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Sinfonie Nr. 6 a-moll "Tragische" 01. "1. Allegro energico" 02. "2. Andante moderato" 03. "3. Scherzo: Wuchtig" 04. "4. Finale: Allegro moderato"
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 | Description: | Among Simon Rattle's first concert programmes as the new chief conductor of the Bavarian Radio Symphony Orchestra was Gustav Mahler's Sixth Symphony. The performances marked the beginning of a new chapter in Mahler interpretation, for Rattle, like his predecessors Jansons, Maazel and Kubelik, is an ardent admirer of the composer. BR-KLASSIK has now released the live recording of the concerts.Gustav Mahler's Sixth Symphony is perhaps the darkest work he ever wrote - it's nickname is "The Tragic". And there is something almost destructive about the final movement. "But strangely enough, " says Simon Rattle, "it is also a very classical symphony. Yes, it is extreme, but for long stretches it is less wild than other works of his - although of course it does convey a harrowing message. But it's like a lot of great works: there are always different ways of reading them. I've been conducting the Sixth for forty years now, and over time I've come to realise that it also contains hope."Mahler composed his Sixth Symphony during the summers of 1903 and 1904 at his "composer's cottage" in Maiernigg, near Klagenfurt. At the Vienna performance in 1907 (the third under his baton), he called it the "Tragic Symphony" - a nickname that soon became the stuff of legend. In particular, the darkness and devastating hopelessness of the finale - written at a time when he was at the high point of his life, both professionally and personally - are puzzling. Even his wife Alma could not quite explain the contradiction. As always, it was in and through music that Mahler came to terms with his experiences, exploring themes such as farewell, the meaning of existence, death, redemption, the afterlife, and love.More than other Mahler works, the Sixth Symphony is committed to "classical" symphonic form: it is in four movements and has no vocal parts. Despite all the liberties it takes, the opening movement follows sonata form. The Andante draws on the rondo form, as do the Scherzo and the Finale. The march, which sets the tone from the very first note of the first movement, plays a major role. Very unusually, even the Scherzo has march-like features and seems like a parodistic paraphrase of the opening, with a change of perspective. Simon Rattle concludes: "I think Mahler presents here the whole package of a colossal life - and that includes love and optimism."? Mahler's Sixth Symphony, the so-called "Tragic", in an exemplary, contemporary interpretation? Recording of recent performances from September 27 to 30, 2023 from Munich's Isarphilharmonie? The Bavarian Radio Symphony Orchestra performs under it's new chief conductor Simon Rattle, Runningtime: 00:00:00, Labelcode BRKK900217C.2Le CD « Symphonie n° 6 » réunit le chef d?orchestre de renommée internationale Sir Simon Rattle et l?Orchestre symphonique de la Radio bavaroise (BRSO) pour une interprétation magistrale de cette ?uvre emblématique du répertoire symphonique classique. Grâce à sa direction énergique et nuancée, Simon Rattle révèle toute la profondeur émotionnelle et la richesse structurelle de la partition pour offrir aux auditeurs une expérience musicale saisissante. Le BRSO est reconnu comme l?un des meilleurs orchestres européens pour sa précision et son expressivité exceptionnelles. Ce disque paraît chez BR-Klassik, un label prestigieux réputé pour ses enregistrements classiques d?une qualité sonore remarquable qui capturent fidèlement l?atmosphère des concerts en direct. La carrière brillante de Sir Simon Rattle inclut les postes prestigieux à la tête du Philharmonique de Berlin ou encore du London Symphony Orchestra ; il s?est distingué par ses programmations novatrices et ses nombreux enregistrements primés. |  | N° de fabricant: |
900217 |
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Personne responsable pour l'UE:
BRmedia GmbH Hopfenstr. 4, 80335 München, DE info@br-media.de |  |
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