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 01. "Xerrox Topia" 02. "Xerrox Sans Nom I" 03. "Xerrox Sans Nom II" 04. "Xerrox Ascent I" 05. "Xerrox Ascent II" 06. "Xerrox Sans Repit" 07. "Xerrox Nausicaa" 08. "Xerrox Xenonym" 09. "Xerrox Ada" 10. "Xerrox Arc" 11. "Xerrox Kryogen" 12. "Xerrox Isotope"
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 | | Number of discs: |
1 |
| | Description: | NOTON is pleased to announce the release of Xerrox Vol. 5, the final installment of Alva Notoâ??s Xerrox series.
For anyone who has been following the series since its inception in 2007, the concept of Xerrox no longer requires introduction. Originally, it aimed to create copies of imagesâ??both visual and acousticâ??that are more memorable than the originals. The exploration of the relationship between the original and the copy, along with the invention of the copier, not only inspired the series name but also informed its underlying concept. In 2024, this series comes to an end, marking the culmination of a journey that began with the first recording in 2005/2006. Over nearly two decades, the five albums in this series have accompanied the artist's evolving perspective and conceptual approach.
Initially characterized by rawness and a conceptual focus on seeking resolution in white noise, the later works engage with themes of dissolution while shifting their emphasis toward acoustic particles. The copying process is now less visible through software manipulation; rather, it unfolds as the artist describes melodic and acoustic images that are then manipulated, copied, and transformed into new patterns during composition.
Nicolai describes this evolution as a journey encompassing buildup, exploration, and resolution, drawing parallels to the Odyssey and the stories of Jules Verne, particularly those featuring Captain Nemo.
The conclusion of this album holds a sense of finality for the artist. â??I aimed to create a whole cycle of tracks that frame both the beginning and the end,â? Nicolai explains. â??The motif of the journey continues, but this time, the story reaches a dissolution through a conceptual object that embarks on its own journey into infinity. The word â??dissolutionâ? (â??Auflösungâ? in German) is a wonderful concept. On one hand, you can solve a riddle, on the other hand, a pill can completely dissolve in water. Here, I am deliberately describing the process of dissolution.â?
In crafting Volume 5, Nicolai has evolved his compositional process, eschewing samples in favor of original melodies. â??This album probably took the longest to complete,â? he reveals. â??I first created melodic sketches, which became the foundation for the pieces. These recordings are created entirely from scratch. Based on these sketches, I constructed the process of copying, manipulating, and reshaping.â?
Drawing from his recent experiences working with film and larger ensembles, Nicolai's approach to composition reflects a growing influence of classical instrumentation. â??This experience of working with acoustic classical instruments has flowed into the compositional process for Xerrox Vol. 5. Certain instruments are designed with potential orchestral translation in mind.â?
The sonic atmosphere of Xerrox Vol. 5 is one of profound dissolution. â??I wasnâ??t initially interested in strong, emotional melodic aspects,â? Nicolai shares, â??but I realized that the fragment plays a central role.â? This shift leads to an emotionally charged experience, imbued with melancholy and the bittersweet essence of farewell. The passing of Ryuichi Sakamoto, an admirer of the series, has further deepened the albumâ??s emotional resonance.
â??Xerrox Vol. 5 has a lot to do with farewell,â? the artist explains. "Not only the farewell to the series itself, which Iâ??ve nurtured for almost two decades, but also there have been many farewells to people who were close to me. I believe these people are recognizable in the music. Itâ??s a very emotional, personal album.â?
Listeners can expect a visual dimension to the music, though Nicolai intentionally leaves this open to interpretation. â??I prefer to allow the music to evoke personal experiences and images rather than dictate a specific narrative,â? he states. The result is a layered listening experience that invites tenderness and introspection.
- Vol. 1: 'Old World', Vol.2: 'To The New World', Vol.3: 'Towards Space', Vol.4: 'Transit Extrasolar Territories and Inner Worlds', Vol.5: 'Sailing with the Ion Wind in the Ocean of Dissolution'
Recorded in Berlin 2024, mixed at Studio CN, Mastering: Calyx/Berlin
Total play time: 1 hour 19 min 47 sec.
CD manufactured in EU, design: NOTON/Studio Carsten Nicolai
Cover dimensions: 180 mm x 125 mm x 3.5 mm, Weight: 53.4 g
Material: 380 g / qm chromosulfat-cardboard matt laminated, black ink, CD
Typeface: Notobitmap thanks to Lineto/Stephan Murller, Xerrox Headline
© 2024 noton.archiv für ton und nichitton, info@noton.info, noton.info"Xerrox Vol. 5" is the latest installment in Alva Noto's acclaimed Xerrox series, released on CD by the renowned label Noton. This album continues Carsten Nicolai?s (aka Alva Noto) exploration of digital reproduction and sonic abstraction, blending ambient textures with experimental electronic soundscapes. The compositions evoke cinematic atmospheres and emotional depth, reflecting themes of memory and transformation through meticulously processed samples and lush harmonies. As a pivotal figure in contemporary electronic music, Alva Noto has collaborated with artists such as Ryuichi Sakamoto and Ryoji Ikeda, earning international recognition for his innovative approach to sound design.
Noton is a prestigious German record label known for its commitment to avant-garde electronic music and cutting-edge audio-visual projects. Founded by Carsten Nicolai himself, Noton has become synonymous with high-quality releases that push the boundaries of genre conventions while fostering collaborations among leading experimental musicians worldwide. | | | No. of tracks: |
12 |
| | Manufacturer No.: |
80415512 |
| Product Safety
Responsible Person for the EU:
WAS - Word and Sound Medien GmbH
Liebigstrasse, 22113 Hamburg, DE
was_word_and_sound@alive-ag.de | |
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