Gwendoline Blondeel / Adèle Charvet / Cam Delaforge -K. 35 Mozart: Die Schuldigkeit des ersten Gebots -Château de Versailles Spectacles CD Grooves.land/Playthek

Details / Tracklist:

Die Schuldigkeit ersten Gebotes KV 35 (Geistliches Singspiel)

01. "Sinfonia"

02. "Rezitativ: Die l?bliche und gerechte Bitte"

03. "Arie: Mit Jammer muss ich schauen"

04. "Rezitativ: So vieler Seelen Fall ist zwar mit allem Fug"

05. "Arie: Ein ergrimmter Lowe brullet"

06. "Rezitativ: Was glaubst du"

07. "Rezitativ: Wenn aus so vieler Tausend Mund"

08. "Rezitativ: Sie k?nnen dich, dein Beispiel und deine Wort'"

09. "Arie: Erwache, fauler Knecht"

10. "Rezitativ: Er reget sich"

11. "Rezitativ: Wie, wer erwecket mich?"

12. "Rezitativ: Was Rechenschaft? Was Tod?"

13. "Arie: Hat der Sch?pfer dieses Leben samt der Erde uns gegeben"

14. "Rezitativ: Ist dieses, o so zweifle nimmermehr"

15. "Arie: Schildre einen Philosophen"

16. "Rezitativ: Wen h?r' ich nun hier in der N?he?"

17. "Arie: Manches ?bel will zuweilen"

18. "Rezitativ: Er h?lt mich einem Kranken gleich"

19. "Rezitativ: Hast du nunmehr erfahren"

20. "Trio: Lasst mir eurer Gnade Schein niemal fehlen"

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Description:

The young Wolfgang, aged only 10, composed the oratorio Die Schuldigkeit des ersten Gebots (The Duty of the First Commandment) in 1767 on his return to Salzburg after a fabulous tour of Europe with his father Leopold and his sister. Its rich and varied orchestration reveals Mozart's precocious talent in using instrumentation to enrich the musical narrative and accentuate the emotions of the drama. The libretto depicts a half-hearted Christian who, thanks to Divine Mercy and Justice, is led back to the path of virtue by the Spirit of Christianity, despite the temptations of the Spirit of the world. Camille Delaforge and Il Caravaggio gracefully underline the harmonic skill of this most famous of musicians. -

The young Wolfgang, aged only 10, composed the oratorio Die Schuldigkeit des ersten Gebots (The Duty of the First Commandment) in 1767 on his return to Salzburg after a fabulous tour of Europe with his father Leopold and his sister. It's rich and varied orchestration reveals Mozart's precocious talent in using instrumentation to enrich the musical narrative and accentuate the emotions of the drama. The libretto depicts a half-hearted Christian who, thanks to Divine Mercy and Justice, is led back to the path of virtue by the Spirit of Christianity, despite the temptations of the Spirit of the world. Camille Delaforge and Il Caravaggio gracefully underline the harmonic skill of this most famous of musicians.

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Manufacturer No.:

CVS137

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