Tu selección actual:
No hay selección
Filtrar resultados:
|
Otros productos de Coliseum |
| Comentarios / Titulos de las canciónes: |
01. "Introduction" 02. "Blind In One Eye" 03. "Everything To Everyone" 04. "Crime And The City" 05. "Cloaked In Red" 06. "Perimeter Man" 07. "Skeleton Smile" 08. "Isela Vega" 09. "Lost In Groningen" 10. "Statuary" 11. "Man Was Never Meant To Fly" 12. "Punk / Money"
|
 | | Cantidades: |
1 |
 | | Descripción: | Artwork [Cover Photo Manipulation]: Ryan Clark, Bass Guitar: Mike Pascal, Design, Art Direction: Ryan Patterson, Drums: Carter Wilson, Guitar, Vocals: Ryan Patterson, Mastered By: Carl Saff, Mixed By: J. Robbins, Performer [Coliseum Is]: Carter Wilson, Performer [Coliseum Is]: Mike Pascal, Performer [Coliseum Is]: Ryan Patterson, Photography By: Nick Thieneman, Recorded By: Kevin Ratterman, Songwriter [All Songs By]: Ryan Patterson, Accordion, Organ: Brigid Kaelin, Cello: Peter Searcy, Violin: Joe Coleman (3), Organ: Anthony Fossaluzza, Vocals [Additional], Tambourine: J. Robbins, Backing Vocals: Mike Pascal, Accordion: Brigid Kaelin, Backing Vocals: Mike Pascal, Synthesizer [Moog Voyager]: Kevin Ratterman, Backing Vocals: Bonnie "Prince" Billy, Backing Vocals: Carrie Neumayer, Bass [Second], Backing Vocals: Nick Thieneman, Drums [Second]: Jeremy McMonigle, Other [Can Still See Him]: Oliver Cox, Vocals [Spoken], Backing Vocals: Jason B. Noble, Tambourine: Kevin Ratterman, Vocals [Additional]: Bonnie "Prince" Billy, Arranged By [String Arrangement]: Kevin Ratterman, Violin: Cheyenne Mize, Vocals [Additional]: Alicja Trout, Vocals [Additional]: Jason B. Noble, Vocals [Additional]: Carrie Neumayer, Vocals [Additional]: Peter Searcy, Vocals [Additional], Guitar: J. Robbins, Cello: Peter Searcy, Tambourine: Kevin Ratterman, Violin: Joe Coleman (3), Vocals [Additional]: Jason B. Noble, Arranged By: Coliseum (2), Backing Vocals: Kevin Ratterman, Backing Vocals: Marc Fulkerson, Backing Vocals: Mike Pascal, Labelcode 00044087 (TRR175P) |  | | N° de fabricante: |
00044087 |
 | Seguridad del producto
Persona responsable para la UE:
375 Media GmbH Schlachthofstrasse 36A, 21079 Hamburg, DE 375media.com |  |
|
Clientes que compraron este producto, también han comprado los siguientes productos
Jason Ferguson - 12/08/2010  Onehas gotten the sense that, ever since the band's debut in 2004, Coliseum hasbeen chafing under the preconceptions of being a punk band from Louisvi...
|  | Jason Crock - 12/08/2010  For as closely tied as they were early on, it's strange how far apart indie rock and hardcore punk have grown. Early indie and art-rockers took plenty...
|  | Jason Ferguson - 05/08/2010  Onehas gotten the sense that, ever since the band's debut in 2004, Coliseum hasbeen chafing under the preconceptions of being a punk band from Louisvi...
|  | Jeff Terich - 05/08/2010 Buy at iTunesThere's an implicit implication of stylistic change when a band makes the leap from a purveyor of all things heavy like Relapse to the mo...
|  | Jake ebolarama Oliver - 20/07/2010  Anticipation: Everything Coliseum’s touched has been gold, from the ashes of Black Cross with the self-titled Level Plane debut to the molten G...
|  | Chris Colgan - 12/07/2010  What separates Coliseum from the majority of other hardcore bands in the world is their obvious love of groove-laden alternative rock such as Queens o...
|  | Keith Carman - 09/07/2010 Many acts consistently change, bastardizing their sound with successive albums, and fans almost expect them to avoid same steps. Louisville, KY hardco...
|  | Jason Heller - 06/07/2010  With its sophomore album, 2007’s No Salvation, Louisville’s Coliseum made the big jump to Relapse Records. It’s a shame the trio’s sawed-off hardcore ...
|  | Erik Ziedses des Plantes - 30/06/2010  The Patterson brothers have been staples of the Lousiville punk and hardcore scene for years now, but the past decade has produced what seems like a r...
|  | Ronnie Kerswell-O'Hara - 28/06/2010  They say a change is as good as a rest, and that is definitely the case with this Louisville levellers’ third offering. Recorded at The Funeral Home, ...
|  | |
| |
|
 |
 |
|