Ken Scrudato - 15.02.2010  In the wake of punk and from, of all places, the bleak, post-industrial desolation of Thatcherite Liverpool, came an odd crop of bands with lit-school...
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Ken Scrudato - 15.02.2010  In the wake of punk and from, of all places, the bleak, post-industrial desolation of Thatcherite Liverpool, came an odd crop of bands with lit-school...
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Aidan Williamson - 05.02.2010  Doors remained unlocked, neighbours cheerily espoused greetings and light conversation in the morning, your newly-signed endowment mortgage was lookin...
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Alan Baillie - 26.01.2010  A huge crunching eighties vibe entwines itself around this album, from the massive airy sighing of the harmonies to the waves of anthemic synths, it&r...
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Lauren Potts - 26.01.2010  With a name like The Mary Onettes, you would be forgiven for filing this Swedish quartet's second LP somewhere between The Chiffons and The Supremes, ...
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Jude Clarke - 21.01.2010 The second album from Jönköping, Sweden’s Mary Onettes (after 2007’s self-titled debut) had a difficult gestation. As they told TLOBF in a recent inte...
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Talia Soghomonian - 20.01.2010  While critical acclaim and underground success are great, they don't guarantee sales. After being dropped by two labels, including Columbia, The Mary ...
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Finbarr Bermingham - 13.01.2010  Few nations have embraced the indie-pop aesthetic like the Swedes. From the outlandish kitsch of Jens Lekman, to the chart-bothering efforts of Peter,...
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Joshua Kloke - 04.01.2010  Islands, the latest release from Swedish synth-rockers The Mary Onettes evokes the dreamy, wondrous land which they call home. Sweden might be known a...
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Mike Rengel - 09.12.2009 6pt"> Islands lurches to life with the first blinking, stretching movements from a formerly isolated Soviet bloc country, one that just got The Breakf...
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