Jonathan Byram - 2010年 06月 18日  High Places vs. Mankindis High Places' latest album of highly processed, otherworldly grooves. On the vanguard of sound design, HighPlaces delivers a...
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Skeleton Crew Quarterly - 2010年 05月 26日  (A) its craft would be commended, if not always enjoyed, (B) each song worth complimenting would be negated by a disappointing nemesis-track, and (C) ...
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Ryan Pratt - 2010年 05月 26日  (A) its craft would be commended, if not always enjoyed, (B) each song worth complimenting would be negated by a disappointing nemesis-track, and (C) ...
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cloudspeakers - 2010年 04月 29日 High Places - High Places vs. MankindThe best music always elicits a response, whether it’s the hyperactive, childlike glee you get from a decent pop ...
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Tom Whyman - 2010年 04月 23日 Here’s one for you. I know a guy who knows the girl one from High Places. He’s got friends in High Places. A friend… Whatever.But hey, who wouldn’t wa...
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B McGhee - 2010年 04月 23日  Mary Pearson has a precious way of singing. It isn't just the delicacy of her voice, not just the well-mannered and introverted syntax of her lyrics; ...
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Tobias Carroll - 2010年 04月 22日 On their early singles, High Places built an ephemeral sound: elusive pop numbers that were as much about a hazy, disintegrating atmosphere than the g...
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Jennifer Kelly - 2010年 04月 20日  High Places dials down the eccentricity in their secondfull-length, finding a very sweet spot where experimental freak folk meets top40 diva pop. High...
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Noel Gardner - 2010年 04月 16日  Mary Pearson and Rob Barber, aka High Places, are swift workers: their eponymous debut was issued some 18 months ago, and its follow-up is a superior ...
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Jeff Terich - 2010年 04月 15日 The most immediately arresting quality about High Places' early EPs and subsequent Thrill Jockey debut was their lightness. Robert Barber's playful an...
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