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1. BITTI: 'DRESDENR019 SONATA NO. 4 IN A MAJOR FOR VIOLIN AND B 2. 'DRESDENR019 SONATA NO. 4 IN A MAJOR FOR VIOLIN AND BASSO CO 3. 'DRESDENR019 SONATA NO. 4 IN A MAJOR FOR VIOLIN AND BASSO CO 4. DRESDEN' SONATA NO. 4 IN A MAJOR FOR VIOLIN AND BASSO CONTIN 5. DRESDEN' SONATA NO. 4 IN A MAJOR FOR VIOLIN AND BASSO CONTIN 6. 'DRESDENR019 SONATA NO. 4 IN A MAJOR FOR VIOLIN AND BASSO CO 7. SONATA IN A MINOR FOR VIOLIN AND BASSO CONTINUO I. ADAGIO 8. SONATA IN A MINOR FOR VIOLIN AND BASSO CONTINUO II. ALLEGRO 9. SONATA IN A MINOR FOR VIOLIN AND BASSO CONTINUO III. LARGO 10. SONATA IN A MINOR FOR VIOLIN AND BASSO CONTINUO IV. ALLEGRO 11. BITTI: 'DRESDEN' SONATA NO. 1 IN C MAJOR FOR VIOLIN AND BASS 12. 'DRESDEN' SONATA NO. 1 IN C MAJOR FOR VIOLIN AND BASSO CONTI 13. 'DRESDEN' SONATA NO. 1 IN C MAJOR FOR VIOLIN AND BASSO CONTI 14. ALBICASTRO: SONATA IN F MINOR FOR VIOLIN AND BASSO CONTINUO 15. SONATA IN F MINOR FOR VIOLIN AND BASSO CONTINUO II. PRESTO 16. SONATA IN F MINOR FOR VIOLIN AND BASSO CONTINUO III. PASSACA 17. BITTI: 'DRESDEN' SONATA NO. 5 IN B FLAT MAJOR FOR VIOLIN AND 18. 'DRESDEN' SONATA NO. 5 IN B FLAT MAJOR FOR VIOLIN AND BASSO 19. 'DRESDEN' SONATA NO. 5 IN B FLAT MAJOR FOR VIOLIN AND BASSO 20. 'DRESDEN' SONATA NO. 5 IN B FLAT MAJOR FOR VIOLIN AND BASSO |
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 | Beschreibung: | The present recording consists of seven previously unrecorded wonderful violin sonatas from the early 18th century. This is the second volume of a FHR series in which samples of the musical riches, that lie in the Dresden Schrank II collection, are brought to life through new recordings. A large portion of the Schrank II manuscripts belonged to the composer/violinist Johann Georg PISENDEL (1687-1755), who, whilst travelling throughout Europe, amassed a huge quantity of music, mostly manuscripts. Some he bought from music shops or receive directly from composers. Most, however, he copied out himself. This collection is one of the largest and most diverse repositories of latebaroque music in the world. In this volume, there are three varied sonatas by Martin Bitti which resemble Corelli. A sonata by Henricus Albicastro who is of the South German school of composition. A delightful sonata by Carlo Fiorelli. Finally, two anonymous sonatas which are both complex and intensely expressive, and possibly written by the composers G.G. Laurenti and A. Montanari. The two brilliant musicians on this recording were chosen specifically for their incredible skills, musicianship and specialist baroque talent. Violinist Kinga Ujszászi and harpsichordist Tom Foster, both members of The English Concert baroque orchestra, give exciting and stylish performances in a wonderful crystal clear recorded sound., Harpsichord: Tom Foster (6), Liner Notes: Michael Talbot, Painting: Madeline von Foerster, Producer: Tom Hammond (8), Recorded By, Edited By, Mastered By: John Croft, Technician [Harpsichord tuned and prepared]: Simon Neal (2), Violin: Kinga Ujszászi, Composed By: Martino Bitti, Composed By: Anonymous, Composed By: Martino Bitti, Composed By: Henricus Albicastro, Composed By: Martino Bitti, Composed By: Anonymous, Composed By: Carlo Fiorelli, Labelcode FIHA121.2 (FHR121), Phonographic Copyright (p) First Hand Records Ltd., Copyright (c) First Hand Records Ltd., Recorded At Church Of The Ascension, Plumstead |  | Herstellernummer: |
FHR121 |
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