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01. Mirko Guadagnini "Maria Addolorata (The Sorrowing Mary), J-C 121: Introduzione (Sinfonia)" 02. Filippo Ravizza "Maria Addolorata (The Sorrowing Mary), J-C 121: Recitativo: Figlio, ah Figlio ove sei?" 03. Filippo Ravizza "Maria Addolorata (The Sorrowing Mary), J-C 121: Aria di Cleofe: Almen potesse chiudere (Contralto)" 04. Mirko Guadagnini "Maria Addolorata (The Sorrowing Mary), J-C 121: Recitativo: Forse Cleofe credi" 05. Filippo Ravizza "Maria Addolorata (The Sorrowing Mary), J-C 121: Aria di Giovanni: Rupe in mar, se irato frema (Tenor)" 06. Silvia Mapelli "Maria Addolorata (The Sorrowing Mary), J-C 121: Recitativo: Cleofe, Giovanni, ah voi..." 07. Filippo Ravizza "Maria Addolorata (The Sorrowing Mary), J-C 121: Aria della Beata Vergine: Il caro suo pegno (Soprano)" 08. Filippo Ravizza "Maria Addolorata (The Sorrowing Mary), J-C 121: Recitativo: L'Uomo, te stessa, e 'l Ciel Madre rimira" 09. Filippo Ravizza "Maria Addolorata (The Sorrowing Mary), J-C 121: Coro finale: Col magnanimo Consiglio (Terzetto)" 10. Silvia Mapelli "Il pianto di San Pietro (The Tears of Saint Peter), J-C 117: Introduzione (Sinfonia)" 11. Filippo Ravizza "Il pianto di San Pietro (The Tears of Saint Peter), J-C 117: Recitativo: Potessi almen col sangue" 12. Filippo Ravizza "Il pianto di San Pietro (The Tears of Saint Peter), J-C 117: Aria di Giacomo: N'empie d'orrore (Contralto)" 13. Filippo Ravizza "Il pianto di San Pietro (The Tears of Saint Peter), J-C 117: Recitativo: O voi felici nel dolore!" 14. Filippo Ravizza "Il pianto di San Pietro (The Tears of Saint Peter), J-C 117: Aria di Pietro: Porto il rimorso al fianco (Tenor)" 15. Filippo Ravizza "Il pianto di San Pietro (The Tears of Saint Peter), J-C 117: Recitativo: Infelice! Che ascolto?" 16. Filippo Ravizza "Il pianto di San Pietro (The Tears of Saint Peter), J-C 117: Aria di Giovanni: Da tenebroso velo (Soprano)" 17. Filippo Ravizza "Il pianto di San Pietro (The Tears of Saint Peter), J-C 117: Recitativo: Dunque giova sperar?" 18. Silvia Mapelli "Il pianto di San Pietro (The Tears of Saint Peter), J-C 117: Coro finale: Perche buon Dio t'involi? (Terzetto)"
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 | Number of discs: |
1 |
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Capriccio Italiano Ensemble/ Ferrari |
 | Description: | Sacred Cantatas by Ensemble Caprice, released 15 March 2005.
This version of Sacred Cantatas comes as a 1xCD. - CAPRICCIO ITALIANO ENSEMBLE/FERRARIOn this recording both cantatas follow a similar design, being scored for soprano, alto (originally castratos), and tenor soloists accompanied by a standard "pre-Classical" orchestra of pairs of oboes and horns, strings, and continuo. The structure, too, is identical, with an opening Sinfonia followed by a semi-dramatized alternation of secco recitative and aria, with a concluding coro or trio, neither of which, pace Naxos's notes, is predominantly contrapuntal. In didactic purpose and in form they are what would have been termed oratorios in the previous century. The style of the writing is advanced, already very much of the pre-Classical kind that would influence the young Mozart when he visited Italy 20 years later (Sammartini was apparently friendly toward Leopold and Wolfgang when they visited Milan). In the overtures there is something of the "spirit and fire" that Burney found "peculiar to the author," while Sammartini's harmonies are a constant source of interest, frequently taking quite bold paths. With one exception, that of the Virgin Mary in Maria addolorata ("The sorrowing Mary"), which is cast in repeated AB form with a concluding stretto, the arias are large-scale da capo structures. |  | No. of tracks: |
18 |
 | Manufacturer No.: |
8557431 |
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