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Sinfonie Nr. 1 c-moll (1. Fassung Linz 1865/66) 01. "1. Allegro" 02. "2. Adagio" 03. "3. Scherzo: Schnell - Trio: Langsamer" 04. "4. Finale: Bewegt, feurig"
Sinfonie Nr. 2 c-moll "Pausensinfonie" (2. Fassung 1877) 01. "1. Moderato" 02. "2. Andante" 03. "3. Scherzo: M?ig schnell - Trio: Gleiches Tempo" 04. "4. Finale: Mehr schnell"
Sinfonie Nr. 3 d-moll "Wagner-Sinfonie" (3. Fassung 1889) 01. "1. Mehr langsam, misterioso" 02. "2. Adagio, bewegt, quasi andante" 03. "3. Scherzo: Ziemlich schnell" 04. "4. Finale: Allegro"
Sinfonie Nr. 4 Es-Dur "Romantische" (2. Fassung 1878/80) 01. "1. Bewegt, nicht zu schnell" 02. "2. Andante quasi allegretto" 03. "3. Scherzo: Bewegt - Trio: Nicht zu schnell, keinesfalls schleppend" 04. "4. Finale: Bewegt, doch nicht zu schnell"
Sinfonie Nr. 5 B-Dur 01. "1. Introduktion: Adagio - Allegro" 02. "2. Adagio, sehr langsam" 03. "3. Scherzo: Molto vivace (Schnell) - Trio: Im gleichen Tempo" 04. "4. Finale: Adagio - Allegro moderato"
Sinfonie Nr. 6 A-Dur 01. "1. Majestoso" 02. "2. Adagio, sehr feierlich" 03. "3. Scherzo: Nicht schnell - Trio: Langsam" 04. "4. Finale: Bewegt, doch nicht zu schnell"
Sinfonie Nr. 7 E-Dur 01. "1. Allegro moderato" 02. "2. Adagio, sehr feierlich und sehr langsam" 03. "3. Scherzo - Trio: Sehr schnell" 04. "4. Finale: Bewegt, doch nicht zu schnell"
Sinfonie Nr. 8 c-moll "Apokalyptische" (Fassung 1889/90) 01. "1. Allegro moderato" 02. "2. Scherzo: Allegro moderato" 03. "3. Adagio, feierlich langsam, doch nicht schleppend" 04. "4. Finale: Feierlich, nicht schnell"
Sinfonie Nr. 9 d-moll "Dem lieben Gott" 01. "1. Feierlich, misterioso" 02. "2. Scherzo: Bewegt lebhaft - Trio: Schnell - Scherzo" 03. "3. Adagio, langsam, feierlich"
Messe Nr. 3 f-moll (Groe Messe) 01. "Kyrie (Moderato)" 02. "Gloria (Allegro - Andante, mehr adagio (Sehr langsam))" 03. "Credo (Allegro - Moderato misterioso - Langsam - Allegro)" 04. "Sanctus (Moderato - Allegro)" 05. "Benedictus (Allegro moderato)" 06. "Agnus Dei (Andante)"
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| | Number of discs: |
10 |
| | Description: | Anton Bruckner (1824-1896) was one of the most significant figures in the late
Romantic era. His nine symphonies, monumental works, often described as
cathedrals of sound, showcase Bruckner's unique style, marked by lush
harmonies, expansive orchestration, and a profound sense of spirituality.
Bruckner's symphonies are a journey through the depths of human emotion
and spirituality. They are characterized by their grandiosity, with some lasting
well over an hour in performance. The composer's fascination with the music
of Richard Wagner and his deep Catholic faith are evident throughout these
compositions, resulting in a fusion of Wagnerian drama and religious
mysticism.
A reissue on Brilliant Classics of the original Pentatone recordings from 2015,
with the Orchestre de la Suisse Romande conducted by Marek Janowski:
??Janowski has forged an instrument that projects Bruckner??s richly textured
canvases with a combination of warmth, transparency and tonal weight, the
brass sounding particularly impressive? Pentatone has provided Janowski
and his Geneva forces with excellent sound. This is yet another significant
step towards what I am convinced will eventually turn out to be one of the
finest recorded Bruckner cycles of the 21st century.? Rob Cowan in
Gramophone. As an ??encore?, the Mass in F minor is included in the
recording. - .. COMPLETE SYMPHONIESRecording the symphonies of the iconic Austro-German Romantic, Bruckner, with the Orchestre de la Suisse Romande - an orchestra with roots in the French music-performance tradition - was a courageous decision. Conductor Marek Janowski attests to the fact that exploring and working on this repertoire was a joyful process for all musicians involved, and the result of that endeavour speaks for itself. The Symphony No.1 is performed in the Linz version of 1877 (ed. Nowak). Bruckner's omnipresent "version problem" manifests itself with great clarity for the first time in the Symphony No.2. Three versions of the work exist: 1871-72, 1873-77 and 1892. The versions from 1872 and 1877 were presented as part of the "New Complete Edition" in two volumes (ed. William Carragan), and this recording is based on the latter. The colossal dimensions of the first version of Symphony No.3, with it's sprawling and untamed shape, and the restrained, pruned-down version dating from 1888/89 (ed. Nowak) r ecorded here are worlds apart. Marek Janowski recorded the well-known second version of Symphony No.4, i.e. The 1878/80 Version with Bruckner's 1886 revisions (ed. Nowak). Only one version remains of both the Symphony No.5 and Symphony No.6: the 1878 Version (ed. Nowak) and 1881 Version (ed. Nowak), respectively. Likewise, the Symphony No.7 has only one version, from 1885, however the Nowak edition r ecorded here differs from the earlier Haas edition. Symphony No.8 is recorded here in it's 1890 Edition (ed. Nowak), heavily revised at the bidding of conductor Hermann Levi, Bruckner's intended conductor for the premiere. The unfinished Symphony No.9 is presented here as such: a three-movement work (ed. Nowak). This cycle of the nine canonical symphonies of Bruckner is graced with the addendum of the Mass No.3, in which Bruckner clearly gears his style towards that of the symphonic-orchestral Mass paradigm of composers ranging from Haydn to Schubert, and most emblematically, Beethoven's Missa solemnis, yet with a "mixture of the archaic and the personal, of an as yet undeveloped style of composition" (M. HansenLicensed from Pentatone
Recordings: between 2009-2012
Cardboard box, discs in slipcases, 15 pages booklet (in english). | | | Manufacturer No.: |
2997082BRC |
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