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Konzert für 3 Trompeten, Pauke, 2 Oboen, Streicher und Basso continuo D-Dur 01. Concert Royal K?ln "1. Allegro" 02. Concert Royal K?ln "2. Adagio ma non troppo" 03. Concert Royal K?ln "3. Allegro" Sonate für Oboe und Basso continuo c-moll 04. Concert Royal K?ln "1. Adagio" 05. Concert Royal K?ln "2. Allegro" 06. Concert Royal K?ln "3. Adagio" 07. Concert Royal K?ln "4. Gigue" Konzert für Orgel G-Dur 08. Kronenberg, Willi "1. Allegro" 09. Kronenberg, Willi "2. Larghetto" 10. Kronenberg, Willi "3. Allegro" Jauchzt, ihr frohen Christenscharen (Kantate für das Michaelisfest) 11. Concert Royal K?ln "Chor: Jauchzt, ihr frohen Christenscharen (A tempo giusto)" 12. Concert Royal K?ln "Rezitativ: Ja, ja, des H?chsten Liebe wird uns decken" 13. Concert Royal K?ln "Arie: Er?ffnet euch, erfreute Herzen" 14. Concert Royal K?ln "Rezitativ: Wohlan, du werthe Christenschar" 15. Concert Royal K?ln "Choral: Lass durch der Engel Macht" Konzert für Oboe, obligates Cembalo und Basso continuo C-Dur 16. Concert Royal K?ln "1. Allegro - Adagio - Allegro" 17. Concert Royal K?ln "2. Menuett: Moderato - Variation 1-6" Konzert für Oboe, Streicher und Basso continuo B-Dur 18. Concert Royal K?ln "1. Allegro" 19. Concert Royal K?ln "2. Adagio" 20. Concert Royal K?ln "3. Allegro" 21. Concert Royal K?ln "Konzert für 2 H?rner, 2 Fl?ten, 2 Oboen, 2 Fagotte, Streicher und Basso continuo D-Dur"
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 | Description: | The Thuringian composer Christoph Förster was born on 30 November 1693 in Bibra. He received his first musical training from the local organist Pitzler. Starting in 1710 he had instruction with Johann David Heinichen in Weissenfels and subsequently with Georg Friedrich Kaufmann in Merseburg, where he soon was also active as concertmaster in the court chapel. Journeys to Leipzig and Dresden are documented in 1719. In 1723 Förster traveled to Prague for the coronation of Charles VII of Bohemia and met important musical personalities including Johann Joseph Fux, Antonio Caldara, and Francesco Conti. After the death of the Duke of Saxony-Merseburg, he applied for the position of Vice-Kapellmeister in Rudolstadt in 1743 - in the absence of a vacancy, however, without pay - which he held until his untimely death on 6 December 1745. According to a roster from 1743, the Rudolstadt court chapel, with twenty-five musicians, was a rather large ensemble and, aside from strings and keyboard instruments, had at it's disposal flutes, oboes, bassoon, trumpets, timpani, and horns, as well as choirboys. Förster's oeuvre encompasses numerous church cantatas, psalm- and Sanctus-settings, a Mass, and copious instrumental music, including orchestral works, such as overtures and symphonies, instrumental concertos, and small-scale chamber pieces. Förster's instrumental compositions are already strongly influenced by the gallant and sensitive style and point the way from the late Baroque to the early Classical periods. The change in style is clearly perceptible in the individual works. His compositions were well known during his lifetime and recognized by the musical world. Thus, Marpurg, in his Legende einiger Musikheiligen (1786), placed him "among the best melodists of his time." In 1730 Förster subscribed to Georg Philipp Telemann's Tafelmusik and Parisian Quartets. |  | Manufacturer No.: |
M36982 |
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