Ariel Abramovich / Da Tempera Velha -The Palacio Songbook -Musik für 3 Stimmen & Laute -Glossa CD Grooves.land/Playthek

Details / Tracklist:

01. "Nunca fue pena mayor"

02. "Ave ancilla trinitatis"

03. "Unica est columba mea"

04. "Romerico t£ que vienes"

05. "Tandernaken"

06. "Comme femme desconfort?e"

07. "Es la causa bien amar"

08. "Vox Clamantis in deserto"

09. "Zagaleja del Casar"

10. "L'amor donna ch'io ti porto"

11. "Ricercar"

12. "O vos omnes qui transitis"

13. "Salve Sancta facies"

14. "Cum autem venissent ad locum"

15. "Tierra y cielos se quexaban"

16. "Pues es muerto el Rey del cielo"

17. "Adoramus te Domine"

18. "Je vous prie"

19. "De vos y de mi quexoso"

20. "Amours, Amours"

21. "Oya tu merced y crea"

22. "Ora bayla t£"

Number of discs:

Extra-Infos:

Music For Three Voices And Lute

Description:

Early in 1870, a codex containing early Spanish vocal music had been discovered in the library of the Palacio Real in Madrid. The pieces which had been copied into the manuscript entirely unknown up to that point included compositions from the celebrated Juan del Encina and from many other, little-known, contemporaries of his. The first modern edition of the suitably entitled iCancionero de Palacioi was published in 1890, immediately becoming a cornerstone of Spanish historical musicology. Later editions and studies consolidated the status of the Cancionero as a landmark in Iberian music. The present recording contrasts music from this cancionero with that found in other codices containing similar or related repertory, whether it be Iberian in origin or from elsewhere in Europe. It offers a broader vision not only of the iCancionero de Palacioi but also of the musical atmosphere of the time and of the songbook repertory as a whole. - MUSIC FOR THREE VOICES AND LUTE

Early in 1870; a codex containing early Spanish vocal music had been discovered in the library of the Palacio Real in Madrid. The pieces which had been copied into the manuscript - entirely unknown up to that point - included compositions from the celebrated Juan del Encina and from many other; little-known; contemporaries of his. The first modern edition of the suitably entitled "Cancionero de Palacio" was published in 1890; immediately becoming a cornerstone of Spanish historical musicology. Later editions and studies consolidated the status of the Cancionero as a landmark in Iberian music. The present recording contrasts music from this cancionero with that found in other codices containing similar or related repertory; whether it be Iberian in origin or from elsewhere in Europe. It offers a broader vision not only of the "Cancionero de Palacio" but also of the musical atmosphere of the time and of the songbook repertory as a whole.

No. of tracks:

Manufacturer No.:

GCD923540

Product Safety