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A1: Real World (3:50) A2: Long Day (3:45) A3: 3 AM (3:46) B1: Push (3:59) B2: Girl Like That (3:45) B3: Back 2 Good (5:40) C1: Damn (3:20) C2: Argue (2:58) C3: Kody (4:03) D1: Busted (4:15) D2: Shame (3:35) D3: Hang (3:47) |
 | Number of discs: |
1 |
 | Description: | Analogue Productions (Atlantic Series) Celebrating the 75th Anniversary of Atlantic Records! Yourself Or Someone Like You - Matchbox Twenty's diamond certified debut album! 180-gram 45 RPM double LP Mastered directly from the original master tape by Ryan K. Smith Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing Described by AllMusic as the standard-bearer for post-alternative rock 'n' roll because of it's '90s production dynamics, while still holding true to it's classic rock core, Yourself or Someone Like You - the debut album from Matchbox Twenty - features sturdy songs and fairly strong hooks, all delivered forcefully with lead singer-songwriter Rob Thomas's distinctive bravado. Musically not flashy, nor as ingratiating as Third Eye Blind's pop instincts, the album is solid, American rock, reminiscent of a blend of Tom Petty and Pearl Jam. So it shouldn't have been surprising when the album found a wide audience. Yourself Or Someone Like You went on to sell more than 15 million copies worldwide. The band was a mainstream staple of the mid- to late-'90s with it's light rock songs about loneliness, depression, anger, and alcoholism, and successful albums followed such as Mad Season and More Than You Think You Are. Band members reunited in 2012 for North. Thomas says he wrote the songs for Yourself Or Someone Like You in a five- or six-month period before the band recorded it. He felt driven to create new songs, he says, because of a contentious relationship with a previous band he had left, and the motivation to be ready and prepared when it came time for Matchbox Twenty to record it's debut album. The album's second single 'Push' released in 1997 topped the U.S. Modern Rock Tracks chart and became one of the band's signature songs. Thomas wrote the lyrics to 'Push' with Matt Serletic. The lyrics dealt with the stress of falling in and out of love. In Birmingham, Alabama, the band was playing a thousand-seat club and there was a line of patrons outside the door clamoring to get in. Matchbox Twenty was the opening act that night for The Lemonheads. 'We thought, 'Wow, The Lemonheads are having a good night.' Then we found out it was because that town was the only one playing 'Push' on the radio and it was the biggest hit in Birmingham, and they were all there for us. It was a huge change. We were so used to playing to 20 people, or sometimes to six people and most of the time they were people from the other band (that was playing) that night; we would just play for each other. So, it was a really big change that all of a sudden, people we didn't know were lining up to see us,' Thomas told the AV Club. All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from the original master tape by Ryan K. Smith and cut at 45 RPM. Pressed at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.Tracklist:0 Side 1 1 1. real world 2 2. long day 3 3. 3 am 4 5 Side 2 6 1. push 7 2. girl like that 8 3. back 2 good 9 10 Side 3 11 1. damn 12 2. argue 13 3. kody 14 15 Side 4 16 1. busted 17 2. shame 18 3. hangComes in a gatefold tip-on jacket and includes a double-page insert for "Atlantic Records 75th Anniversary" and an "Acoustic Sounds" catalog. Each LP comes in a "Quality Record Pressings" rice paper inner sleeve. There are 2 stickers on the front of the shrink-wrap - "Quality Record Pressings" and an "Atlantic 75 Audiophile Series" hype sticker. Lyrics are printed on the gatefold interior. Some copies have an additional sticker on the back of the shrink-wrap with an identifying number, a barcode and the artist and title.
First 2000 copies are numbered on the back of the jacket and pressed at Quality Record Pressings.
Unnumbered copies may be pressed at either Quality Record Pressings or RTI, which is only identified by the sticker on the outer plastic bag.
[Back cover]
100% All-Analog
Mastered and cut to lacquer from the original master tape.
[Back cover and labels]
? &© 1996 & 2024 Atlantic Recording Corporation. Produced under license from Atlantic Recording Corporation.
Manufactured for Rhino Entertainment Company, a Warner Music Group Company. All rights reserved. Unauthorized duplication is a violation of applicable laws. Marketed by Analogue Productions.
[Gatefold interior]
Recorded at Triclops Recording, Atlanta
{Publishing}
All songs © 1996 EMI Blackwood Music Inc., (BMI) except A3 © 1995 Tabitha's Secret Music
[Atlantic 75 Audiophile Series hype sticker]
? 75 historic titles hand-picked and supervised by Analogue Productions CEO Chad Kassem
? Mastered from the original analog tapes or best available source by top mastering engineers
? Cut at 45 RPM and pressed on 180-Gram Heavyweight Vinyl
[Acoustic Sounds release page]
Mastered directly from the original master tape by Ryan K. Smith
Pressed at Quality Record Pressings
Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing
Runouts are etched except 'STERLING' is stamped. |  | Manufacturer No.: |
AAPA031-45 |
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Bertus Musikvertrieb Bertus Musikvertrieb Akeleibaan 59, 2908 KA Capelle aan den Ijssel, NL service@bertus.com |  |
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