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| | Description: | At it's heart, music has always been a questioning of inheritance - a dialogue with predecessors and forebears, the forging of one's own perspective in relation to what has come before, and for some, a plunge into the boundless realms between. For Steve Von Till, that process has always taken on an added dimension to become the most sacred of tasks. Whether through the apocalyptic uprising of Neurosis, the sonic deconstructions of their sister project, Tribes of Neurot, the invocatory intimacy of his eponymous solo albums or his instrumental psychedelic reveries in the guise of Harvestman, that dialogue has never just been with musical influences, but with what underpins them: the primordial, elemental forces now banished to the peripheries of our contemporary consciousness, yet still broadcasting a signal for all who will listen.Released periodically on three of 2024's full moons - April 23rd's Pink Moon, July 21st's Buck Moon and October 17th's Hunter Moon - the three-album cycle, "Triptych", is Harvestman's most ambitious undertaking yet. But it's also the distillation of a unique approach that finds a continuity amongst the fragmented, treating all it's myriad musical sources and reference points not as building bricks, but as tuning forks for a collective ancestral resonance, residing in that liminal space between the fundamental and the imaginary, the intrinsic and the speculative.Drawn to the megaliths, ruins and ancient sites mapped out along the British and European mainland's geographical and psychic landscapes, the folklore and apocrypha forever resurfacing as portals from a rational world, "Triptych" is a meditation forged from traces and residues, and an hallucinatory recollection of artists who have tapped into that enduring otherworldliness embedded within us all. It's a dream diary narrating a passage through Summer Isle where Flying Saucer Attack are wafting out of a window, a distant Fairport Convention are being remixed by dub master Adrian Sherwood, celestial scanners Tangerine Dream are trying to drown out Bert Jansch and Hawkwind are playing Steeleye Span covers, all prised out of time yet bound to it's singularity. Featuring Om bassist and long-term friend of Steve's, Al Cisneros., Runningtime: 00:00:00, Artwork, Layout: Henry Hablak, Bagpipes: John Goff, Bass: Al Cisneros, Consultant [Frequency Consultant]: Dave French, Drums: Dave French, Engineer [Live Assistance]: Sanford Parker, Guitar [Guitars], Bass, Synth [Synths], Percussion, Performer [Stock Tank], Loops, Effects [Filters And Mutations]: Steve Von Till, Mastered By: James Plotkin, Narrator [Narration By]: William Butler Yeats, Percussion [Stock Tank Percussion]: Dave French, Recorded By, Mixed By: Steve Von Till, Labelcode TRBN131.2 (NR131), Recorded At The Crow's Nest, Mixed At The Crow's Nest, Manufactured By The ADS Group"Triptych 2" est un album captivant au format CD signé Harvestman ? le projet expérimental de Steve Von Till du groupe culte de post-metal Neurosis. Cet opus poursuit l?exploration sonore en fusionnant habilement rock psychédélique, folk et musiques ambiantes ou drones pour offrir une expérience auditive unique et immersive aux accents méditatifs et intenses à la fois. Avec ses paysages sonores évocateurs et ses rythmes envoûtants," Triptych 2 "s?adresse aux amateurs de musique avant-gardiste désireux d?élargir leurs horizons auditifs.
Steve Von Till n?est pas seulement reconnu comme membre fondateur de Neurosis ; il s?impose également par sa carrière solo saluée dans la scène musicale indépendante internationale grâce à sa capacité à transcender les styles avec brio.
L?album paraît chez Neurot Recordings : ce label indépendant fondé par les membres de Neurosis soutient depuis toujours des artistes novateurs issus du métal ou du rock expérimental entre autres courants alternatifs?garantissant ainsi une sélection exigeante d??uvres musicales hors normes qui repoussent les frontières artistiques contemporaines. | | | N° de titres: |
7 |
| | N° de fabricant: |
NR131 |
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