Martin Schmeding -Opus 2576 -Orgelwerke -Aeolus SACD+CD Grooves.land/Playthek

Comentarios / Titulos de las canciónes:

Disc 01

01. "Sequitur praeambulum in C et potest variari in d f g a"
Buxheimer Orgelbuch

02. "Die suß nachtigall"

03. "Alma redemptoris mater"

04. "Ciacona e-Moll BuxWV 160"

05. "Variationen über, Unter der Linden grüne""

06. "Ciacona in d"
Il secondo libro di Toccate

07. "Toccata nona+I28"

08. "Passacaglia und Fuge c-Moll, BWV 582"
Improvisationen über den "Fries der Lauschenden"

09. "Der Empfindsame"

10. "Der Gl?ubige"

11. "Die Erwartende"

12. "Der Blinde"

13. "Die T?nzerin"

14. "Der Wanderer"

15. "Der Tr?umende"

16. "Der Begnadete"

17. "Die Pilgerin"

Disc 02
A cycle of eight short pieces for organ Op. 154
01. "I. Introitus"
02. "II. Gagliarda"
03. "III. Melodia monastica"
04. "IV. Aria semplice"
05. "V. Apassionata"
06. "VI. Canzona solenne"
07. "VII. Toccatina"
08. "VIII. Corale"
Orgelsonate Nr. 2
09. "I. Lebhaft"
10. "II. Ruhig bewegt"
11. "III. Fuge - M?ßig bewegt, heiter"
Partita, Wachet auf, ruft uns die Stimme" Op. 8, 2
12. "I. Toccata"
13. "II. Bicinium"
14. "III. Fuga"
Fantasia super, L'homme arm?"
15. "Fantasia super, L'homme arm?""
Orgelsonate (Trio)
16. "I. Rasche, energische Halbe"
17. "II. Einleitung: Sehr erregte Achtel, dabei frei im Zeitmaß / Gehende Viertel. Gelassen"
18. "III. Recht geschwinde Achtel"
Toccata und Fuge, Mitten wir im Leben sind"
19. "Toccata"
20. "Fuge"

Cantidades:

Descripción:

The Bremen-born painter and sculptor Hugo Körtzinger (1892 - 1967) was a close friend of his much more famous colleague Ernst Barlach. Both were in the favor of the well-known Hamburg art patron Hermann F. Reemtsma. In 1937, Reemtsma financed a new workshop for Hugo Körtzinger in the small town of Schnega (Wendland), where he saved sculptures of his friend Barlach, which were considered "degenerate art", from being melted during the Nazi era. In 1937, Germany's most important organ-building company at that time, E.F. Walcker, built a new 3-manual instrument for Körtzinger's studio as their Opus 2576 - at the request of the customer with many unusual timbres. The instrument was continuously extended in individual construction steps until 1947. A few years ago, the studio and the organ, which had been completely unplayable for many decades, were renovated thanks to the support of the Hermann F. Reemtsma Foundation. Martin Schmeding presents the instrument on a double SACD with music by baroque composers, played in the style of the 1930s aesthetic, as well as with original works from the time the instrument was built. This program gives an impression of the works that may have been played in the Körtzinger atelier between 1937 and 1967. The program is supplemented by Schmeding's improvisations on sculptures by Ernst Barlach. USP: the first recording of an organ that is probably one of the largest private organs in Germany. Very comprehensive booklet (48 pages) with many illustrations and descriptions of Körtzinger and the recorded music. Double SACD in stereo and 5.1 surround sound. Rarely heard works from the 1930s and 1940s., Runningtime: 00:00:00, Labelcode AELS11411SACD

N° de fabricante:

AE11411

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