Christopher Lyndon-Gee / Pnrso -Arcana / Integrales / Deserts -Naxos CD Grooves.land/Playthek

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01. Polish National Radio Symphony Orchestra "Arcana"

02. Polish National Radio Symphony Orchestra "Octandre: I. Assez lent"

03. Polish National Radio Symphony Orchestra "Octandre: II. Tres vif et nerveaux"

04. Polish National Radio Symphony Orchestra "Octandre: III. Grave"

05. Maryse Castets "Offrandes: Chanson de La-haut"

06. Maryse Castets "Offrandes: La Croix du Sud"

07. Christopher Lyndon-Gee "Integrales"

08. Polish National Radio Symphony Orchestra "Deserts"

09. Polish National Radio Symphony Orchestra "Deserts: First Electronic Interpolation (beginning)"

10. Polish National Radio Symphony Orchestra "Deserts: First Electronic Interpolation (conclusion)"

11. Polish National Radio Symphony Orchestra "Deserts: Second Electronic Interpolation (beginning)"

12. Polish National Radio Symphony Orchestra "Deserts: Second Electronic Interpolation (conclusion)"

13. Christopher Lyndon-Gee "Deserts: Third Electronic Interpolation (beginning)"

14. Polish National Radio Symphony Orchestra "Deserts: Third Electronic Interpolation (conclusion)"

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Description:

The thematic material of Arcana (1925-27) for orchestra - the score of which is prefaced by a quotation from the sixteenth-century Swiss physician and alchemist Paracelsus - is derived from the varied repetition of a handful of motifs including a rising tritone/rising tone figure also used in Intégrales. The première was given at the Academy of Music in Philadelphia on 8th April 1927 conducted by Leopold Stokowski. The title of Octandre (1923) refers to it's scoring for an octet of flute, clarinet, oboe, bassoon, horn, trumpet, trombone and double bass ('octandrous' refers to a flower having eight stamens). The only work of Varèse to follow a traditional division of movements, namely Assez lent, Très vif et nerveux, Animé et jubilatoire, it grows out of the material stated by the oboe in the opening bars, with Varèse treating the octet essentially as a timbral pool from which he extracts textures of a quite startling originality., Runningtime: 00:00:00, Composed By: Edgard Varèse, Conductor: Christopher Lyndon-Gee, Liner Notes: Peter Quinn (5), Liner Notes [French Translation]: Pierre-Martin Juban, Liner Notes [German Translation]: Tilo Kittel (2), Liner Notes [Spanish Translation]: Enrique Martínez Miura, Orchestra: Narodowa Orkiestra Symfoniczna Polskiego Radia, Painting [Cover Picture]: Tim Smith (31), Producer, Engineer, Edited By: Beata Jankowska, Soprano Vocals: Maryse Castets, Labelcode NXS8554820.2 (8.554820), Phonographic Copyright (p) HNH International Ltd., Copyright (c) HNH International Ltd., Recorded At Grzegorz Fitelberg Concert Hall, Glass Mastered At kdg, Pressed By kdg

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8554820

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