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1.1 Andermans Mijne1.2 Kunstlicht1.3 Poetische Waarheid1.4 Wachtmuziek1.5 Achterstevoren1.6 Vorm Alleen1.7 Stenen Spiegel1.8 Onzichtbare Muur1.9 Afgelopen Tijd1.10 Doodgeboren |
 | | Number of discs: |
1 |
| | Regioncode: |
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Please note our information regarding region codes:
DVDs and Blu-Rays often are country encoded and do not play worldwide. Please check whether your player is compatible with the area code of the item.
DVD code - Area
0/free - Informal term meaning "worldwide"
1 - United States, Canada, Bermuda, U.S. territories
2 - Europe (Central Europe, Northern Europe, Southern Europe, Western Europe), Egypt, Middle East, Japan, South Africa, Swaziland, Lesotho, Greenland, British Overseas Territories, British Crown Dependencies, French Overseas departments and territories
3 - Southeast Asia, South Korea, Taiwan, Hong Kong, Macau
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6 - China
7 - Reserved for future use, MPAA-related DVDs and "media copies" of pre-releases in Asia
8 - International venues such as aircraft, cruise ships, spacecraft, etc.
9 - all eight flags set, allowing the disc to be played in any location, on any player
Blu-Ray Code - Area
free/0 - Informal term meaning "worldwide".
A/1 - United States and their dependencies, East Asia, and Southeast Asia; excludes instances that fall under Region C.
B/2 - Africa, Middle East, Southwest Asia, most of Europe, Australia, New Zealand, and their dependencies; excludes instances that fall under Region C.
C/3 - Central Asia, mainland China, Mongolia, South Asia, Belarus, Russia, Ukraine, Kazakhstan, Moldova, and the aforementioned regions' dependencies.
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| | Description: | LASTER are stylistically a jack in the box and the same is true for the fourth album of the Dutch trio. Every attempt to cram "Andermans Mijne" into any given pigeon-hole" will be greeted with the next track jumping out again with a delighted devilish grin and a hearty slap on the wrist. On "Andermans Mijne", LASTER continue their subversive work to experiment and to constantly warp and widen the framework of extreme metal with elements of indie and jazz rock, shoegaze and art pop, as well as post-black metal and whatever else the Dutch deem fit for purpose. Despite all complexity, the result is surprisingly stringent and to the point â?? at times even catchy and groovy. Since their formation in the old Dutch university city of Utrecht in 2012, LASTER have shifted from a comparatively 'romantic' take on blackish avant-garde metal infused with art-rock dissonance towards an even more experimental approach, and somewhat back again. Their 2014 debut album "De verste verte is hier" playfully deconstructed and re-arranged metal song structures. Their sophomore full-length "Ons vrije fatum" (2017) went several steps further and to high critical acclaim as exemplified by an "album of the month" title in the UK magazine Terrorizer. The genre-benders' third album "Het Wassen Oog" has been compared with a sonic equivalent of dark movies by legendary director Andrey Tarkovsky. The authentic character of LASTER's music is also reflected in the band's lyrical and visual expression regarding their art inspired album covers and live performance with their characteristic humanoid half masks. They can be easily singled out from the myriad of hood wearing acts these days. With "Andermans Mijne", LASTER deliver a bold fourth chapter of their ongoing story of a labyrinthian tale full of surprising twists, multiple layers, and fascinating new ideas. - Laster are stylistically a jack in the box and the same is true for the fourth album of the Dutch trio. Every attempt to cram "Andermans Mijne" into any given pigeon-hole" will be greeted with the next track jumping out again with a delighted devilish grin and a hearty slap on the wrist. On "Andermans Mijne", Laster continue their subversive work to experiment and to constantly warp and widen the framework of extreme metal with elements of indie and jazz rock, shoegaze and art pop, as well as post-black metal and whatever else the Dutch deem fit for purpose. Despite all complexity, the result is surprisingly stringent and to the point - at times even catchy and groovy. Since their formation in the old Dutch university city of Utrecht in 2012, Laster have shifted from a comparatively 'romantic' take on blackish avant-garde metal infused with art-rock dissonance towards an even more experimental approach, and somewhat back again. Their 2014 debut album "De verste verte is hier" playfully deconstructed and re-arranged metal song structures. Their sophomore full-length "Ons vrije fatum" (2017) went several steps further and to high critical acclaim as exemplified by an "album of the month" title in the UK magazine Terrorizer. The genre-benders' third album "Het Wassen Oog" has been compared with a sonic equivalent of dark movies by legendary director Andrey Tarkovsky. The authentic character of Laster's music is also reflected in the band's lyrical and visual expression regarding their art inspired album covers and live performance with their characteristic humanoid half masks. They can be easily singled out from the myriad of hood wearing acts these days. With "Andermans Mijne", Laster deliver a bold fourth chapter of their ongoing story of a labyrinthian tale full of surprising twists, multiple layers, and fascinating new ideas. | | | Cover: |
Digipak |
| | No. of tracks: |
10 |
| | Manufacturer No.: |
PRO 366 |
| Product Safety
Responsible Person for the EU:
Believe Digital GmbH
Van-der-Smissen-Str. 3, 22767 Hamburg, DE
legal.de@believe.com | |
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