 Walter Wasacz - 2011年 01月 04日  Beginning with his dark 2004 debut, "Stalker, " and continuing with his collaborations with Appleblim on the trailblazing Skull Disco label and a move...
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Andrew Gaerig - 2011年 01月 03日  Sam Shackleton approaches dance music cautiously. He does this both personally (shuttering his dubstep-affiliated Skull Disco label, moving to Berlin...
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| Remo Bitzi - 2010年 12月 17日 Sam Shackleton’s percussive orgies sit somewhere between techno, industrial and dubstep. With releases on Perlon, Hyperdub and his own Skull Disco imp...
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| Derek Miller - 2010年 12月 14日 Across the past six or seven years, nobody in dance music seems as intimately connected with the doomsday end of the dubstep spectrum as Sam Shackleto...
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| Rory Gibb - 2010年 12月 09日 In Simon Reynolds' seminal post-punk tome Rip It Up & Start Again, he examines the themes that emerged from the fire and brimstone of the punk explosi...
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| pete_adkins - 2010年 12月 07日 Following in the footsteps of Villalobos and Omar S, whose fabric CDs are renowned as being some of the series’ best, Shackleton’s choice to only incl...
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| Bernardo Rondeau - 2010年 12月 07日 Shackleton?s Fabric 55, out just in time to parachute atop year-end lists, is a studio rendering of a live set from earlier this summer at the label?s...
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| Chris Power - 2010年 12月 06日 Describing his process for losing himself in music, Sam Shackleton recently explained that the traditional kick and snare pattern disrupts his immersi...
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 Oliver Bothe - 2010年 12月 22日 Eins ist sicher, Shackletons Beitrag zur Mix-Reihe des Fabric verlangt dem Hörer gehörige Aufmerksamkeit ab. Sich zurücklehnen und genießen ist kaum m...
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