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 | Beschreibung: | Artwork [Cover Photo Manipulation]: Ryan Clark, Bass Guitar: Mike Pascal, Design, Art Direction: Ryan Patterson, Drums: Carter Wilson, Guitar, Vocals: Ryan Patterson, Mastered By: Carl Saff, Mixed By: J. Robbins, Performer [Coliseum Is]: Carter Wilson, Performer [Coliseum Is]: Mike Pascal, Performer [Coliseum Is]: Ryan Patterson, Photography By: Nick Thieneman, Recorded By: Kevin Ratterman, Songwriter [All Songs By]: Ryan Patterson, Accordion, Organ: Brigid Kaelin, Cello: Peter Searcy, Violin: Joe Coleman (3), Organ: Anthony Fossaluzza, Vocals [Additional], Tambourine: J. Robbins, Backing Vocals: Mike Pascal, Accordion: Brigid Kaelin, Backing Vocals: Mike Pascal, Synthesizer [Moog Voyager]: Kevin Ratterman, Backing Vocals: Bonnie "Prince" Billy, Backing Vocals: Carrie Neumayer, Bass [Second], Backing Vocals: Nick Thieneman, Drums [Second]: Jeremy McMonigle, Other [Can Still See Him]: Oliver Cox, Vocals [Spoken], Backing Vocals: Jason B. Noble, Tambourine: Kevin Ratterman, Vocals [Additional]: Bonnie "Prince" Billy, Arranged By [String Arrangement]: Kevin Ratterman, Violin: Cheyenne Mize, Vocals [Additional]: Alicja Trout, Vocals [Additional]: Jason B. Noble, Vocals [Additional]: Carrie Neumayer, Vocals [Additional]: Peter Searcy, Vocals [Additional], Guitar: J. Robbins, Cello: Peter Searcy, Tambourine: Kevin Ratterman, Violin: Joe Coleman (3), Vocals [Additional]: Jason B. Noble, Arranged By: Coliseum (2), Backing Vocals: Kevin Ratterman, Backing Vocals: Marc Fulkerson, Backing Vocals: Mike Pascal, Labelcode 00044087 (TRR175P) |  | Details zur Produktsicherheit
Verantwortliche Person für die EU:
375 Media GmbH Schlachthofstraße 36A, 21079 Hamburg, DE https://375media.com |  |
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Kunden, die dieses Produkt gekauft haben, haben auch Folgende gekauft
Jason Ferguson - 12.08.2010  Onehas gotten the sense that, ever since the band's debut in 2004, Coliseum hasbeen chafing under the preconceptions of being a punk band from Louisvi...
|  | Jason Crock - 12.08.2010  For as closely tied as they were early on, it's strange how far apart indie rock and hardcore punk have grown. Early indie and art-rockers took plenty...
|  | Jason Ferguson - 05.08.2010  Onehas gotten the sense that, ever since the band's debut in 2004, Coliseum hasbeen chafing under the preconceptions of being a punk band from Louisvi...
|  | Jeff Terich - 05.08.2010 Buy at iTunesThere's an implicit implication of stylistic change when a band makes the leap from a purveyor of all things heavy like Relapse to the mo...
|  | Jake ebolarama Oliver - 20.07.2010  Anticipation: Everything Coliseum’s touched has been gold, from the ashes of Black Cross with the self-titled Level Plane debut to the molten G...
|  | Chris Colgan - 12.07.2010  What separates Coliseum from the majority of other hardcore bands in the world is their obvious love of groove-laden alternative rock such as Queens o...
|  | Keith Carman - 09.07.2010 Many acts consistently change, bastardizing their sound with successive albums, and fans almost expect them to avoid same steps. Louisville, KY hardco...
|  | Jason Heller - 06.07.2010  With its sophomore album, 2007’s No Salvation, Louisville’s Coliseum made the big jump to Relapse Records. It’s a shame the trio’s sawed-off hardcore ...
|  | Erik Ziedses des Plantes - 30.06.2010  The Patterson brothers have been staples of the Lousiville punk and hardcore scene for years now, but the past decade has produced what seems like a r...
|  | Ronnie Kerswell-O'Hara - 28.06.2010  They say a change is as good as a rest, and that is definitely the case with this Louisville levellers’ third offering. Recorded at The Funeral Home, ...
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