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01. "Ruin" 02. "As The Palaces Burn" 03. "Purified" 04. "11th Hour" 05. "For Your Malice" 06. "Booty Scraper" 07. "A Devil In God's Country" 08. "In Defense Of Our Good Name" 09. "Blood Junkie" 10. "Vigil"
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 | Nombre de disques: |
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 | Description: | Runningtime: 00:00:00, Bass: John Campbell (3), Drums: Chris Adler, Engineer: Devin Townsend, Engineer [Assistant]: Carla Lewis, Engineer [Assistant]: Dan Kearley, Engineer [Assistant]: Dennis Solomon, Engineer [Assistant]: Grant Rutledge, Engineer [Assistant]: Scott Cooke, Lead Guitar, Rhythm Guitar: Mark Morton (2), Lead Guitar, Rhythm Guitar: Willie Adler, Legal: Jeff Cohen (7), Legal: Millen, White, Zelano & Branigan, P.C., Mastered By: Louie Teran, Mixed By: Lamb Of God, Mixed By: Shaun Thingvold, Photography By [Band]: Daragh McDonagh, Producer: Devin Townsend, Producer: Lamb Of God, Vocals: Randy Blythe, Written-By, Arranged By, Performer: Lamb Of God, Engineer [Chris Poland Engineer]: Petar Sardelich, Guest: Chris Poland, Guest: Steve Austin (2), Guest: Devin Townsend, Labelcode IMT1166361.2 (EPC 513880 2), Phonographic Copyright (p) Prosthetic Records, Copyright (c) Prosthetic Records, Distributed By Sony Music, Recorded At Montana Studio, Mixed At Hipposonic Studios, Mastered At Marcussen Mastering, Made By Sony Music, Glass Mastered At Sony DADC"As The Palaces Burn" est un puissant album en format CD du célèbre groupe américain de métal Lamb Of God et édité par Sony Music. Sorti à l'origine en 2003 puis remastérisé pour certaines éditions ultérieures, cet opus s'impose comme une référence du heavy metal moderne grâce à ses riffs agressifs, ses rythmes complexes et ses paroles engagées politiquement. Des titres comme « Ruin », « 11th Hour » ou la chanson éponyme illustrent parfaitement le mélange unique de virtuosité technique et d'énergie brute propre au groupe. Véritable pilier du groove metal contemporain avec plusieurs nominations aux Grammy Awards et des tournées mondiales acclamées pour leur puissance scénique hors norme ainsi que des albums majeurs tels que « Ashes of the Wake » ou « Sacrament », Lamb Of God fait figure d'incontournable dans son genre musical. Quant à Sony Music, il s'agit de l'un des plus grands labels internationaux qui accompagne les artistes les plus talentueux tout en garantissant une production musicale d'excellence accessible partout dans le monde. |  | Pochette: |
CD Jewel box |
 | N° de titres: |
10 |
 | N° de fabricant: |
5138802 |
 | Sécurité des produits
Personne responsable pour l'UE:
Sony Music Entertainment International Services GmbH PO BOX 510, 33311 Gütersloh, DE product.safety@sonymusic.com |  |
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Yuriy P. - 14/02/2025  The second album of the Americans Lamb of God is fundamentally different from the first. Instead of viscous and raw music, we are immediately hit by a squall of dense, powerful, dirty and unpolished sound, which is ready to take you, excuse me, by the balls and not let go until the very end. The guys started playing metalcore, but with a very strong admixture of groove and a slight touch of thrash. In fact, the music has become more straightforward, but at the same time much better than its predecessor, everything is very tough, all the anger and aggression is collected in a fist and pours out on you throughout the album. The rhythm section is impeccable, drummer Chris Adler is not for nothing one of the best in his field, the bass is very tight and works great in conjunction with the drums. The guitarists give out wonderful, powerful riffs, rarely diluting the matter with solos. Randy Blythe's vocals are also good, they suit the music very well. If we go through the songs, I would call the first 4 the best - the opening "Ruin" (for which a good video was shot) sets the tone for the entire album perfectly, being a powerful, pumping action movie. Next comes the fast title track with a good solo passage. "Purified" simply amazes with its, probably, most powerful rhythm section on the album, as well as good theme changes. The latter can also be attributed to "11th Hour", but the musicians have a more serious approach to it, the riffs are somehow more soul-grabbing, they even shot an anti-war video. The other songs are also good, but they don't grab you as much, although I would also highlight the gloomy "In Defense of Our Good Name", when listening to which for some reason I constantly imagine how the musicians roll out a huge cannon, from which they are going to shoot "in defense of their good name", as well as the final "Vigil", which is distinguished by some calmness in contrast to the entire album, but still then turns into a massacre.
An excellent album of the hope of modern metal (it is not for nothing that they are the flagship of the so-called New Wave of American Heavy Metal). The guys chose the right path, which they are still following.
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