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Otros productos de Mike Oldfield |
| Comentarios / Titulos de las canciónes: |
 01. "Ommadawn Part One" 02. "Ommadawn Part One / On Horseback" 03. "In Dulce Jubilo" 04. "First Excursion" 05. "Argiers" 06. "Portsmouth"
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| | Descripción: | Originally released in 1975, Ommadawn is a work of great beauty, and like Hergest Ridge before it, established the fact that there was much more to Mike Oldfield than Tubular Bells. The album, with it's new 2010 mix by Oldfield himself, also contains the original demo, thought lost and the perennial Christmas favourite, in Dulce Jubilo. Universal., Runningtime: 00:00:00, A&R: Benita Kimera, A&R [Artist Liaison]: Mark Powell, Band: The Hereford City Band, Cello: David Strange, Composed By: Mike Oldfield, Conductor [The Hereford City Band]: Leslie Penning, Design [CD Package]: Phil Smee, Directed By [Ommadawn 2010 Project Directors]: Adam Barker (2), Directed By [Ommadawn 2010 Project Directors]: Daryl Easlea, Directed By [Ommadawn 2010 Project Directors]: Mike Oldfield, Drums [African Drums]: Eddie Tatane, Drums [African Drums]: Ernest Mothle, Drums [African Drums]: Julian Bahula, Drums [African Drums]: Lucky Ranku, Harp, Acoustic Guitar, Electric Guitar, Twelve-String Guitar, Classical Guitar, Acoustic Bass, Electric Bass, Mandolin, Bodhrán, Bouzouki, Banjo, Spinet, Grand Piano, Electric Organ [Electric Organs], Synthesizer, Glockenspiel, Percussion [Assorted]: Mike Oldfield, Liner Notes: Mark Powell, Mastered By [24-bit Digital Mastering]: Paschal Byrne, Northumbrian Pipes [Northumbrian Bagpipes]: Herbie (17), Panpipes: Terry Oldfield, Percussion: William Murray, Photography By [Cover]: David Bailey (5), Producer [Stereo Remixes], Engineer [Stereo Remixes]: Mike Oldfield, Product Manager: Daryl Easlea, Recorder: Leslie Penning, Research [Tape Research], Coordinator [Technical Co-ordination]: Mark Powell, Timpani: Pierre Moerlen, Trumpet: Don Blakeson, Vocals: Bridget St. John, Vocals: Clodagh Simonds, Vocals: Sally Oldfield, Vocals: The Penrhos Kids, Producer, Engineer: Mike Oldfield, Written-By: Mike Oldfield, Lyrics By [The Horse Song]: Mike Oldfield, Lyrics By [The Horse Song]: William Murray, Producer, Engineer: Mike Oldfield, Written-By: Mike Oldfield, Arranged By: Mike Oldfield, Engineer: Mike Oldfield, Engineer: Phil Newell, Producer: Mike Oldfield, Written-By: Robert Lucas De Pearsall, Engineer: Phil Newell, Producer: Mike Oldfield, Written-By: David Bedford, Written-By: Mike Oldfield, Engineer: Paul Lindsay, Producer: Mike Oldfield, Written-By: Mike Oldfield, Written-By: Traditional, Acoustic Guitar, Accordion, Mandolin, Synthesizer [String Synthesiser], Drum [Kettle Drum], Bodhrán: Mike Oldfield, Engineer: Paul Lindsay, Producer: Mike Oldfield, Recorder: Leslie Penning, Written-By: Mike Oldfield, Labelcode UNUK5326762.2 (532 676-2, 532 676-2), Record Company Universal Music Group, Phonographic Copyright (p) Mercury Records Ltd., Copyright (c) Mercury Records Ltd., Licensed From Mike Oldfield, Published By Stage Three Music Ltd., Published By CBS Songs Ltd., Published By Universal Edition (London) Ltd., Recorded At The Beacon, Recorded At The Manor, Recorded At Througham, Engineered At The Beacon, Engineered At The Manor, Mastered At The Audio Archiving Company, Designed At Waldo's Design & Dream Emporium, Made By EDC, Germany"Ommadawn" es un álbum clásico del reconocido músico británico Mike Oldfield y está disponible aquí en formato CD bajo el sello Mercury. Publicado originalmente en 1975, este disco es considerado una obra maestra dentro del repertorio de Oldfield por su fusión única entre el rock progresivo y elementos folclóricos y étnicos internacionales; contiene dos extensas composiciones que destacan tanto su talento como multiinstrumentista como sus técnicas innovadoras de producción musical. Tras alcanzar fama mundial con su debut ?Tubular Bells?, pieza icónica utilizada incluso en películas como ?El exorcista?, Mike Oldfield ha vendido millones de discos e influido profundamente en la música instrumental contemporánea.
Mercury Records fue fundada en 1945 y desde entonces se ha consolidado como uno de los sellos discográficos más importantes apoyando artistas diversos dentro del rock,pop,jazz o música clásica.Su experiencia garantiza lanzamientos musicales siempre asociados a calidad y excelencia artística reconocida internacionalmente. | | | N° de títulos: |
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| | N° de fabricante: |
5326762 |
| Seguridad del producto
Persona responsable para la UE:
Universal Music GmbH
Mühlenstrasse 25, 10243 Berlin, DE
productsafety@umusic.com | |
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 Eugene S. - 24/09/2024  The third studio album by English musician, multi-instrumentalist and songwriter Mike Oldfield, released on 31 October 1975. Ommadawn peaked at No. 4 on the UK Albums Chart, No. 74 in Canada,[4] and No. 146 on the US Billboard 200. I recommend.
|  | | HYUNG RAE K. - 17/08/2019 This is 3rd studio album of mike oldfield. Favorite song is horse back and ommadawn part 1 and 2. especially horseback is very unique song. guitar and chorus was very well mixed.
| | | Shi Duan L. - 01/09/2017 The music on this album is one of the most beautiful piece of art I've ever heard in my life. A masterpiece, no doubt.
| | | Kevin E. - 28/01/2014 This, not Tubular Bells is Oldfield's best album. It contains everything that is best about Oldfield in the 70's: folk, minimalism and progressive rock all combining into 2 long pieces of music that are heartbreakingly beautiful. Part 1 ends with one of the most surging sustained climaxes anywhere in rock music, thanks to the vocal chanting in gaelic, African drumming and building layers of guitars. Part 2 opens with a beautiful Irish folk passage with Paddy Moloney from the Chieftains guesting and ends with a simple naïve song about horse-riding.
Richard Branson thought this was Oldfield's best album. Prog Archive rates it above T Bells. I agree, it is Oldfield at his most charged and yet his most tender. If you have bought Tubular Bells and are wondering what to get next this is the album to get.
| | | Rob Haynes - 24/06/2010 Having lit the financial fuse for Richard Branson's career and sat firmly on the wrong side of the late 70s punk rock wars, there remains a lingering ...
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