Naruto Symphonic Experience

Sylvain Audinovski
Naruto Symphonic Experience

72,19 EUR  61,19 EUR
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LP
22d
Release date: 29/Nov/2024
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Delivery to US in: 13-17 workdays (ordered)
Sales Rank: #748 in Soundtrack
#17162 in Pop
Style: Soundtrack
Product No.: 2101033870

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Content:

Details / Tracklist: A1: Nine Tailed Demon Fox ()
A2: ROCKS ()
A3: Sadness And Sorrow I ()
A4: Naruto Main Theme I ()
A5: Kakashi's Theme ()
A6: Need To Be Strong I ()
A7: Fighting Spirit ()
A8: Need To Be Strong II ()
A9: Sadness And Sorrow II ()
A10: Wind ()
A11: Predator and Predator ()
A12: Strong And Strike ()
A13: Orochimaru Fight I ()
A14: Beautiful Green Wild Beast I ()
A15: A Crisis After Another ()
B1: Haruka Kanata ()
B2: Afternoon Of Konoha ()
B3: Jiraya?s Theme ()
B4: Sexiness ()
B5: Nine Tailed Demon Fox II ()
B6: Heavy Violence I ()
B7: Victory I ()
B8: Beautiful Green Wild Beast II ()
B9: Heavy Violence II ()
B10: Orochimaru Fight II ()
B11: Orochimaru?s Theme I ()
B12: Avenger ()
C1: Naruto Main Theme II ()
C2: Hokage ()
C3: Grief And Sorrow ()
C4: Hokage?s Funeral ()
C5: Kanashimi O Yasashisa Ni ()
C6: Sasuke?s Theme ()
C7: Loneliness ()
C8: Predator ()
C9: Orochimaru?s Theme ()
C10: Raikiri ()
C11: Naruto Main Theme III ()
D1: The Fifth?s Fight ()
D2: Victory II ()
D3: Sarutobi I ()
D4: Sarutobi II ()
D5: Heavy Violence III ()
D6: Orochimaru Fight III ()
D7: Naruto Main Theme IV ()
D8: Seishun Kyosokyoku ()
D9: Go !!! ()
Number of discs: 2
Extra-Infos: .. Symphonic Experience / Red Vinyl
Description:Naruto Symphonic Experience is an album by Sylvain Audinovski, released in 2023. The album is a Coloured Vinyl original soundtrack 2-LP. - .. SYMPHONIC EXPERIENCE / RED VINYL
Three years ago, Jérôme Leclercq and I from Mediatoon Licensing came up with the idea of creating a cinema concert to celebrate the 20th anniversary of Naruto. Why a cinema concert? The music is part of the success of the licence and fans have a particular attachment to the credits and the original soundtracks. The originality of the music by Toshio Masuda, the composer of Naruto, comes from the clever mix of traditional Japanese instruments, such as the Shakuhachi or the Shamisen, with guitar and other pop/rock instruments. So we came up with the idea of bringing this music to the stage with a 50-strong orchestra, accompanied by an original montage of the best moments from the anime. This orchestra is made up of three parts: symphonic instruments, pop/rock instruments and traditional instruments. To do this, we approached the ODINO orchestra and it's conductor Sylvain Audinovski. The ODINO orchestra is one of those capable of mixing musical styles while maintaining a very high level of performance. We have also chosen traditional Japanese instrumentalists to complete the orchestra's core, especially for the show. The arrangements and musical direction are the fruit of a collaboration between Quentin Benayoun, Sébastien Caviggia and myself. My two accomplices, with whom I formed the group P.U.S.S. in 2007, have a great mastery of rock and orchestral music writing. This mix is essential to keep the promise made to the fans of the series and required several months' work to select the music and write the scores for the whole orchestra. How do you tell the story of Naruto to fans, but also to those who don't know the anime? That's the real challenge of this unique film-concert. How do you select the best moments in the story of this young ninja apprentice from the vastness of the first 220 episodes? Six months of selection and research enabled me to choose the key images in the narrative, while preserving certain dialectics to match the anime's incredible music. This original film-concert, lasting almost 2? hours, is a real Rock-Symphonic show paying tribute to the work of Masashi Kashimoto and the music of Toshio Masuda."
Three years ago, Jérôme Leclercq and I from Mediatoon Licensing came up with the idea of creating a cinema concert to celebrate the 20th anniversary of Naruto. Why a cinema concert? The music is part of the success of the licence and fans have a particular attachment to the credits and the original soundtracks. The originality of the music by Toshio Masuda, the composer of Naruto, comes from the clever mix of traditional Japanese instruments, such as the Shakuhachi or the Shamisen, with guitar and other pop/rock instruments. So we came up with the idea of bringing this music to the stage with a 50-strong orchestra, accompanied by an original montage of the best moments from the anime. This orchestra is made up of three parts: symphonic instruments, pop/rock instruments and traditional instruments. To do this, we approached the ODINO orchestra and its conductor Sylvain Audinovski. The ODINO orchestra is one of those capable of mixing musical styles while maintaining a very high level of performance. We have also chosen traditional Japanese instrumentalists to complete the orchestra's core, especially for the show. The arrangements and musical direction are the fruit of a collaboration between Quentin Benayoun, Sébastien Caviggia and myself. My two accomplices, with whom I formed the group P.U.S.S. in 2007, have a great mastery of rock and orchestral music writing. This mix is essential to keep the promise made to the fans of the series and required several months' work to select the music and write the scores for the whole orchestra. How do you tell the story of Naruto to fans, but also to those who don't know the anime? That's the real challenge of this unique film-concert. How do you select the best moments in the story of this young ninja apprentice from the vastness of the first 220 episodes? Six months of selection and research enabled me to choose the key images in the narrative, while preserving certain dialectics to match the anime's incredible music. This original film-concert, lasting almost 2 hours,
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