| Bemerkungen / Titelliste: |
: Serenade No. 4 In D Major, KV 203 ()
: Serenade No. 9 In D Major, KV 320 'Posthorn' ()
: Symphony No. 28 In C Major, KV 200 (189k) ()
: Symphony No. 29 In A Major, KV 201 (186a) ()
: Symphony No. 34 In C Major, KV 338 ()
: Symphony No. 32 In G Major, KV 318 ()
: Symphony No. 38 In D Major, KV 504 'Prague' ()
: Clarinet Concerto In A Major, KV 622 ()
: Horn Concerto No. 2 In E Flat Major, KV 417 ()
: Horn Concerto No. 3 In E Flat Major, KV 447 ()
: Horn Concerto No. 1 In D Major, KV 386b (KV 412 & 514) ()
: Horn Concerto No. 4 In E Flat Major, KV 495 ()
4-12: Fragment From Horn Concerto In E Major, KV Anh.98A: Allegro (3:15)
: Piano Concerto No. 13 In C Major, KV 415 ()
: Piano Concerto No. 20 In D Minor, KV 466 ()
: Violin Concerto No. 3 In G Major, KV 216 ()
6-4: Adagio In E Major For Violin And Orchestra, KV 261 (8:50)
: Violin Concerto No. 5 In A Major, KV 219 ()
6-8: Rondo In C Major For Violin And Orchestra, KV 373 (5:53)
: Serenade No. 8 In D Major, KV 286 (Notturno For Four Orchestras) ()
: Serenata Notturna In D Major, KV 239 ()
7-7: Lucio Silla, KV 135 - Overture (9:12)
: Thamos, König In Ägypten, Kv 345 ()
: Six German Dances, KV 509 ()
: Six German Dances, KV 600 ()
: Four German Dances, KV 602 ()
: Three German Dances, KV 605 ()
: Six German Dances, KV 600 ()
: Three German Dances, KV 605 ()
: Don Giovanni, KV 527 ()
: Le Nozze Di Figaro, KV 492 ()
8-17: Ah Se In Ciel, Benigne Stelle, KV 538 (7:27)
: Mass In C Minor, KV 427 'Grosse Messe' ()
: Exsultate, Jubilate, KV 165 ()
: Symphony No. 3 In A Minor, Op. 56 'Scottish' ()
9-5: Overture: The Hebrides, Op. 26 (Fingal's Cave) (10:08)
: A Midsummer Night's Dream ()
10-1: Overture, Op. 21 (11:55)
: Incidental Music, Op. 61 ()
: Les Sylphides ()
: Rossini Overtures ()
11-1: Guillaume Tell - Overture (12:27)
11-2: La Cenerentola - Overture (7:52)
11-3: Semiramide - Overture (12:25)
11-4: La Gazza Ladra - Overture (9:31)
: La Source, Ou Naïla - Ballet (Excerpts) ()
: Piano Concerto No. 1 In B Flat Minor, Op. 23 ()
: Piano Concerto In A Minor, Op. 16 ()
: Leonora, Ossia L'amore Coniugale (Dramma Semiserio In Two Acts) ()
: Luisa Miller ()
17-1: Concerto in E flat major for Oboe and Orchestra (6:09)
: Concerto In C Major For Flute, Oboe And Orchestra ()
: Concerto In C Major For Oboe And Orchestra ()
17-9: Concertino In G Major For Cor Anglais And Orchestra (10:51)
: Violin Concerto In A Minor, Op. 53 ()
18-4: Tzigane - Concert Rhapsody For Violin And Orchestra (Lento, Quasi Cadenza ? Molto Espressivo, Portando ? Quasi Cadenza ? Moderato ? Poco Più Moderato ? Allegro ? Timpo I ? Allegro ? Meno Vivo, Grandioso ? Moderato ? Vivo ? Meno Vivo ? Sempre Accelerando ? Presto) (11:08)
19-1: Lohengrin - In Fernem Land, Unnahbar Euren Schritten (Act III) (6:01)
19-2: Tannhäuser Inbrunst Im Herzen (Act Iii) (10:38)
19-3: Parsifal - Nur Eine Waffe Taugt (Act III) (5:47)
19-4: Die Walküre - Winterstürme Wichen Dem Wonnemond (Act I) (2:51)
19-5: Die Walküre - Ein Schwert Verhieß Mir Der Vater (Act I) (5:58)
19-6: Siegfried - Nothung! Nothung! Neidliches Schwert! (Act I) (3:18)
19-7: Siegfried - Hoho! Hoho! Hohei! Schmiede, Mein Hammer, Ein Hartes Schwert (Act I) (3:49)
19-8: Siegfried - Daß Der Mein Vater Nicht Ist - Waldweben (Act II) (5:11)
19-9: Götterdämmerung - Brünnhilde, Heilige Braut! (Act II) (3:57)
19-10: Fidelio - Gott! Welch' Dunkel Hier! (Act II) (11:10)
19-11: Der Freischütz - Nein, Länger Trag' Ich Nicht Die Quälen . . .Durch Die Wälder, Durch Die Auen (Act I) (7:07)
: Piano Concerto In A Minor, Op. 54 ()
: Piano Concerto No. 2 In F Minor, Op. 21 () |
 | | Anzahl der Tonträger: |
20 |
| | Beschreibung: | Newly compiled for the first time, the Decca career of a pre-eminent Mozart conductor, complemented by his recordings for Deutsche Grammophon and Westminster. Peter Maag began his career as a pianist, but turned to conducting with the encouragement of Wilhelm Furtwängler. He made his first Decca recording having lately turned 30, with the Suisse Romande Orchestra whose founder-director, Ernest Ansermet, also gave his fellow Swiss conductor much early encouragement. Critics recognized Maag as a natural Mozartian, and his first seven Decca recordings were exclusively dedicated to the composer's serenades, symphonies and arias (accompanying Jennifer Vyvyan and Fernando Corena). In the late 1950s, Maag embarked on a fruitful relationship with the LSO, which yielded more Mozart and then classic accounts of Mendelssohn - the Scottish Symphony and music for A Midsummer Night's Dream - for which the conductor's lightness of touch and firm rhythmic hand were ideally suited. These qualities also found him at home in ballet - there are beautifully sprung accounts here of Les Sylphides and La Source - and the Italian operatic repertoire. As well as a long-prized disc of Rossini overtures, this box gathers up Maag's pioneering recording of a forerunner to Fidelio, Paer's Leonora, and Verdi's Schiller-rarity, Luisa Miller, with a cast led by Luciano Pavarotti (who had already worked on the piece with the conductor for Italian radio). Maag brought the best out of both vocal and instrumental soloists, and many of his records find him in the role of accompanist, to Julius Katchen near the start of his career and Barry Tuckwell for his first Decca recording, with the late Fou Ts'ong in 1962, and to Peter Jablonski and Joshua Bell near the end. In between he made a trio of less-familar albums for Deutsche Grammophon, a suave foil to Heinz Holliger in Baroque oboe concertos, to Edith Peinemann in Dvorák's Violin Concerto and Ravel's Tzigane, and to the Danish Heldentenor Ticho Parly for a Wagner recital. Jablonski and Tuckwell contribute personal reminiscences of working with Maag for the booklet notes., Art Direction: Raymond Bannerman, Booklet Editor: Adam Freeman (2), Booklet Editor: Bruce Raggatt, Conductor: Peter Maag, Coordinator [Coordination]: Cassandra Paz, Edited By [Editor]: Ursula Stenz, Engineer [Balance Engineer]: Adolf Enz, Engineer [Balance Engineer]: Alan Abel (2), Engineer [Balance Engineer]: Arthur Haddy, Engineer [Balance Engineer]: Cyril Windebank, Engineer [Balance Engineer]: David Frost (3), Engineer [Balance Engineer]: Gil Went, Engineer [Balance Engineer]: Gordon Parry, Engineer [Balance Engineer]: Günter Hermanns, Engineer [Balance Engineer]: Hans-Peter Schweigmann, Engineer [Balance Engineer]: Heinz Wildhagen, Engineer [Balance Engineer]: Jack Law, Engineer [Balance Engineer]: James Lock (2), Engineer [Balance Engineer]: Ken Cress, Engineer [Balance Engineer]: Kenneth Wilkinson, Engineer [Balance Engineer]: Martin Atkinson, Engineer [Balance Engineer]: Peter Attwood, Engineer [Balance Engineer]: Philip Wade, Engineer [Balance Engineer]: Raymond Füglistaler, Engineer [Balance Engineer]: Simon Eadon, Engineer [Balance Engineer]: Stanley Goodall, Engineer [Balance Engineer]: Unknown Artist, Executive-Producer: Günther Dieckmann, Executive-Producer: Joachim Niss, Executive-Producer: Rolf Peter Schröder, Executive-Producer: Volker Martin, Executive-Producer [Eloquence Producer]: Cyrus Meher-Homji, Liner Notes: Barry Tuckwell, Liner Notes: Peter Quantrill, Mastered By: Peter Curiel, Producer [Recording Producer]: Christopher Raeburn, Producer [Recording Producer]: Dr. Kurt List, Producer [Recording Producer]: Erik Smith, Producer [Recording Producer]: Hans Weber, Producer [Recording Producer]: James Walker (3), Producer [Recording Producer]: John Culshaw, Producer [Recording Producer]: Karl Faust, Producer [Recording Producer]: Michael Bremner, Producer [Recording Producer]: Michael Haas (3), Producer [Recording Producer]: Michael Williamson, Producer [Recording Producer]: Paul Myers (2), Producer [Recording Producer]: Ray Minshull, Producer [Recording Producer]: Richard Beswick (2), Producer [Recording Producer]: Unknown Artist, Producer [Recording Producer]: Victor Olof, Remastered By [Remastering Engineer]: Chris Bernauer, Research [Tape Archive Research]: Jason Repantis, Composed By: Wolfgang Amadeus Mozart, Orchestra: The New Symphony Orchestra Of London, Violin: Jean Pougnet, Composed By: Wolfgang Amadeus Mozart, Orchestra: L'Orchestre De La Suisse Romande, Composed By: Wolfgang Amadeus Mozart, Orchestra: L'Orchestre De La Suisse Romande, Composed By: Wolfgang Amadeus Mozart, Orchestra: L'Orchestre De La Suisse Romande, Composed By: Wolfgang Amadeus Mozart, Orchestra: L'Orchestre De La Suisse Romande, Composed By: Wolfgang Amadeus Mozart, Orchestra: London Symphony Orchestra, Composed By: Wolfgang Amadeus Mozart, Orchestra: London Symphony Orchestra, Clarinet: Gervase de Peyer, Composed By: Wolfgang Amadeus Mozart, Orchestra: London Symphony Orchestra, Composed By: Wolfgang Amadeus Mozart, Horn: Barry Tuckwell, Orchestra: London Symphony Orchestra, Composed By: Wolfgang Amadeus Mozart, Horn: Barry Tuckwell, Orchestra: London Symphony Orchestra, Composed By: Wolfgang Amadeus Mozart, Horn: Barry Tuckwell, Orchestra: London Symphony Orchestra, Composed By: Wolfgang Amadeus Mozart, Horn: Barry Tuckwell, Orchestra: London Symphony Orchestra, Composed By: Wolfgang Amadeus Mozart, Horn: Barry Tuckwell, Orchestra: London Symphony Orchestra, Cadenza [Cadenzas]: Julius Katchen, Composed By: Wolfgang Amadeus Mozart, Orchestra: The New Symphony Orchestra Of London, Piano: Julius Katchen, Cadenza [Cadenzas]: Ludwig van Beethoven, Composed By: Wolfgang Amadeus Mozart, Orchestra: The New Symphony Orchestra Of London, Piano: Julius Katchen, Composed By: Wolfgang Amadeus Mozart, Orchestra: English Chamber Orchestra, Violin: Joshua Bell, Composed By: Wolfgang Amadeus Mozart, Orchestra: English Chamber Orchestra, Violin: Joshua Bell, Composed By: Wolfgang Amadeus Mozart, Orchestra: English Chamber Orchestra, Violin: Joshua Bell, Composed By: Wolfgang Amadeus Mozart, Orchestra: English Chamber Orchestra, Violin: Joshua Bell, Composed By: Wolfgang Amadeus Mozart, Orchestra: London Symphony Orchestra, Composed By: Wolfgang Amadeus Mozart, Double Bass: Stuart Knussen, Orchestra: London Symphony Orchestra, Viola: Simon Streatfeild, Violin [Violin 1 (I)]: Hugh Maguire, Violin [Violin 2 (II)]: Sir Neville Marriner, Composed By: Wolfgang Amadeus Mozart, Orchestra: London Symphony Orchestra, Composed By: Wolfgang Amadeus Mozart, Orchestra: London Symphony Orchestra, Composed By: Wolfgang Amadeus Mozart, Orchestra: London Philharmonic Orchestra, Composed By: Wolfgang Amadeus Mozart, Orchestra: London Philharmonic Orchestra, Composed By: Wolfgang Amadeus Mozart, Orchestra: London Philharmonic Orchestra, Composed By: Wolfgang Amadeus Mozart, Orchestra: London Philharmonic Orchestra, Composed By: Wolfgang Amadeus Mozart, Orchestra: London Philharmonic Orchestra, Composed By: Wolfgang Amadeus Mozart, Orchestra: London Philharmonic Orchestra, Bass Vocals: Fernando Corena, Composed By: Wolfgang Amadeus Mozart, Orchestra: L'Orchestre De La Suisse Romande, Bass Vocals: Fernando Corena, Composed By: Wolfgang Amadeus Mozart, Orchestra: L'Orchestre De La Suisse Romande, Composed By: Wolfgang Amadeus Mozart, Orchestra: London Philharmonic Orchestra, Soprano Vocals: Jennifer Vyvyan, Composed By: Wolfgang Amadeus Mozart, Orchestra: London Philharmonic Orchestra, Soprano Vocals: Jennifer Vyvyan, Composed By: Wolfgang Amadeus Mozart, Orchestra: London Philharmonic Orchestra, Soprano Vocals: Jennifer Vyvyan, Composed By: Felix Mendelssohn-Bartholdy, Orchestra: London Symphony Orchestra, Composed By: Felix Mendelssohn-Bartholdy, Orchestra: London Symphony Orchestra, Composed By: Felix Mendelssohn-Bartholdy, Orchestra: London Symphony Orchestra, Chorus: Chorus Of The Royal Opera House, Covent Garden, Chorus Master: Douglas Robinson, Composed By: Felix Mendelssohn-Bartholdy, Orchestra: London Symphony Orchestra, Soprano Vocals: Jennifer Vyvyan, Soprano Vocals: Marion Lowe, Arranged By: Roy Douglas, Composed By: Frédéric Chopin, Orchestra: Orchestre De La Société Des Concerts Du Conservatoire, Composed By: Gioacchino Rossini, Orchestra: Orchestre De La Société Des Concerts Du Conservatoire, Composed By: Gioacchino Rossini, Orchestra: Orchestre De La Société Des Concerts Du Conservatoire, Composed By: Gioacchino Rossini, Orchestra: Orchestre De La Société Des Concerts Du Conservatoire, Composed By: Gioacchino Rossini, Orchestra: Orchestre De La Société Des Concerts Du Conservatoire, Composed By: Léo Delibes, Orchestra: Orchestre De La Société Des Concerts Du Conservatoire, Composed By: Pyotr Ilyich Tchaikovsky, Orchestra: Philharmonia Orchestra, Piano: Peter Jablonski, Composed By: Edvard Grieg, Orchestra: Philharmonia Orchestra, Piano: Peter Jablonski, Baritone Vocals [Giacchino]: Wolfgang Brendel, Bass Vocals [Rocco]: Giorgio Tadeo, Composed By: Ferdinando Paer, Libretto By: Giovanni Schmidt, Orchestra: Symphonie-Orchester Des Bayerischen Rundfunks, Research [Musical Research]: Edwin Scholz, Score Editor [Performing Edition]: Peter Maag, Soprano Vocals [Leonora]: Urszula Koszut, Tenor Vocals [Don Fernando]: John Van Kesteren, Tenor Vocals [Don Pizzarro]: Norbert Orth, Tenor Vocals [Florestano]: Siegfried Jerusalem, Text By: Jean-Nicolas Bouilly, Vocals [Marcellina]: Edita Gruberova, Baritone Vocals [Miller]: Sherrill Milnes, Bass Vocals [Il conte di Walter]: Bonaldo Giaiotti, Bass Vocals [Wurm]: Richard Van Allan, Chorus: London Opera Chorus, Chorus Master: Terry Edwards, Composed By: Giuseppe Verdi, Libretto By: Salvatore Cammarano, Mezzo-soprano Vocals [Federica]: Anna Reynolds, Orchestra: National Philharmonic Orchestra, Repetiteur: Antonio Tonini, Soprano Vocals [Laura]: Montserrat Caballé, Tenor Vocals [Rodolfo]: Luciano Pavarotti, Tenor Vocals [Un contadino = a villager]: Fernando Pavarotti, Text By [After Kabale und Liebe By]: Friedrich Schiller, Cadenza [Cadenzas By]: Heinz Holliger, Composed By: Vincenzo Bellini, Oboe: Heinz Holliger, Orchestra: Bamberger, Labelcode ELOA8414857.2 (484 1485), Phonographic Copyright (p) Universal Music Australia Pty Ltd, Copyright (c) Universal Music Australia Pty Ltd, Marketed By Universal Classics & Jazz, Recorded At West Hampstead Studios, Recorded At Victoria Hall, Geneva, Recorded At Kingsway Hall, Recorded At Blackheath Halls, Recorded At Maison de la Mutualité, Recorded At Maison de la Chimie, Recorded At Walthamstow Assembly Hall, Recorded At Herkulessaal, München, Recorded At Zentralsaal, Bamberg, Recorded At Rudolfinum, Glass Mastered At Technicolor, Au | | | Herstellernummer: |
ELQ4841485 |
| Details zur Produktsicherheit
Verantwortliche Person für die EU:
Importeur: Klassik Center
Dr. Rainer Kahleyss
Glöcknerpfad 47, 34134 Kassel, DE
info@classicdisc.de | |
|
