressionism that favours the vaguely archaic, with modal inflections. Stravinsky's opera-oratorio was written in his neo-Classical style, with a central role for narrator. In a stark, stylised and formal setting, the use of Latin, and Stravinsky's instruction for the leading characters to wear masks, add timeless, impersonal elements to a work that culminates in catharsis | | | Manufacturer No.: |
CDS7981 |
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Secular Music
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