| Terrance Terich - 23/Feb/2009 It's no stretch to say that hype is a fickle mistress. There's a maxim that there's no such thing as bad publicity, but try telling that to Kevin Smit...
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James Brubaker - 30/Jan/2009  "Fate fatal fate
An act of hate that greets my fall from grace."
Written in the margins of a tattered math book, or between the covers of a warped a...
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Jesse Cataldo - 21/Jan/2009  ...
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Vadim Rizov - 20/Jan/2009  Common reference points for Glasvegas' sound include The Jesus And Mary Chain and Phil Spector (fuzz and wall of sound, respectively), but it's also c...
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Ted Chase - 16/Jan/2009  Glasgow’s Glasvegas broke through in a huge way in 2008 in their native U.K., with their self-titled debut reaching #2 on the charts over there. Now i...
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Scott Plagenhoef - 15/Jan/2009  Last year, the NME placed Vampire Weekend on its cover and declared that we were living in a time of renewed greatness in American music. Not long aft...
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Ethan Stanislawski - 12/Jan/2009  Too often, the problem with great live bands is a producer's tendency to turn away from the band's live strengths when in the studio. How many Muse al...
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| Gary Graff - 10/Jan/2009 In Glasvegas frontman James Allan's world, "there's a storm on the
horizon" in virtually every song, and while he "can't see the sun"
he nevertheless ...
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David Fricke - 06/Jan/2009  This Scottish quartet's first album is practically a best-of set — four songs previously appeared as high-buzz indie singles. Glasvegas create wa...
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| Tim Nordberg - 05/Jan/2009 Glasvegas. It’s either a pun on the word “Glaswegian”- used to describe things that come from Glasgow, the largest city in Scotland-or a referen...
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