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Scenes from Shelley's 'Prometheus Unbound' Part I. Introduction

01. Sarah Fox "1 Maestoso, assai lento -"

02. Sarah Fox "Prometheus: 'Monarch of Gods & D?mons'."

03. Sarah Fox "Prometheus: 'Alas! Ah me!'."

04. Sarah Fox "Voice from the mountains: 'Thrice three hundred thousand years'."

05. Sarah Fox "Mercury: 'Awful sufferer!'."

06. Sarah Fox "Chrous of Furies: 'Prometheus! Immortal Titan!'."

07. Sarah Fox "2 The Earth: ' felt thy torture, son'."

08. Sarah Fox "Chorus of Spirits: 'From unremember'd ages we'."

09. Sarah Fox "Prometheus: 'How fair these airborn shapes!'."

10. Sarah Fox "Voices of Spirits: 'Life of Life!'."

11. Sarah Fox "Contralto: 'Fair are others'."
Scenes from Shelley's 'Prometheus Unbound' Part II. Scene 1

12. Sarah Fox "3 Allegro moderato - Jupiter: 'Ye congregated pow'rs of heav'n'."

13. Sarah Fox "Jupiter: 'Awful shape, what art thou?'."

14. Sarah Fox "Jupiter: 'Oh, that thou wouldst make mine enemy my judge'."

15. Sarah Fox "4 Andante - Spirit of the Hour: 'Soon as the sound had ceased'."
Scenes from Shelley's 'Prometheus Unbound' Part II. Scene 2

16. Sarah Fox "5 Voice of unseen Spirits: 'The pale stars are gone!'."

17. Sarah Fox "Spirits: 'We come from the mind'."

18. Sarah Fox "Chorus of Spirits and Hours: 'Then weave the web of the mystic measure'."

19. Crouch End Festival Chorus "Blest Pair of Sirens"

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.. From Shelley's Prometheus Unbound

Descripción:

Hubert Parry (1848 - 1918), regarded by many (including Edward Elgar) as the finest English composer since Purcell, and as the father of the modern English tradition, is best known for his hymn Jerusalem (immortalised by the Women's Institute and English cricket supporters alike!). His anthem I was glad, written for the coronation of Edward VII, in 1902, has been used also at the coronations of George V, Elizabeth II, and Charles III (who is a proclaimed fan of Parry's music). He taught composition at London's Royal College of Music from 1883 to 1895, when he succeeded Sir George Grove as director of the College, a post he held until his death. His distinguished list of pupils included Ralph Vaughan Williams, Gustav Holst, Frank Bridge, and John Ireland. Inspired initially by the German romantics Mendelssohn and Schumann, Parry quickly became a devotee of Brahms and Wagner, whose influences can be heard in much of his output. But, from his earliest works, his own individual voice can be heard very clearly. Commissioned for the Three Choirs Festival, in Gloucester in 1880, his Scenes from Shelley's Prometheus Unbound is just such an early work. The première received a mixed reception, but despite numerous repeat performances, in Cambridge, Oxford, and London, all with rave reviews, the piece sank into obscurity. Vernon Handley gave a performance for BBC Radio 3 in 1980, to mark the centenary of the première, but this world première recording is the first chance for modern audiences to hear this outstanding work., Runningtime: 00:00:00, A&R: Sue Shortridge, Bass-Baritone Vocals [Prometheus]: Neal Davies, Booklet Editor: Finn S. Gundersen, Chorus: Crouch End Festival Chorus, Conductor: William Vann, Design, Typography: Cass Cassidy, Engineer [Assistant]: Alex James (11), Engineer, Mastered By: Jonathan Cooper, Leader: Simon Blendis, Mezzo-soprano Vocals [The Earth]: Sarah Connolly, Music Director: David Temple, Orchestra: London Mozart Players, Organ: James Orford, Producer, Edited By: Adrian Peacock, Score Editor: Jeremy Dibble, Soprano Vocals [Spirit of the Hour]: Sarah Fox (3), Tenor Vocals [Jupiter / Mercury]: David Butt Philip, Labelcode CHN5317CSACD (CHSA 5317), Record Company Chandos Records Ltd, Phonographic Copyright (p) Chandos Records Ltd, Copyright (c) Chandos Records Ltd, Recorded At Church Of St. Jude-on-the-Hill, Hampstead

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CHSA5317

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Scenes from Shelley's Prometheus Unbound/ + Fox/ Connolly/ Butt Philip/ Wann/ London Mozart Player

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Scenes from Shelley's Prometheus Unbound/ +
Fox/ Connolly/ Butt Philip/ Wann/ London Mozart Player