Jennifer Kelly - 08/Mar/2011  There's apowerful 1980s undercurrent running through Cut Copy's third album, a tide thatthreatens to suck the whole sunny Aussie enterprise down into ...
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| Rich Hughes - 02/Mar/2011 The fashion for looking back as a means of artistic inspiration is not a new thing. Artists have always reached for their favourite record in times of...
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| Mike Rengel - 23/Feb/2011 Instead, what Zonoscope recalls most is the engrossing, expansive, longform progressive house and dance pop New Order and Pet Shop Boys ruled the worl...
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| Kerri Mason - 19/Feb/2011 On its third album, "Zonoscope," Aussie four-piece Cut Copy continues the time-traveling journey from the disco-rific body rock of its 2004 debut to m...
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Laura Studarus - 18/Feb/2011  Australian dance-pop masters Cut Copy have never sounded better. Now on their third album, the trio seemingly sips a cocktail of discarded 1980s synth...
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| Derek Miller - 14/Feb/2011 What began in 2004 as Dan Whitford's one-man '80s pop pastiche with the charming Bright Like Neon Love expanded to a three-piece by the time of Cut Co...
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Winston Robbins - 10/Feb/2011  As well as putting themselves in the running for coolest album cover of 2011, Melbourne’s finest, Cut Copy, have finally found their niche upon releas...
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| Ruth Davies - 09/Feb/2011 To last the distance, a serious relationship must be able to get past the heady early days, eventually giving way to affection and security. Cut Copy ...
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| ClashMusic - 09/Feb/2011 When the sleek, stylised ‘In Ghost Colours’ saw Cut Copy’s star rise alongside the output touched by Kitsune and Ed Banger’s gold standard, the electr...
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| Timothy Gabriele - 09/Feb/2011 Australian neo-synthpoppers Cut Copy were always going to face an uphill battle with the follow-up to their rightfully adored, near-perfect sophomore ...
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