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Sonata for Violin and Continuo in A Major, Op. 9 No. 1 01. "I. Larghetto" 02. "II. Allegro" 03. "III. Sarabanta (Largo)" 04. "IV. Allegro moderato" Sonata for Violin and Continuo in G Minor, Op. 9 No. 2 05. "I. Larghetto" 06. "II. Allemanda (Allegro)" 07. "III. Largo" 08. "IV. Allegro" Sonata for Violin and Continuo in F Major, Op. 9 No. 3 09. "I. Vivace" 10. "II. Adagio" 11. "III. Allegro moderato" 12. "IV. Larghetto et affettuoso" 13. "V. Allegro" Sonata for Violin and Continuo in D Minor, Op. 9 No. 5 14. "I. Un poco andante" 15. "II. Allemanda (Allegro)" 16. "III. Adagio" 17. "IV. Allegro" Sonata for Violin and Continuo in A Minor, Op. 9 No. 6 18. "I. Andante" 19. "II. Allegro" 20. "III. Largo et affettuoso" 21. "IV. Allegro moderato" Sonata for Violin and Continuo in D Major, Op. 9 No. 7 22. "I. Vivace" 23. "II. Largo" 24. "III. Allegro" 25. "IV. Largo" 26. "V. Allegro" Sonata for Violin and Continuo in B-Flat Major, Op. 9 No. 9 27. "I. Un poco andante" 28. "II. Allegro" 29. "III. Largo" 30. "IV. Allegro" Sonata for Violin and Continuo in C Minor, Op. 9 No. 12 31. "I. Adagio" 32. "II. Allegro" 33. "III. Adagio" 34. "IV. Allegro"
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Quartetto Vanvitelli |
 | Beschreibung: | In 1738 the acclaimed violinist and composer Michele Mascitti (1664-1760) published in Paris his ninth collection of sonatas. The seventy-four-year-old Neapolitan musician was at the end of his long and celebrated career, but not of his creative powers. Dedicated to the Crozat family, which was to be Mascitti's patron until the end of his life, the twelve sonatas for violin and bass op.9 are fine examples of the graceful blend of Italian and French styles that made this composer so popular in France. With the world premiere of eight sonatas from Mascitti's op. 9, the Quartetto Vanvitelli carries on the rediscovery of this music that Hubert Le Blanc likened 'to the warbling of the nightingale'. After the success of their interpretation of Mascitti's op.8, greeted as 'a jewel of interpretation that exalts with grace, elegance and, more importantly, finesse of touch, the individual stylistic experimentation of Mascitti' (A111), the ensemble Vanvitelli makes with this recording another decisive step towards the full appreciation of this remarkable and unjustly forgotten composer., Runningtime: 00:00:00, Archlute: Mauro Pinciaroli, Cello: Nicola Brovelli, Composed By: Michele Mascitti, Cover: Antoine Watteau, Design: Emilio Lonardo, Engineer [Recording], Mastered By, Edited By: Roberto Chinellato, Ensemble, Executive-Producer: Quartetto Vanvitelli, Harpsichord: Luigi Accardo, Producer [Recording]: Enrico Bissolo, Violin: Gian Andrea Guerra, Labelcode ARC473.2 (A 473), Phonographic Copyright (p) Quartetto Vanvitelli, Copyright (c) Outhere Music France, Recorded At San Medardo Church, Peli |  | Herstellernummer: |
A473 |
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