Hindemith / Brinton / Sinimberghi / Graf / + -L'Orfeo -Music & Arts CD Grooves.land/Playthek

Comentarios / Titulos de las canciónes:

Disc 01

01. Hindemith, Paul "Ansprache von Paul Hindemith"
Symphoniae Sacrae (Auszug)

02. Brinton, Patricia "Virtute magna"

03. Brinton, Patricia "Sonate im 8. Ton"

04. Brinton, Patricia "Nunc dimittis"
L'Orfeo (Oper in 1 Prolog und 5 Akten) (Gesamtaufnahme)

05. Brinton, Patricia "Prologue"

06. Brinton, Patricia "Pastore (1. Akt)"

07. Brinton, Patricia "Lasciate i monti"

08. Brinton, Patricia "Rosa del ciel"

09. Brinton, Patricia "Ma s'il nostro gioir"

10. Brinton, Patricia "Sinfonia (2. Akt)"

11. Brinton, Patricia "Mira che s? n'alletta - Dunque da degni, Orfeo"

12. Brinton, Patricia "Vi ricorda o bosch'ombrosi"

13. Brinton, Patricia "Ahi, casi acerbo - In un fiorito prato"

14. Brinton, Patricia "Tu se' morta"

15. Brinton, Patricia "Ahi caso acerbo"

16. Brinton, Patricia "Chi ne consola, ahi lassi?"

17. Brinton, Patricia "Ahi caso acerbo"

Disc 02

01. Brinton, Patricia "(keine Angaben) 3. Akt"

02. Brinton, Patricia "O tu ch'innanzi morte"

03. Brinton, Patricia "Possente Spirto"

04. Brinton, Patricia "Ben mi lusinga"

05. Brinton, Patricia "Ei dorme"

06. Brinton, Patricia "Nulla impressa per huom"

07. Brinton, Patricia "(keine Angaben) 4. Akt"

08. Brinton, Patricia "Bench? severo"

09. Brinton, Patricia "O degli abitator"

10. Brinton, Patricia "Pietade oggi ed amore"

11. Brinton, Patricia "Qual honor di te"

12. Brinton, Patricia "Ahi, vista troppo dolce"

13. Brinton, Patricia "Sinfonia"

14. Brinton, Patricia "(keine Angaben) 5. Akt"

15. Brinton, Patricia "Sinfonia"

16. Brinton, Patricia "Ritornello"

17. Brinton, Patricia "Moresca"

Cantidades:

Descripción:

Claudio Monteverdis Orfeo, premiered in February 1607, is the oldest opera still in repertoire today. The work fell into oblivion for more than three centuries, and it was only in 1927 that the first printed score was reprinted in a facsimile edition. But while the score gave fairly clear directions to vocalists, it lacked specificity in notating the instrumental parts, leaving many vital choices, including what instruments to use, up to the performers. A number of late-Romantic versions followed, but it was only in 1943 that Paul Hindemith published his thoroughly researched score which attempted to reconstruct the style and instrumentation of Monteverdi's first performance., Labelcode MUA1237.2

N° de títulos:

N° de fabricante:

MACD1237

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