Catherine Christer Hennix -Solo for Tamburium -BLANK FORMS EDITIONS / CARGO LP Grooves.land/Playthek

Details / Tracklist:

Disc 01
01. "A1 - Solo for Tamburium"
02. "B1 - Solo for Tamburium"

Disc 02
01. "C1 - Solo for Tamburium"
02. "D1 - Solo for Tamburium"

Number of discs:

Description:

Solo For Tamburium by Catherine Christer Hennix, released 8 September 2023. This version of Solo For Tamburium comes as a 2xLP. The vinyl is pressed as a opaque disc. Another vinyl is pressed as a opaque disc. -

The fourth release in Blank Forms Editions?s initiative to chart the ever-expanding musical practice of Catherine Christer Hennix, Solo for Tamburium captures the composer?s most recent major work. Hennix plays an instrument of her own creation, a keyboard interface controlling a suite of eighty-eight recordings of precision-tuned tambura, creating a sweeping and continuous flow of rich harmonic interplay. This piece, documented in Berlin at MaerzMusik 2017, carefully draws upon the fundamental perceptual effects of sound, forming an exacting and cathartic electronic drone. Densely-layered timbral textures and continuous overtone collisions create a maze-like sonic landscape, thrusting the listener into what Hennix calls divine equilibrium or a distinctionless state of being. Since the late 1960s, Hennix has created a massive and innovative body of work spanning minimal music, computer programming, poetry, sculpture, and light art?pushing the technical and conceptual boundaries of these media toward singular ends. She was part of the downtown music school in New York and has worked extensively with some of its key figures, including Henry Flynt and La Monte Young. In the ?70s, Hennix studied the nature and use of harmonic sound as a disciple of Pandit Pran Nath, a master of the Kirana tradition of classical Hindustani music. The exceptionally designed tamburas of Pran Nath were central to her intensive investigations, as was the devotional practice of carefully tuning and sounding the instruments in a continuous and even flow?both have guided her work with sound ever since. In 1976, at Stockholm?s Moderna Museet, Hennix presented a pair of groundbreaking works that came to define her ensuing practice. With the Deontic Miracle?a group composed of Hennix, her brother Peter, and the Swedish percussionist Hans Isgren?she performed a series of modal compositions for Renaissance oboes, sheng, and harmonic feedback distortion. On this same occasion she premiered an equally significant body of solo work for keyboard,

Manufacturer No.:

00159801

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