Your search:
No selection
Filter results:
|
Other products from Stevie Ray Vaughan & Double Trouble |
| Details / Tracklist: |
 01. Vaughan, Stevie Ray "Love Struck Baby" 02. Clapp, Lincoln "Pride And Joy" 03. Vaughan, Stevie Ray "Texas Flood" 04. Vaughan, Stevie Ray "Tell Me" 05. Vaughan, Stevie Ray "Testify" 06. Vaughan, Stevie Ray "Rude Mood" 07. Vaughan, Stevie Ray "Mary Had A Little Lamb" 08. Vaughan, Stevie Ray "Dirty Pool" 09. Vaughan, Stevie Ray "I'm Cryin'" 10. Vaughan, Stevie Ray "Lenny" 11. Vaughan, Stevie Ray "SRV Speaks" 12. Vaughan, Stevie Ray "Tin Pan Alley (aka Roughest Place In Town)" 13. Vaughan, Stevie Ray "Testify" 14. Vaughan, Stevie Ray "Mary Had A Little Lamb" 15. Vaughan, Stevie Ray "Wham!"
|
 | | Number of discs: |
1 |
| | Extra-Infos: |
Incl. 5 Bonus Tracks |
| | Description: | Mastered from the Original Master Tapes and Pressed on MoFi SuperVinyl: Texas Flood UD1S 180g 45RPM 2LP Box Set Is the Ultimate Version of Stevie Ray Vaughan's 1983 Debut
Lavish Packaging Includes Opulent Box, Foil-Stamped Jackets, and MoFi SuperVinyl LPs: Deluxe Audiophile Pressing Strictly Limited.
The Mesmerizing Arrival of a Guitar God: Texas Flood Features White-Hot Passion, Sparks-Flying Blues, and the Uptempo Hits "Pride and Joy" and "Love Struck Baby"
Stevie Ray Vaughan and Double Trouble's Texas Flood announces the arrival of a truly special talent â?? namely, the last major blues guitarist to emerge with a voice all his own, an immediately distinctive style, and a soulfulness you feel inside the depths of your existence. Not for nothing is Vaughan frequently mentioned in the same breath as his closest musical cousin, Jimi Hendrix, and ranked the 12th Greatest Guitarist in history by Rolling Stone. This 1983 debut started it all.
Pressed on MoFi SuperVinyl at RTI, Mobile Fidelity's ultra-hi-fi UltraDisc One-Step collector's edition 180g 45RPM 2LP box set brings Vaughan and Co. into your listening room and places them at your feet. You'll enjoy deep-black backgrounds, pointillist details, staggering dynamics, and arguably, the most lifelike tonalities and nuances ever committed to vinyl. Experienced via UD1S, Vaughan's scrunched-up face, closed-eyes appearance, quick-draw fingers, and cowboy hat into pristine focus. More importantly, the searing tones from his Fender Stratocaster and every touch of his pick on the strings are captured with extreme delicacy. You won't miss a note. The soundstage is deep and wide, and the microdynamics pop. This is the closest you will ever come to hearing Vaughan perform in Antone's, circa 1982.
The lavish packaging and beautiful presentation of Mobile Fidelity's Texas Flood UD1S pressing befit its extremely select status. Housed in a deluxe box, this UD1S version contains special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the recording. No expense has been spared. Aurally and visually, this reissue exists a curatorial artifact meant to be preserved, poured over, touched, and examined. It is made for discerning listeners that prize sound quality and creativity, and who desire to fully immerse themselves in the art â?? and everything involved with the album, from the images to the textures.
Born of hot, sweaty bars and years of woodshedding in front of demanding crowds, Texas Flood is rooted in Austin's rich musical heritage â?? as well as Vaughan's tenure in Paul Ray & the Cobras, recipient of the "Best Band" award in the city's first-ever music poll. After getting his feet underneath him, Vaughan formed Triple Threat, the ensemble that morphed into Double Trouble, with which he'd perform with for the remainder of his career. Having evolved from a quintet to a trio, extra demands were placed on Vaughan's role and playing â?? requirements he was more than comfortable to accommodate.
The evidence is scattered throughout Texas Flood, which single-handedly resuscitated a long-dormant genre. Spending more than half a year on the Billboard charts, the record pays homage to influences (Hendrix, Albert King, Larry Davis) and ripples with a freshness that joins contemporary Texas blues and muscular rock at the hip. Vaughan's playing prizes emotion and pace, whether he's lighting it up on the jumpy "Love Struck Baby" or bursting with enthusiasm on the sparks-shooting "Pride and Joy."
The trio proves equally mesmerizing on slow numbers, with covers of Howlin' Wolf's "Tell Me" and Davis' "Texas Flood" weeping with longing. And as if to insure his name is etched in history, Vaughan takes a jazzy stroll with the instrumental tribute "Lenny," covering all the bases in less than 40 minutes. On par with anything recorded by Eric Clapton, Paul Butterfield, John Mayall, Johnny Winter, and the like, Texas Flood remains legion.
Experience it like nobody has ever before and secure your lowest-numbered copy of this exclusive set from Music Direct today!
More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior
Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a "convert." Delicate "converts" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.
MoFi SuperVinyl: The Worldâ??s Quietest Surfaces and Cleanest Grooves
MoFi SuperVinyl is a new proprietary compound developed by NEOTECH and RTI to address two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the worldâ??s quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. Mobile Fidelity Sound Lab feels MoFi SuperVinyl provides the closest approximation of what we hear in the mastering lab. - INCL. 5 BONUS TRACKSRemastered reissue of 1983 album includes five bonus tracks, 'SRV Speaks', 'Tin Pan Alley' (AKA Roughest Place in Town), 'Testify' (Live), 'Mary Had a Little Lamb' (Live), & 'Wham!' (Live)."Sony Music NICE PRICE" series, in some copies it shows the black & gold nice-price sticker on the front.
Originally issued as Epic album 38734
All bonus tracks previously unreleased
Recorded at Down Town Studio, Los Angeles, CA; Riverside Sound, Austin, Texas
Mixed at Media Sound, NYC
Mastered at CBS Studios, NYC
Reissue Mastered at Sony Music Studios, NYC
Vocals on track 9 recorded at Media Sound
Track 11 taped at Sound On Sound Studios, New York City
Track 12 mixed at Sony Music Studios, NYC
Tracks 1, 2, 5 to 8, 10, 12 recorded: November 24, 1982
Tracks 3 recorded: November 22, 1982
Tracks 4, 9 recorded: November 23, 1982
Tracks 13 to 15 recorded: September 23, 1983 live at The Palace, Hollywood, California
Track 11 taped: in October 1989
© 1999 Sony Music Entertainment Inc.
? 1983, 1999 Sony Music Entertainment Inc.
Made in Austria
Durations do not appear on this release. | | | Cover: |
CD Jewel box |
| | Producer: |
Double Trouble, John Hammond, Sr., Richard Mullen, Stevie Ray Vaughan, Tim White, Timothy White |
| | No. of tracks: |
15 |
| | Manufacturer No.: |
4941292 |
| Product Safety
Responsible Person for the EU:
Sony Music Entertainment International Services GmbH
PO BOX 510, 33311 Gütersloh, DE
product.safety@sonymusic.com | |
|
Customers who bought this product also purchased
|
Pop International
247.204
