Sabbato Sancto - Lamentationes et Responsoria

Paolo Da Col / Odhecaton
Sabbato Sancto - Lamentationes et Responsoria

16,99 EUR
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ARCANA
发布日期: 2023年 10月 06日
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销售排名: 451 号 其他神圣
49733 号 古典音乐
风格: 其他神圣
产品编号: 2100967739

其他来自的产品 Paolo Da Col / Odhecaton

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内容:

详情/曲目清单: MP3 Audio 立即免费收听 01. "Lamentatio I"
MP3 Audio 立即免费收听 02. "Responsorium I. Sicut ovis ad occisionem"
MP3 Audio 立即免费收听 03. "Lamentatio II"
MP3 Audio 立即免费收听 04. "Responsorium II. Jerusalem, luge"
MP3 Audio 立即免费收听 05. "Lamentatio III"
MP3 Audio 立即免费收听 06. "Responsorium III. Plange quasi virgo"
MP3 Audio 立即免费收听 07. "Responsorium IV. Recessit Pastor noster"
MP3 Audio 立即免费收听 08. "Responsorium V. O vos omnes"
MP3 Audio 立即免费收听 09. "Responsorium VI. Ecce quomodo moritur Iustus"
MP3 Audio 立即免费收听 10. "Responsorium VII. Astiterunt reges"
MP3 Audio 立即免费收听 11. "Responsorium VIII. Aestimatus sum"
MP3 Audio 立即免费收听 12. "Responsorium IX. Sepulto Domino"
MP3 Audio 立即免费收听 13. "Benedictus"
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额外信息: Lamentationes Et Responsoria
描述:Within the Italian polyphonic repertoire for Holy Week of the first half of the 16th century; a group of works that particularly stands out for it's organic; comprehensive and unique qualities are the two books of four-voice Lamentations and responsories for the office of Tenebrae from the Triduum sacrum composed by Paolo Aretino (Paolo Antonio del Bivi; 1508-1584). They were published respectively in 1544 (the responsories: a first printed edition of it's kind; to the best of our knowledge) and 1549 (the Lamentations). Both books were reprinted in 1563; a rare occurrence for a collection of this type. Aretino; a maestro di cappella at both the cathedral and Santa Maria della Pieve in Arezzo; was acclaimed in his own day as a true symbol of the city's glory; along with his fellow-citizen; the famous writer Pietro Aretino. He also had repeated contacts with the Medici court; and indeed certain characteristic features of his style can be traced to the late-15th century Florentine tradition of regularly using polyphony during the Triduum. In particular we note his use of equal voices and; above all; the adoption of an austere and solemn declamatory style closely linked to the structure of the text. All of this; however; is not only conveyed with extreme refinement; but also includes some very striking encroachments into vocal ranges rarely found in contemporary Italian music. An example is the use of two or three bass voices together with a low bass; as happens; for example; in the Lamentations for Holy Saturday; which in this recording are presented complete; together with their respective responsories., Runningtime: 00:00:00, Labelcode ARC551C.2
Manufacturer No.: A551
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