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Disc 01
Suite für Violoncello solo Nr. 1 G-Dur BWV 1007 (Auszug) (bearb. für Gitarre von Luigi Attademo) 01. Attademo, Luigi "Preludio" 02. Attademo, Luigi "Toccata und Fuge d-moll BWV 565 (bearb. für Gitarre)"
Partita für Violine solo Nr. 2 d-moll BWV 1004 (Auszug) (bearb. für Gitarre von Luigi Attademo) 03. Attademo, Luigi "Ciaccona"
Goldberg-Variationen, Aria mit 30 Ver?nderungen (Clavierübung IV) BWV 988 (Auszug) (bearb. für Gitarre von Luigi... 04. Attademo, Luigi "Aria"
Suite (Ouvertüre) für Orchester Nr. 3 D-Dur BWV 1068 (Auszug) (bearb. für Gitarre von Luigi Attademo) 05. Attademo, Luigi "Aria"
Konzert für Cembalo, Streicher und Basso continuo Nr. 5 f-moll BWV 1056 (Auszug) (bearb. für Gitarre von Luigi Attademo) 06. Attademo, Luigi "Largo"
Suite für Violoncello solo Nr. 6 D-Dur BWV 1012 (Auszug) (bearb. für Gitarre von Luigi Attademo) 07. Attademo, Luigi "Gavotte"
Suite für Laute E-Dur BWV 1006a (Auszug) (bearb. für Gitarre von Luigi Attademo) 08. Attademo, Luigi "Gavotte en rondeau"
Siciliano 09. Attademo, Luigi "Sonate für Violine solo Nr. 1 g-moll BWV 1001 (Auszug) (bearb. für Gitarre von Luigi Attademo)"
Sonate für Fl?te und Cembalo Es-Dur BWV 1031 (Auszug) (bearb. für Gitarre von Luigi Attademo) 10. Attademo, Luigi "Siciliano"
Herz und Mund und Tat und Leben BWV 147 (Kantate) (Auszug) (bearb. für Gitarre von David Russel) 11. Attademo, Luigi "Choral-Prelude "Jesu bleibet meine Freude""
Disc 02
Pr?ludien BWV 933-938 (6 kleine Pr?ludien) (bearb. für Gitarre von Stefano Cardi) 01. Cardi, Stefano "Pr?ludium Nr. 4 BWV 936" 02. Cardi, Stefano "Pr?ludium Nr. 2 BWV 934" 03. Cardi, Stefano "Pr?ludium Nr. 5 BWV 937" 04. Cardi, Stefano "Pr?ludium Nr. 6 BWV 938"
Pr?ludien BWV 939-943 (5 kleine Pr?ludien) (bearb. für Gitarre von Stefano Cardi) 05. Cardi, Stefano "Pr?ludium Nr. 2 BWV 940" 06. Cardi, Stefano "Pr?ludium Nr. 1 BWV 939" 07. Cardi, Stefano "Pr?ludium Nr. 4 BWV 942" 08. Cardi, Stefano "Pr?ludium d-moll BWV 999 (c-moll) (bearb. für Gitarre von Stefano Cardi)"
Franz?sische Suite Nr. 3 h-moll BWV 814 (Auszug) (bearb. für Gitarre von Stefano Cardi) 09. Cardi, Stefano "Anglaise" 10. Cardi, Stefano "Menuet - Trio"
Franz?sische Suite Nr. 4 Es-Dur BWV 815 (Auszug) (bearb. für Gitarre von Stefano Cardi) 11. Cardi, Stefano "Allemande" 12. Cardi, Stefano "Fughetta c-moll BWV 961"
Partita für Cembalo Nr. 1 B-Dur BWV 825 (aus Clavierübung I) (Auszug) (bearb. für Gitarre von Stefano Cardi) 13. Cardi, Stefano "Menuet 1 - Menuet 2"
Pr?ludien aus dem Klavierbüchlein für Wilhelm Friedemann Bach BWV 924-932 (Auszug) (bearb. für Gitarre) 14. Cardi, Stefano "Praeludium BWV 926"
Menuette BWV 841-843 (aus Klavierbüchlein für Wilhelm Friedemann Bach) (Auszug) (bearb. für Gitarre) 15. Cardi, Stefano "Menuet BWV 841" 16. Cardi, Stefano "Menuet BWV 842"
Pr?ludien aus dem Klavierbüchlein für Wilhelm Friedemann Bach BWV 924-932 (Auszug) (bearb. für Gitarre) 17. Cardi, Stefano "Praeambulum BWV 924"
Fantasien aus dem Klavierbüchlein für Wilhelm Friedemann Bach (Auszug) (bearb. für Gitarre) 18. Cardi, Stefano "Fantasia Nr. 12 BWV 792"
Pr?ludien aus dem Klavierbüchlein für Wilhelm Friedemann Bach BWV 924-932 (Auszug) (bearb. für Gitarre) 19. Cardi, Stefano "Praeambulum BWV 930"
Fantasien aus dem Klavierbüchlein für Wilhelm Friedemann Bach (Auszug) (bearb. für Gitarre) 20. Cardi, Stefano "Fantasia Nr. 13 BWV 791" 21. Cardi, Stefano "Menuet (beinhaltet Trio von J.B. Bach "per la Partia di Signore Stelzen" BWV 929) (bearb. für Gitarre)"
Suite für Cembalo BWV 824 (aus Klavierbüchlein für Wilhelm Friedemann Bach) (bearb. für Gitarre) 22. Cardi, Stefano "Courante"
Notenbüchlein für Anna Magdalena Bach (Auszug) (bearb. für Gitarre) 23. Cardi, Stefano "Marche BWV Anh. 122" 24. Cardi, Stefano "Marche BWV Anh. 124" 25. Cardi, Stefano "Menuet BWV Anh. 114/115" 26. Cardi, Stefano "Polonaise BWV Anh. 119" 27. Cardi, Stefano "Menuet BWV Anh. 113" 28. Cardi, Stefano "Menuet BWV Anh. 120" 29. Cardi, Stefano "Menuet BWV Anh. 116" 30. Cardi, Stefano "Menuet BWV Anh. 132"
Disc 03
01. Deperter, Jan "Wachet auf, ruft uns die Stimme BWV 140/645 (Kantate)"
Notenbüchlein für Anna Magdalena Bach (Auszug) (bearb. für Gitarre) 02. Deperter, Jan "Nr. 42 O Ewigkeit, du Donnerwort BWV 513 (Choral)" 03. Deperter, Jan "Nr. 41 Gedenke doch, dein Geist zurücke BWV 509 (Arie)" 04. Deperter, Jan "Menuet BWV Anh. 113" 05. Deperter, Jan "Marche BWV Anh. 127" 06. Deperter, Jan "Polonaise BWV Anh. 128" 07. Deperter, Jan "Nr. 22 Musette BWV Anh. 126" 08. Deperter, Jan "Gib dich zufrieden und sei stille BWV 510 (Choral)" 09. Deperter, Jan "Gib dich zufrieden und sei stille BWV 512 (Arie)" 10. Deperter, Jan "Nr. 16 Marche BWV Anh. 122 - Nr. 1 Polonaise BWV Anh. 123 - Nr. 18 Marche BWV Anh. 124 - Nr. 19 Polonaise BWV Anh. 125" 11. Deperter, Jan "Nr. 32 Rondeau BWV 131"
Das Wohltemperierte Klavier I BWV 846-869 (24 Pr?ludien und Fugen) (Auszug) (bearb. für Gitarre von Jan Deperter) 12. Deperter, Jan "Nr. 29 Pr?ludium BWV 846" 13. Deperter, Jan "Wie wohl ist mir, O Freund der Seelen BWV 517"
Notenbüchlein für Anna Magdalena Bach (Auszug) (bearb. für Gitarre) 14. Deperter, Jan "Nr. 33 Warum betrübst du dich BWV 516 (Arie)" 15. Deperter, Jan "Menuet fait par Mons. B?hm" 16. Deperter, Jan "Dir, dir Jehova, will ich singen BWV 299 (Choral)" 17. Deperter, Jan "Bist du bei mir BWV 508" 18. Deperter, Jan "Polonaise BWV Anh. 130"
Ich habe genug BWV 82 (Kantate) (Auszug) (bearb. für Gitarre) 19. Deperter, Jan "Rezitativ"
Schlummert ein, ihr matten Augen BWV 82c (Kantate) (bearb. für Gitarre) 20. Deperter, Jan "Nr. 34/38 Arie"
Notenbüchlein für Anna Magdalena Bach (Auszug) (bearb. für Gitarre) 21. Deperter, Jan "Nr. 11 Wer nur den lieben Gott l?ßt walten BWV 691a (Kirnberger-Choral)" 22. Deperter, Jan "Nr. 6 Les Bergeries B-Dur BWV Anh. 183 (Rondeau)" 23. Deperter, Jan "Nr. 4-5 Menuet BWV Anh. 114-115" 24. Deperter, Jan "Nr. 20 So oft ich meine Tobackspfeife BWV 515a (Arie)" 25. Deperter, Jan "Nr. 16 Marsch D-Dur BWV Anh. 122 (Reprise)" 26. Deperter, Jan "Nr. 14 Menuet BWV Anh. 120" 27. Deperter, Jan "Nr. 7 Menuet G-Dur BWV Anh. 116" 28. Deperter, Jan "Nr. 35 Schaff's mit mir, Gott BWV 514 (Choral)" 29. Deperter, Jan "Nr. 37 Willst du dein Herz mir schenken BWV 518 (Arie des Giovanni)" 30. Deperter, Jan "Nr. 15-36 Menuet BWV Anh. 121-132" 31. Deperter, Jan "Nr. 26 Arie BWV 988/1 (Goldberg-Variationen, Aria mit 30 Ver?nderungen (Clavierübung IV))"
Disc 04
Sonate für Violine solo Nr. 1 g-moll BWV 1001 (bearb. für Gitarre) 01. Teopini, Francesco "1. Adagio" 02. Teopini, Francesco "2. Fuga: Allegro" 03. Teopini, Francesco "3. Siciliana" 04. Teopini, Francesco "4. Presto"
Partita für Violine solo Nr. 1 h-moll BWV 1002 (bearb. für Gitarre) 05. Teopini, Francesco "1. Allemande - Double" 06. Teopini, Francesco "2. Corrente - Double: Presto" 07. Teopini, Francesco "3. Sarabande - Double" 08. Teopini, Francesco "4. Tempo di Borea"
Sonate für Violine solo Nr. 2 a-moll BWV 1003 (bearb. für Gitarre) 09. Teopini, Francesco "1. Grave" 10. Teopini, Francesco "2. Fuga" 11. Teopini, Francesco "3. Andante" 12. Teopini, Francesco "4. Allegro"
Disc 05
Partita für Violine solo Nr. 2 d-moll BWV 1004 (bearb. für Gitarre) 01. Teopini, Francesco "1. Allemande" 02. Teopini, Francesco "2. Corrente" 03. Teopini, Francesco "3. Sarabande" 04. Teopini, Francesco "4. Gigue" 05. Teopini, Francesco "5. Ciaconne"
Sonate für Violine solo Nr. 3 C-Dur BWV 1005 (bearb. für Gitarre) 06. Teopini, Francesco "1. Adagio" 07. Teopini, Francesco "2. Fuge" 08. Teopini, Francesco "3. Largo" 09. Teopini, Francesco "4. Allegro assai"
Partita für Violine solo Nr. 3 E-Dur BWV 1006 (bearb. für Gitarre) 10. Teopini, Francesco "1. Pr?ludium" 11. Teopini, Francesco "2. Loure" 12. Teopini, Francesco "3. Gavotte en Rondeau" 13. Teopini, Francesco "4. Menuet 1 - Menuet 2" 14. Teopini, Francesco "5. Bour?e" 15. Teopini, Francesco "6. Gigue"
Disc 06
Suite für Laute e-moll BWV 996 "aufs Lautenwerck" (bearb. für Gitarre) 01. Attademo, Luigi "1. Pr?ludium: Passaggio - Presto" 02. Attademo, Luigi "2. Allemande" 03. Attademo, Luigi "3. Courante" 04. Attademo, Luigi "4. Sarabande" 05. Attademo, Luigi "5. Bour?e" 06. Attademo, Luigi "6. Gigue"
Suite für Laute a-moll BWV 995 (in g-moll) (bearb. für Gitarre) 07. Attademo, Luigi "1. Pr?ludium" 08. Attademo, Luigi "2. Allemande" 09. Attademo, Luigi "3. Courante" 10. Attademo, Luigi "4. Sarabande" 11. Attademo, Luigi "5. Gavotte 1" 12. Attademo, Luigi "6. Gavotte 2 (en Rondeau)" 13. Attademo, Luigi "7. Gigue"
Suite für Laute a-moll BWV 997 (Partita) (c-moll) (bearb. für Gitarre) 14. Attademo, Luigi "1. Pr?ludium" 15. Attademo, Luigi "2. Fuge" 16. Attademo, Luigi "3. Sarabande" 17. Attademo, Luigi "4. Gigue" 18. Attademo, Luigi "5. Double"
Pr?ludium für Laute D-Dur BWV 998 (in Es-Dur) (bearb. für Gitarre) 19. Attademo, Luigi "1. Pr?ludium" 20. Attademo, Luigi "2. Fuge" 21. Attademo, Luigi "3. Allegro" 22. Attademo, Luigi "Pr?ludium für Laute d-moll BWV 999 (c-moll) (bearb. für Gitarre)" 23. Attademo, Luigi "Fuge a-moll BWV 1000 (g-moll) (bearb. für Gitarre)"
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| | Number of discs: |
6 |
| | Description: | Bachâ??s music is often described as indestructible, in the sense that no matter how it is performed, or in whichever arrangement, its essential spirit survives. Therefore, transcriptions of the Masterâ??s works are common, today as they were in Bachâ??s time (Bach himself was an ardent transcriber!).
This new recording presents instrumental works by Bach transcribed for and played on the modern guitar. The guitar as we know it did not exist in Bach's time - there was the baroque guitar, but it was not widespread in Germany. The closest chordophone instrument to Bach was the baroque lute, an instrument that the genius from Eisenach had among his instruments but probably did not play. The guitar, with its exquisite melodious sound, and its polyphonic possibilities, is a valuable and highly attractive medium for Bachâ??s timeless music.
Included are the original Lute Works of Bach, as well as numerous suites, the famous Chaconne and a variety of popular melodies, such as the Air, and the choral Jesu, meine Freude.
Played by master guitarists Luigi Attademo, Stefano Cardi, Francesco Teopini and Jan Depreter. - This rich set of music by J.S. Bach (or connected tohim by attribution or publication) and transcribedfor the guitar provides a stunning example of theversatility of the composer's music, theunquestionable genius of which renders ituniversally successful on any instrument withpolyphonic capabilities (solo string instrumentsincluded).Luigi Attademo and Stefano Cardi provide an eclecticselection of Bach pieces in successful transcriptionsby themselves and virtuoso classical guitarist andarranger David Russell. This is followed by a large setfrom Anna Magdalena's Notebook performed andtranscribed by Jan Depreter, and complete sets ofthe Violin Sonatas & Partitas and Lute Suites byFranceso Teopini and Attademo, respectively. In thewords of the performer on Disc 1, Luigi Attademo:'the guitar as we know it today didn't exist in Bach'stime, and although there was certainly a baroqueguitar, it was not widespread in Germany. Thebaroque lute was the string instrument closest toBach, and there was certainly one in his collection ofinstruments, though he probably didn't play it. In anyevent he knew a number of lutenists, including L.Krebs. But we are not using Bach's proximity to thelute to justify transcriptions for the guitar, ratherpointing out that on various occasions he transcribedmusic originally composed for a given instrument inarrangements for a similar but different instrument.'In Cardi's set on Disc 2, the sound of the guitar, it'srich dynamics and full polyphonic capacity areexploited for creating performances of some of theharpsichord pieces composed mainly for teachingpurposes in Bach's Cöthen period (1717-23) or inhis early Leipzig years. The rather varied contentalso leaves room for pieces by other composers,such as a Suite by Georg Philipp Telemann (whoseCorrente is featured in this recording) and a Partitaby Gottfried Heinrich Stölzel, where the centralpart of the Minuet, the Trio, was composed by J.S.Bach. Disc 3 features selections from Depreter'stranscription of the entire second Notenbüchleinfür Anna-Magdalena Bach (1725) for classicalguitar, made during his studies. The project torecord it all spanned two decades but benefitsfrom the continuity of having the same recordingproducer and engineer, Peter de Wint, and thesame microphones and recording material throughall the sessions.Teopini's recording of the Sonatas and PartitasBWV1001-6 on Discs 4 & 5 was born from hisconviction that such masterpieces are now amandatory part of a guitarist's repertoire for thesake of personal development. His transcriptionfaithfully complies with the original notation, inorder to not corrupt the implied counterpointcreated by Bach, yet his instrumental approach tothe works is conceived with the aim of justifyingan interpretation of the works on an instrument asunnatural for Baroque music as the modernclassical guitar surely is, therefore viewing theinstrument as a hybrid of both the violin and theharpsichord. The right hand takes the role of thelatter, and Teopini carefully avoided using reststroke throughout the recording, making sure thateven the most expressive passages were realized with afree stroke technique The left hand is approached as aviolinist would, holding the notes and using open stringsas much as possible and arranging fingerings to promotetonal uniformity of all phrases, especially wheresequential modulations occur.Attademo's recording of the Lute Music, on Disc 6, aimsto bring to the fore the richness of Bach's music withoutdenying the lapse of time that separates his time fromours. For that reason, the recording focuses on the studyof Baroque performance practice, on the peculiarities ofthe author's writing, on secondary sources that indicatehow Bach's music was originally played, and on themusical styles that Bach referred to and synthesised. Aswell as the four Suites for lute, the Prelude, Fugue &Allegro BWV998, Prelude BWV999 and Fugue BWV1000are included. | | | Manufacturer No.: |
2997289BRC |
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