Hannah Morrison / Marnix De Cat / Hathor Consort -In My Heart of Hearts -Ramée CD Grooves.land/Playthek

Details / Tracklist:

01. "Pavin Albarti"

02. "Two gallyards"

03. "It was a Lover and his Lass (Ayre)"

04. "Now is the month of may"

05. "Now is the month of maying"

06. "Passamezzo pavana"

07. "O Mistress mine (Ayre)"

08. "Under the greenwood tree"

09. "Malt's come downe"

10. "Come thou monarch of the vine"

11. "Heigh-ho-holiday"

12. "Take, o take those lips away"

13. "The sighes"

14. "Sigh no more"

15. "My Lord of Oxenford's maske"

16. "Allemana d'amor"

17. "Ruger"

18. "Rondo: La represa"

19. "Brandeberges - La represa"

20. "Where the bee sucks"

21. "The fairie rounde"

22. "The night watch"

23. "Jog on"

24. "Tarleton's jig"

25. "When that I was and a little tiny boy"

26. "Nutmegs and ginger: Come unto these yellow sands"

27. "Fortune my foe"

28. "Full fathom five"

29. "Desperada"

30. "Willow song"

31. "Oh death, rock me asleep"

32. "The funeralles"

Number of discs:

Description:

If music be the food of love, play on' we read in Shakespeare's comedy Twelfth Night. Play on â?? but what music should we play? No playwright in world literature has inspired more musical settings by important composers over the centuries than Shakespeare. It is clear that musicâ??s role in Shakespeare's plays can hardly be overestimated. His stage directions call not only for song but also for instrumental sennets and tuckets â?? sonatas and toccatas. In this recording, Hannah Morrison, Marnix De Cat and the Hathor Consort bring to life a wealth of sensual Renaissance sounds from the time of Elizabeth I in pieces that could well have been performed at the Globe Theatre. -

"If music be the food of love, play on" we read in Shakespeare's comedy Twelfth Night. Play on - but what music should we play? No playwright in world literature has inspired more musical settings by important composers over the centuries than Shakespeare. It is clear that music's role in Shakespeare's plays can hardly be overestimated. His stage directions call not only for song but also for instrumental sennets and tuckets - sonatas and toccatas. In this recording, Hannah Morrison, Marnix de Cat and the Hathor Consort bring to life a wealth of sensual Renaissance sounds from the time of Elizabeth I in pieces that could well have been performed at the Globe Theatre.

Manufacturer No.:

RAM2303

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