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Disc 01
 01. Dylan, Bob "The Times They Are A-Changin' (Live Album Version)" 02. Dylan, Bob "Spanish Harlem Incident (Live)" 03. Dylan, Bob "Talkin' John Birch Paranoid Blues (Live Album Version)" 04. Dylan, Bob "To Ramona (Live Album Version)" 05. Dylan, Bob "Who Killed Davey Moore? (Live Album Version)" 06. Dylan, Bob "Gates Of Eden (Live Album Version)" 07. Dylan, Bob "If You Gotta Go, Go Now (Or Else You Got To Stay All Night) (Live Album Version)" 08. Dylan, Bob "It's Alright, Ma (I'm Only Bleeding) (Live Album Version)" 09. Dylan, Bob "I Don't Believe You (She Acts Like We Never Have Met) (Live Album Version)" 10. Dylan, Bob "Mr. Tambourine Man (Live Album Version)" 11. Dylan, Bob "A Hard Rain's A-Gonna Fall (Live Album Version)"
Disc 02
01. Dylan, Bob "Talkin' World War III Blues (Live Album Version)" 02. Dylan, Bob "Don't Think Twice, It's All Right (Live Album Version)" 03. Dylan, Bob "The Lonesome Death Of Hattie Carroll (Live Album Version)" 04. Dylan, Bob / Baez, Joan "Mama, You Been On My Mind (Live Album Version)" 05. Dylan, Bob / Baez, Joan "Silver Dagger (Live Album Version)" 06. Dylan, Bob / Baez, Joan "With God On Our Side (Live Album Version)" 07. Dylan, Bob / Baez, Joan "It Ain't Me, Babe (Live Album Version)" 08. Dylan, Bob "All I Really Want To Do (Live Album Version)"
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| | Informations supplémentaires: |
Live 1964 - Concert At Philharmonic Hall |
| | Description: | Runningtime: 00:00:00, Art Direction: Geoff Gans, Featuring: Joan Baez, Liner Notes: Sean Wilentz, Mastered By: Greg Calbi, Mixed By: Michael H. Brauer, Mixed By [Assistance]: Nathaniel Chan, Photography By: Daniel Kramer (2), Photography By: Sandy Speiser, Producer: Jeff Rosen, Producer: Steve Berkowitz, Producer [Team]: Bob Bowers, Producer [Team]: Debbie Sweeney, Producer [Team]: Diane Lapson, Producer [Team]: Lynne Okin, Product Manager: Lisa Buckler, Recording Supervisor [Original Concert Recording Superviser]: Tom Wilson (2), Research [Tape Research]: Didier C. Deutsch, Written-By: Bob Dylan, Arranged By: Bob Dylan, Arranged By: Joan Baez, Written-By: Traditional, Labelcode 88697732912 (88697732912, 88697732912, 88697732912), Copyright (c) Sony Music Entertainment, Recorded At Philharmonic Hall, New York, Mixed At Quad Recording Studios, Mastered At Sterling Sound, Distributed By Sony Music Entertainment"The Bootleg Vol.6 : Bob Dylan Live 1964-Concert" est une sortie CD remarquable qui capture l?un des moments les plus emblématiques de l?histoire musicale moderne. Enregistré au Philharmonic Hall de New York en 1964, ce concert met en lumière un jeune Bob Dylan à la croisée des chemins entre le folk acoustique et sa future période électrique révolutionnaire. L?album propose des titres légendaires tels que « The Times They Are A-Changin? », « A Hard Rain?s A-Gonna Fall » ou encore une version précoce de « It Ain?t Me Babe ». Ce témoignage unique séduit par son intensité brute et sa valeur historique exceptionnelle pour tous les amateurs du genre et collectionneurs avertis ! Le fabricant Sony Music s?est imposé comme référence mondiale grâce à son engagement envers la qualité sonore et un catalogue prestigieux couvrant toutes les époques musicales majeures.
Bob Dylan demeure l?une des figures majeures de la chanson contemporaine ; il cumule distinctions internationales dont plusieurs Grammy Awards ainsi qu?un Prix Nobel de Littérature pour ses textes novateurs ayant marqué durablement la culture populaire mondiale. | | | N° de titres: |
18 |
| | N° de fabricant: |
88697732912 |
| Sécurité des produits
Personne responsable pour l'UE:
Sony Music Entertainment International Services GmbH
PO BOX 510, 33311 Gütersloh, DE
product.safety@sonymusic.com | |
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Les clients qui ont acheté ce produit ont aussi acheté
 Ivica S. - 29/08/2020  Great concert - Great work by Dylan. Different style... This is my favorite BOOTLEG SERIES Dylan album. Highly recommended
|  | | JIM CALIGIURI - 30/12/2010 At the time of these recordings, the term singer-songwriter didn't exist. Even Dylan's first album, released before the making of these demos, contain...
| | | AMOROSI - 28/12/2010 The highlights amongst themore familiar tunes are numerous and unforgettable: a fuzzy piano-only versionof "Mr. Tambourine Man," the spare but playful...
| | Doug Collette - 15/12/2010  Of all the extraordinary aspects of Bob Dylan’s flair for composing early in his career, the prolific nature of his writing may be the most awe-inspir...
| | | Katherine Baltrush - 15/11/2010 The first and only time I saw Bob Dylan live was in early 2010. This Dylan was the Dylan of legend, voice gone and continually reinventing every song ...
| | | Eric Dennis - 07/11/2010 It's practically a tradition that each new Bob Dylan Bootleg Series release will be accompanied by complaints from Dylan freaks (sorry, "aficionados")...
| | | Joshua Love - 05/11/2010 In his 2004 memoir, Chronicles, Volume One, Bob Dylan writes of encountering Mike Seeger in the early 1960s in Greenwich Village, and being left spell...
| | | Brian Robbins - 01/11/2010 At times, the recording quality isn’t the best. Neither is the performance: there are words that are forgotten, strings that need a tweak, and a throa...
| | | Gary Graff - 29/10/2010 Precious few popular music vaults have been more prolific and consistently rewarding than Bob Dylan's deep trove. Since the groundbreaking 1985 "Biogr...
| | | Sean Egan - 25/10/2010 In July 1962, Bob Dylan – four months after releasing his unremarkable first album – was signed by prestigious music publishing company M. Witmark & S...
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