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A1: Black Detroit Intro () A2: The Dark Streets () A3: Funeral Biz / Welcome To Detroit (Interlude) () A4: From Home, To Work, And Back (Reprise) () A5: Mon Amie De'troit () B1: Running The Motor (Reprise) () B2: The Motor Is Running () B3: There's No More Soul () B4: Rain Into The Nite () B5: Floating () |
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0/libre - Terme inofficiel signifiant "mondial"
1 - États-Unis, Canada, zones insulaires des États-Unis
2 - Europe de l'Ouest et Europe centrale (y compris la France d'outre-mer et Groenland), Afrique du Sud, Égypte, Proche-Orient, Japon
3 - Asie du Sud-Est, Corée du Sud, Hongkong, Indonésie, Indonésie, Taïwan
4 - Australie, Nouvelle-Zélande, Mexique, Amérique centrale, Amérique du Sud
5 - Russie et autres pays de l'ancienne URSS, Europe de l'Est, Inde et d'autres pays d'Asie, Afrique (sauf Egypte et Afrique du Sud)
6 - République de peuple de Chine
7 - Réserve pour la future utilisation, utilisé de temps en temps pour des échantillons de presse
8 - Territoire international, par exemple dans des avions ou sur des bateaux
Blu-Ray Code - Région
libre/0 - Terme inofficiel signifiant "mondial"
A/1 - Amérique du Nord et Amérique du Sud (sans régions d'outre-mer françaises), Japon, Corée, Taïwan, Hongkong et Asie du Sud-Est
B/2 - Europe (y compris les régions d'outre-mer françaises et Groenland, sans Russie), Proche-Orient, Afrique, Océanie
C/3 - Inde, Népal, Chine, Russie, Asie centrale et Asie du Sud
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 | Description: | First Word Records is very proud to bring you the 10th anniversary edition of Tall Black Guy's debut LP '8 Miles to Moenart'!It includes two brand new jazz interpretations ('From Home To Work, And Back' and 'Running The Motor'), recorded with a live band, as well as a new intro cut ('Black Detroit'), and an alternative mix of the single 'Mon Amie De'troit', previously only available on 7' vinyl.The original vinyl LP release was a one-time limited edition pressing; this being the first time this project has been available on wax since then, and also includes entirely new artwork and photography.From humble origins in Detroit, raised on a healthy diet of Motown, jazz and hip hop, Terrel Wallace (aka Tall Black Guy) has become a standard bearer for the hip hop beats scene. Through a steady stream of soulful productions filled with incredibly clever sample flips and deft production chops, he has won fans across the world, including Gilles Peterson, Benji B, Don Letts, Lefto, Tom Ravenscroft, Lord Finesse, Huey Morgan, Anthony Valadez, and countless others, along with sessions for Boiler Room and more.'8 Miles To Moenart' literally brought Tall Black Guy full circle, and proceeds to do so once again. Detroit was where he started making music, and it's to his hometown he took inspiration for this debut album. Taking in low-slung hip hop, downtempo house and jazz-tinged street soul, it's a record of rare focus. It encapsulated the musical heritage of Detroit, through the looking glass of Tall Black Guy's own signature sound.Follow up releases included his sophomore First Word album 'Let's Take A Trip' (which also featured the likes of Masego, Daniel Crawford, Miles Bonny and Moonchild), and records on Ubiquity, Bastard Jazz and Street Corner Music, to name a few, along with a steady slew of limited self-released edits amd productions, most recently with his #7DayVaults series.He's worked with a number of formidable artists worldwide, including recent extensive work with Zo! (Little Brother), Ozay Moore, Deborah Bond and Dee Jackson (80's Babies), as well as collaborations with 14KT and First Word label-mate Allysha Joy, to name just a few. He is also an integral player for DJ Jazzy Jeff's infamous PLAYlist Retreat sessions, along with more First Word family, Kaidi Tatham and Eric Lau, as well as artists like James Poyser, Ali Shaheed Muhammad and Questlove, and he was a core contributor to First Word's 'Nothing Leaves The House' series, along with Eric, Mr Thing, and kidkanevil.Tall Black Guy has firmly established himself to be one of the most influential producers working today.Terrel says 'I made the bulk of this album back in Detroit around 2012/2013, before I relocated to the UK. I've been back living and working in the States for a while now, and it's great to look back on this project. But while it's nice to reminisce, it's important to look forwards, so I wanted to include something new here to represent my progression as an artist, so there's some new versions included, that I created with the help of some jazz musician friends of mine.'Tracklisting:A1. Black Detroit Intro (1:34)A2. The Dark Streets (6:32)A3. Funeral Biz / Welcome to Detroit (Interlude) (feat. Malice & Mario Sweet) (4:21)A4. From Home to Work, and Back (Reprise) (5:45)A5. Mon Amie Detroit (7' Version) (feat. Ozay Moore) (4:33)B1. Running the Motor (Reprise) (5:45)B2. The Motor Is Running (5:50)B3. There's No More Soul (feat. Diggs Duke) (4:00)B4. Rain Into The Nite (Outro) (3:58)B5. Floating (5:02), Runningtime: 00:00:00, Producer, Written-By, Mixed By: Terrel Wallace, Featuring, Lyrics By: Malice Sweet, Featuring, Lyrics By: Mario Sweet, Featuring, Lyrics By: Ozay Moore, Vocals, Saxophone, Piano [Featuring]: Diggs Duke, Labelcode FIOW316.1 (none) |  | Vinyle: |
Black Vinyl |
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FW316 |
 | Sécurité des produits
Personne responsable pour l'UE:
Believe Digital GmbH Believe Digital GmbH Im Mediapark 6B, 50670 Köln, DE legal.de@believe.com |  |
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