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Sinfonie Nr. 2 C-Dur op. 61 01. "1. Sostenuto assai - Allegro ma non troppo" 02. "2. Scherzo: Allegro vivace - Trio 1 - Trio 2 - Coda" 03. "3. Adagio espressivo" 04. "4. Allegro molto vivace" Divertimento (für Orchester) (1980) 05. "1. Sennets and Tuckets: Allegro non troppo, ma con brio" 06. "2. Walzert: Allegretto, con grazia" 07. "3. Mazurka: Mesto (molto moderato)" 08. "4. Samba: Allegro giusto" 09. "5. Turkey Trot: Allegretto, ben misurato" 10. "6. Sphinxes: Adagio lugubre" 11. "7. Blues: Slow blues tempo" 12. "8. In Memoriam: Marsch "The BSO forever": Andante - Alla Marcia - Trio 1 - Trio 2"
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 | Number of discs: |
1 |
 | Description: | Leonard Bernstein conducted regularly in Munich from the 1980s onwards. It was then that he learned to appreciate and love the Bavarian Radio Symphony Orchestra in particular. In October 1976, Bernstein appeared with an all-Beethoven programme, and in 1983 he began a series of annual concerts with the orchestra. In November of that year, he rehearsed Robert Schumann's Second Symphony and his own Divertimento (1980), which were performed in the Herkulessaal of the Munich Residenz. This BR-KLASSIK CD presents the live recording of that concert event. Bernstein commendably championed Robert Schumann's Second Symphony - a work from 1845 that was repeatedly perceived as still immature and in need of improvement, and which Schumann himself confessed to having written in poor health. The critic Joachim Kaiser picked up on both facts in his concertreview for the Süddeutsche Zeitung: â??So what did Bernstein do differently to silence this scholarly talk, at least for all those who were lucky enough to listen to his Schumann? (...) Bernstein believed not only in Schumann's melodies â?? not difficult in itself â?? but also, and fervently, in the workâ??s great symphonic developmental arcs. And because he was able to inspire the musicians of the superbly organised Bavarian Radio Symphony Orchestra in such a natural, free and yet highly differentiated way, the power of Schumann emerged!' Bernsteinâ??s Divertimento, composed in 1980 for the 100th anniversary of the Boston Symphony Orchestra, consists of eight miniatures developed from the semitone B-C. It begins with a fanfare and progresses through a waltz, a mazurka, a samba and a blues to a Radetzky-like march. The music is jazz-like, full of happy syncopation, unusual time signatures and dance-like verve. Bernstein also draws on memories of his first concerts â?? popular programmes that he attended as a child with his father in Bostonâ??s Symphony Hall. - Leonard Bernstein conducted regularly in Munich from the 1980s onwards. It was then that he learned to appreciate and love the Bavarian Radio Symphony Orchestra in particular. In October 1976, Bernstein appeared with an all-Beethoven programme, and in 1983 he began a series of annual concerts with the orchestra. In November of that year, he rehearsed Robert Schumann's Second Symphony and his own Divertimento (1980), which were performed in the Herkulessaal of the Munich Residenz. This BR-KLASSIK CD presents the live recording of that concert event. Bernstein commendably championed Robert Schumann's Second Symphony - a work from 1845 that was repeatedly perceived as still immature and in need of improvement, and which Schumann himself confessed to having written in poor health. The critic Joachim Kaiser picked up on both facts in his concert review for the Suddeutsche Zeitung: "So what did Bernstein do differently to silence this scholarly talk, at least for all those who were lucky enough to listen to his Schumann? (...) Bernstein believed not only in Schumann's melodies - not difficult in itself - but also, and fervently, in the work's great symphonic developmental arcs. And because he was able to inspire the musicians of the superbly organised Bavarian Radio Symphony Orchestra in such a natural, free and yet highly differentiated way, the power of Schumann emerged!" Bernstein's Divertimento, composed in 1980 for the 100th anniversary of the Boston Symphony Orchestra, consists of eight miniatures developed from the semitone B-C. It begins with a fanfare and progresses through a waltz, a mazurka, a samba and a blues to a Radetzky-like march. The music is jazz-like, full of happy syncopation, unusual time signatures and dance-like verve. Bernstein also draws on memories of his first concerts - popular programmes that he attended as a child with his father in Boston's Symphony Hall.The CD "Bernstein: Divertimento / Schumann: Symphony No." by Leonard Bernstein and the Symphonieorchester des Bayerischen Rundfunks, released by BR-Klassik, brings together two monumental works interpreted with exceptional artistry. Leonard Bernstein was one of the most influential conductors and composers of the 20th century, renowned for his dynamic interpretations and charismatic leadership. His collaboration with the Bavarian Radio Symphony Orchestra is a testament to his international acclaim and musical versatility. The album showcases Bernstein's own vibrant "Divertimento" alongside Robert Schumann?s emotionally charged symphony, offering listeners a journey through contrasting yet complementary sound worlds. BR-Klassik is known for its high-quality classical music productions that capture both historical depth and contemporary excellence. |  | Playtime: |
56 |
 | Manufacturer No.: |
900226 |
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