Details / Tracklist: |
Quartet in D major 01. Biber Consort "Aria. Andante" 02. Biber Consort "Menuet / Trio" 03. Biber Consort "Gigue" Aria de Sancta Scholastica 04. Antonia Ortner "Hellfunkelnde Sterne" 05. Antonia Ortner "Paestanische Rosen" 06. Antonia Ortner "Die englischen Musen" Trio in A major 07. Biber Consort "Symphonia" 08. Biber Consort "Andante" 09. Biber Consort "Menuet / Trio" 10. Biber Consort "Capricio" Solo ex C 11. Jakub Mitrik "Symphonia. Adagio" 12. Jakub Mitrik "Menuet / Trio" 13. Jakub Mitrik "Allegretto" 14. Jakub Mitrik "Menuet" Sultan Wampum oder die Wünsche 15. Antonia Ortner "Aria ¯Juhe, nun will ich leben®" Trio in D major 16. Biber Consort "Introduzione. A troppo presto" 17. Biber Consort "Menuet / Trio" 18. Biber Consort "Finale" Die Zauberfl?te 19. Antonia Ortner "Aria ¯In diesen heil'gen Hallen®" Parthia a 4 in A major 20. Biber Consort "Intrada" 21. Biber Consort "Ballo" 22. Biber Consort "Menuet / Trio" 23. Biber Consort "Fantasia" 24. Biber Consort "Capriccio"
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Number of discs: |
1 |
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Description: | The mandora is a lute instrument that gradually disappeared with the advent of the guitar and has been completely forgotten since around 1820 - until today. The lutenist Jakub MitrÃ?k has set himself the goal of reviving this instrument and its repertoire with this CD. The development of the mandora was a reaction to the baroque lute, which became increasingly complicated to play and had up to 14 courses of strings. It is tuned in a similar way to the later guitar and has six strings, the lower five of which are double-stringed. The mandora was particularly popular in monasteries, especially among the Benedictines. There, the mandora was valued as a solo and chamber music instrument due to its handiness and versatility. The archives of these monasteries also contain a very varied repertoire specially tailored to the mandora, which Jakub MitrÃ?k and his Biber Consort present here for the first time. This is chamber music in a wide variety of formations, in which the mandora takes on the role of a fully-fledged partner that goes far beyond mere basso continuo accompaniment. With his selection, MitrÃ?k presents a multi-coloured and sensitively performed CD programme that reflects the lightness of the late Baroque and early Classical periods and allows musical life in the monasteries outside the liturgy to shine in an unusual light. - The mandora is a lute instrument that gradually disappeared with the advent of the guitar and has been completely forgotten since around 1820 - until today. The lutenist Jakub Mitrik has set himself the goal of reviving this instrument and it's repertoire with this CD. The development of the mandora was a reaction to the baroque lute, which became increasingly complicated to play and had up to 14 courses of strings. It is tuned in a similar way to the later guitar and has six strings, the lower five of which are double-stringed. The mandora was particularly popular in monasteries, especially among the Benedictines. There, the mandora was valued as a solo and chamber music instrument due to it's handiness and versatility. The archives of these monasteries also contain a very varied repertoire specially tailored to the mandora, which Jakub Mitrik and his Biber Consort present here for the first time. This is chamber music in a wide variety of formations, in which the mandora takes on the role of a fully-fledged partner that goes far beyond mere basso continuo accompaniment. With his selection, Mitrik presents a multi-coloured and sensitively performed CD programme that reflects the lightness of the late Baroque and early Classical periods and allows musical life in the monasteries outside the liturgy to shine in an unusual light. |
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Manufacturer No.: |
PC10463 |
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Product Safety
Responsible Person for the EU:
Pan Classics Note 1 Music GmbH Bergheimer Str. 126, 69115 Heidelberg, DE info@note1-music.com |
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