4.2 Music for Mallet Instruments, Voices and Organ
4.3 Six Pianos
4.4 Variations for Winds, Strings and Keyboards
4.5 Vermont Counterpoint
5.1 Music for 18 Musicians~Pulses
5.2 Music for 18 Musicians~Section I
5.3 Music for 18 Musicians~Section II
5.4 Music for 18 Musicians~Section IIIA
5.5 Music for 18 Musicians~Section IIIB
5.6 Music for 18 Musicians~Section IV
5.7 Music for 18 Musicians~Section V
5.8 Music for 18 Musicians~Section VI
5.9 Music for 18 Musicians~Section VII
5.10 Music for 18 Musicians~Section VIII
5.11 Music for 18 Musicians~Section IX
5.12 Music for 18 Musicians~Section X
5.13 Music for 18 Musicians~Section XI
5.14 Music for 18 Musicians~Pulses
6.1 New York Counterpoint~I. Fast
6.2 New York Counterpoint~II. Slow
6.3 New York Counterpoint~III. Fast
6.4 Eight Lines
6.5 Four Organs
7.1 Tehillim~Part I (Fast)
7.2 Tehillim~Part II (Fast)
7.3 Tehillim~Part II (Slow)
7.4 Tehillim~Part IV (Fast)
7.5 Three Movements~Movement I: Quarter note = 176
7.6 Three Movements~Movement II: Quarter note = 88
7.7 Three Movements~Movement III: Quarter note = 176
8.1 Desert Music~First Movement (Fast)
8.2 Desert Music~Second Movement (Moderate)
8.3 Desert Music~Third Movement: Part One (Slow)
8.4 Desert Music~Third Movement: Part Two (Moderate)
8.5 Desert Music~Third Movement: Part Three (Slow)
8.6 Desert Music~Fourth Movement (Moderate)
8.7 Desert Music~Fifth Movement (Fast)
9.1 Sextet~I.
9.2 Sextet~II.
9.3 Sextet~III.
9.4 Sextet~IV.
9.5 Sextet~V.
9.6 Six Marimbas
10.1 Different Trains~America - Before the war
10.2 Different Trains~Europe - During the war
10.3 Different Trains~After the war
10.4 Electric Counterpoint~I. Fast
10.5 Electric Counterpoint~II. Slow
10.6 Electric Counterpoint~III. Fast
11.1 Four Sections~I. Strings (with Winds and Brass): Quarter note = 80
11.2 Four Sections~II. Percussion: Quarter note = 80
11.3 Four Sections~III. Winds and Brass (with Strings): Quarter note = 120
11.4 Four Sections~IV. Full Orchestra: Quarter note = 180
11.5 Music for Mallet Instruments, Voices and Organ
12.1 Cave~Act 1. Typing Music (Genesis XVI)
12.2 Cave~Act 1. Who Is Abraham?
12.3 Cave~Act 1. Genesis XII
12.4 Cave~Act 1. Who Is Sarah?
12.5 Cave~Act 1. Who Is Hagar?
12.6 Cave~Act 1. Typing Music Repeat
12.7 Cave~Act 1. Who Is Ishmael?
12.8 Cave~Act 1. Genesis XVIII
12.9 Cave~Act 1. Who Is Isaac?
12.10 Cave~Act 1. Genesis XXI
12.11 Cave~Act 1. The Casting Out of Ishmael and Hagar
12.12 Cave~Act 1. Machpelah Commentary
12.13 Cave~Act 1. Genesis XXV
12.14 Cave~Act 1. Interior of the Cave
12.15 Cave~Act 2. Surah 3
13.1 Cave~Act 2. Who Is Ibrahim?
13.2 Cave~Act 2. Who Is Hajar?
13.3 Cave~Act 2. The Near Sacrifice
13.4 Cave~Act 2. El Khalil Commentary
13.5 Cave~Act 2. Interior of the Cave
13.6 Cave~Act 3. Who Is Abraham?
13.7 Cave~Act 3. Who Is Sarah?
13.8 Cave~Act 3. Who Is Hagar?
13.9 Cave~Act 3. Who Is Ishmael?
13.10 Cave~Act 3. The Binding of Isaac
13.11 Cave~Act 3. The Cave of Machpelah
14.1 Proverb
14.2 Nagoya Marimbas
14.3 City Life~Check it out
14.4 City Life~Pile driver / alarms
14.5 City Life~It's been a honeymoon - Can't take no mo
14.6 City Life~Heartbeats / boats ; buoys
14.7 City Life~Heavy smoke
15.1 Triple Quartet~First Movement
15.2 Triple Quartet~Second Movement
15.3 Triple Quartet~Third Movement
15.4 Electric Guitar Phase
15.5 Music for a Large Ensemble
15.6 Tokyo/Vermont Counterpoint
16.1 Three Tales~Part I: Hindenburg: Nibelung Zeppelin
16.2 Three Tales~Part I: Hindenburg: A Very Impressive Thing to See
16.3 Three Tales~Part I: Hindenburg: I Couldn't Understand It
16.4 Three Tales~Part II: Bikini: In the Air - 1
16.5 Three Tales~Part II: Bikini: The Atoll - 1
16.6 Three Tales~Part II: Bikini: On the Ships - 1
16.7 Three Tales~Part II: Bikini: In the Air - 2
16.8 Three Tales~Part II: Bikini: The Atoll - 2
16.9 Three Tales~Part II: Bikini: On the Ships - 2
16.10 Three Tales~Part II: Bikini: In the Air - 3
16.11 Three Tales~Part II: Bikini: The Atoll - 3
16.12 Three Tales~Part II: Bikini: On the Ships - 3
16.13 Three Tales~Part II: Bikini: Coda
16.14 Three Tales~Part III: Dolly: Cloning
16.15 Three Tales~Part III: Dolly: Dolly
16.16 Three Tales~Part III: Dolly: Human Body Machine
16.17 Three Tales~Part III: Dolly: Darwin
16.18 Three Tales~Part III: Dolly: Interlude
16.19 Three Tales~Part III: Dolly: Robots/Cyborgs/Immortality
18.1 You Are (Variations)~You are wherever your thoughts are
18.2 You Are (Variations)~Shiviti Hashem l'negdi (I place the Eternal before me)
18.3 You Are (Variations)~Explanations come to an end somewhere
18.4 You Are (Variations)~Ehmor m'aht, v'ahsay harbay (Say little and do much)
18.5 Cello Counterpoint
19.1 Daniel Variations~I saw a dream
19.2 Daniel Variations~My name is Daniel Pearl (I'm a Jewish American from Encino, California)
19.3 Daniel Variations~Let the dream fall back on the dreaded
19.4 Daniel Variations~I sure hope Gabriel likes my music, when the day is done
19.5 Variations for Vibes, Pianos and Strings~Fast
19.6 Variations for Vibes, Pianos and Strings~Slow
19.7 Variations for Vibes, Pianos and Strings~Fast
20.1 Double Sextet~Fast
20.2 Double Sextet~Slow
20.3 Double Sextet~Fast
20.4 2x5~Fast
20.5 2x5~Slow
20.6 2x5~Fast
21.1 WTC9/11~I. 9/11
21.2 WTC9/11~II. 2010
21.3 WTC9/11~III. WTC
21.4 Mallet Quartet~I. Fast
21.5 Mallet Quartet~II. Slow
21.6 Mallet Quartet~III. Fast
21.7 Dance Patterns
22.1 Electric Counterpoint~I. Fast
22.2 Electric Counterpoint~II. Slow
22.3 Electric Counterpoint~III. Fast
22.4 Piano Counterpoint
22.5 Radio Rewrite~I. Fast
22.6 Radio Rewrite~II. Slow
22.7 Radio Rewrite~III. Fast
22.8 Radio Rewrite~IV. Slow
22.9 Radio Rewrite~V. Fast
23.1 Pulse
23.2 Quartet~I. Fast
23.3 Quartet~II. Slow
23.4 Quartet~III. Fast
24.1 Runner~I. Sixteenths
24.2 Runner~II. Eighths
24.3 Runner~III. Quarters
24.4 Runner~IV. Eighths
24.5 Runner~V. Sixteenths
24.6 Music for Ensemble and Orchestra~I. Sixteenths
24.7 Music for Ensemble and Orchestra~II. Eighths
24.8 Music for Ensemble and Orchestra~III. Quarters
24.9 Music for Ensemble and Orchestra~IV. Eighths
24.10 Music for Ensemble and Orchestra~V. Sixteenths
25.1 Reich/Richter~Opening
25.2 Reich/Richter~Patterns ; scales
25.3 Reich/Richter~Cross fades
25.4 Reich/Richter~Ending
26.1 Jacob's Ladder~Genesis
26.2 Jacob's Ladder~Vayachalom (And he dreamed)
26.3 Jacob's Ladder~V'hinei, sulam mutzav artza (And behold, a ladder set up on the Earth)
26.4 Jacob's Ladder~V'rosho magia hashamayima (And its top reached heaven)
26.5 Jacob's Ladder~V'hinei, malachei Elokim olim v'yordim bo (And behold, messengers of G-d ascending and descending on it)
26.6 Traveler's Prayer
27.1 Music for 18 Musicians~Pulses
27.2 Music for 18 Musicians~Section I
27.3 Music for 18 Musicians~Section II
27.4 Music for 18 Musicians~Section IIIA
27.5 Music for 18 Musicians~Section IIIB
27.6 Music for 18 Musicians~Section IV
27.7 Music for 18 Musicians~Section V
27.8 Music for 18 Musicians~Section VI
27.9 Music for 18 Musicians~Section VII
27.10 Music for 18 Musicians~Section VIII
27.11 Music for 18 Musicians~Section IX
27.12 Music for 18 Musicians~Section X
27.13 Music for 18 Musicians~Section XI
27.14 Music for 18 Musicians~Pulses
Nombre de disques:
1
Description:
Runningtime: 00:00:00, Labelcode NNS725247.2
"Collected Works" est un coffret CD+DVD exhaustif du célèbre compositeur américain Steve Reich publié par le label Nonesuch. Cette anthologie propose une vue d?ensemble de l??uvre révolutionnaire de Reich dans la musique classique contemporaine et inclut des pièces emblématiques telles que « Music for 18 Musicians », « Different Trains » ou encore « Drumming ». Le DVD offre des captations rares ainsi que des documentaires éclairants sur le processus créatif du compositeur. Figure majeure du courant minimaliste, Steve Reich s?est vu décerner de nombreux prix prestigieux dont le Prix Pulitzer pour la musique et plusieurs Grammy Awards ; son travail novateur sur les motifs rythmiques influence durablement la scène musicale internationale contemporaine. Le label Nonesuch se distingue par sa qualité sonore irréprochable et son engagement envers les musiques modernes et classiques ? faisant de ce coffret un incontournable tant pour les passionnés que pour ceux qui découvrent cet univers.