Starkey
Ear Drums And Black Holes

There’s a couple thousand dubstep DJs out there who could have named themselves Starkey and meant it. Luckily, Philadelphia’s Paul J Geissinger, who w...

As dubstep has spread to an American fanbase, artists like Rusko and Emalkay have theorized that stateside audiences gravitate toward the harder stuff...

Classically deft, Philadelphian producer Starkey chose to turn his ear to street bass many moons ago-the low-end heavy sound of his home city, a genre...

Gutter Music, the standout track on Philadelphia producer Starkey’s 2008 debut album Ephemeral Exhibits, said everything about his self-dubbed ‘street...

Northern accents. Irony. Guinness. Some things don’t translate across the pond. Given the British sensibility that resonates from grime and dubstep - ...

While many are suspicious of producers who assign their music its own genre tag - ‘street bass’ in this instance - it does make a certain sense for a ...

That bass bothering Philadelphian, Starkey, returns with a second album that finds the producer continuing to follow and play up to that current trend...

Expectation can be a merciless motherfucker when it gets hold of you. It seemed like all the pieces were sitting right there for Starkey: starting wit...

Bei Paul Geissinger hat sich einiges geändert. Auf dem Nachfolger von “Ephemeral Exhibits“ verzweigt er seinen Dubstep-Hybrid unter anderem stärker in...

Starkey,avec son deuxième album "Ear drums and black holes", se lajoue autant efficace qu'introspectif. D'un côté, des bouclesravageuses, des basses l...