| Bemerkungen / Titelliste: |
Disc 01
 01. "An Introduction to # DVORAK Symphony No. 9, "From the New World": A quiet beginning: sorrow, syncopation, and sequence" 02. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Instrumental colour as a prime element: clarinets and" 03. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The opening tune again, with different instrumental co" 04. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The first big surprise: strings, shattering drumbeats," 05. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Cellos and basses take us into a new key while flutes" 06. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Horns, violas, and cellos introduce a new idea, soon t" 07. "An Introduction to # DVORAK Symphony No. 9, "From the New World": A tiny detail from the opening culminates in a wild dr" 08. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Introduction complete" 09. "An Introduction to # DVORAK Symphony No. 9, "From the New World": A solo horn introduces the main theme, perkily answere" 10. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The theme moves to G major" 11. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Long crescendo, tremolo strings, back to tonic and big" 12. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Transition to the secondary theme through the use of s" 13. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Three-bar groupings and again the use of sequence, spe" 14. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The sequence continues to rise, and the four-bar phras" 15. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The first violins start off the next phrase, but the m" 16. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The violins fall silent" 17. "An Introduction to # DVORAK Symphony No. 9, "From the New World": So now we have a two-bar group, made up of statement a" 18. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The same thing again (though not quite the same)" 19. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Transition complete. The secondary theme arrives, with" 20. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The 'bagpipe drone' is taken over by cellos, with thei" 21. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The tune is taken up by cellos and double-basses, 'sha" 22. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The violins continue a pattern of steady pairs, and th" 23. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Unexpectedly, we find ourselves back with the secondar" 24. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Again we hear the shortened version of the secondary t" 25. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The suspense is heightened as everything slows down" 26. "An Introduction to # DVORAK Symphony No. 9, "From the New World": This beautiful flute tune is said to resemble 'Swing L" 27. "An Introduction to # DVORAK Symphony No. 9, "From the New World": A big crescendo leads to a final statement of the clos" 28. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The development section begins with a conversation bet" 29. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The beginning of the closing theme is taken up in turn" 30. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Sequential chirping from the oboes based on the 'answe" 31. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Much of the development comes from a diminution of the" 32. "An Introduction to # DVORAK Symphony No. 9, "From the New World": A tiny detail becomes a major ingredient, giving an ag" 33. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Through a sequence of keys so quickly that it is hard" 34. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The main theme from massed cellos and double-basses, t" 35. "An Introduction to # DVORAK Symphony No. 9, "From the New World": After that major climax, we arrive at the threshold of" 36. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Dvorak flouts tradition by setting the secondary theme" 37. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The tumultuous convulsion of the coda brings the first" 38. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Humpty Dumpty: putting the bits back together again" 39. "An Introduction to # DVORAK Symphony No. 9, "From the New World": First movement (complete)" 40. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The very opening chords unmistakably herald the arriva" 41. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The role of instrumentation in setting the scene..." 42. "An Introduction to # DVORAK Symphony No. 9, "From the New World": ...and in enhancing the quality of one of the most fam" 43. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The cor anglais is joined by the clarinet, creating a" 44. "An Introduction to # DVORAK Symphony No. 9, "From the New World": For the closing part of the tune, there is another new" 45. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The closing bar is repeated by clarinets and bassoons," 46. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Back to the start to hear the whole of the story so fa" 47. "An Introduction to # DVORAK Symphony No. 9, "From the New World": A change of scoring: the slow opening chords return, t" 48. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The changes in scoring are just beginning." 49. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The flutes and oboes introduce a new tune, over hushed" 50. "An Introduction to # DVORAK Symphony No. 9, "From the New World": A memorable combination of continuous, asymmetrical me" 51. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Back in that woodland glade, the light and shadows hav" 52. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The next section is new and forward-looking, yet also" 53. "An Introduction to # DVORAK Symphony No. 9, "From the New World": An abrupt change of mood, much discussion and embellis" 54. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Subjectivity and expertise" 55. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Cue to whole movement"
Disc 02
01. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Dvorak, Beethoven, and the Scherzo. Dvorak purposely c" 02. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Using a little fanfare, Dvorak further builds up expec" 03. "An Introduction to # DVORAK Symphony No. 9, "From the New World": When the theme is revealed, we find that it is not exa" 04. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Two little bursts of rhythm provide the seeds from whi" 05. "An Introduction to # DVORAK Symphony No. 9, "From the New World": It is the second half of the theme that dominates." 06. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Back to the beginning to hear the whole of this openin" 07. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Without ever being remotely 'academic' or 'intellectua" 08. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Dvorak's very Czech love of combining conflicting rhyt" 09. "An Introduction to # DVORAK Symphony No. 9, "From the New World": A clearly transitional passage, obsessed with the rhyt" 10. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Sooner than we may have expected, we seem to have arri" 11. "An Introduction to # DVORAK Symphony No. 9, "From the New World": A new kind of tone quality sheds a subtly different li" 12. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The flutes and oboes now chime in with an answering va" 13. "An Introduction to # DVORAK Symphony No. 9, "From the New World": ...and the cellos and bassoons take up the original ve" 14. "An Introduction to # DVORAK Symphony No. 9, "From the New World": A false alarm: it was not the traditional Trio section" 15. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Soon, after a very rapid build, the Scherzo proper doe" 16. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The orchestral texture thins dramatically, and we appr" 17. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The Trio section is reminiscent more of the 'Old World" 18. "An Introduction to # DVORAK Symphony No. 9, "From the New World": In the second half of the Trio, a new tune emerges, a" 19. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The main theme of the Trio returns against a much full" 20. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Then it is all a matter of repeats, until we reach the" 21. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Third movement (complete)" 22. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Like the first movement, the fourth begins not with it" 23. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The main theme: an imposing march, introduced by trump" 24. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The main theme, part two. A codetta-like passage close" 25. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The 'transitional' theme, while outwardly contrasting," 26. "An Introduction to # DVORAK Symphony No. 9, "From the New World": A point of future obsession" 27. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The second half of this 'transitional' theme is given" 28. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The 'obsession' takes root, with a ten-fold repetition" 29. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The hidden traps in sonata-form terminology: 'second m" 30. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The unexpected entry and subsequent ubiquity of 'Three" 31. "An Introduction to # DVORAK Symphony No. 9, "From the New World": We meet the mice again, now in the cellos and double-b"
33. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The mice return to the basement, where the bassoons ha"
34. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Next, they are back with the clarinets who pass them b"
35. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Now they return to the high winds, delicately trilling"
36. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Relief, at last: the mice back off, making way for a r"
37. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The mice yield to woodpeckers"
38. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The triplets of the 'transitional' theme are now hande"
39. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Reminders of past movements begin to fly by, thick and"
40. "An Introduction to # DVORAK Symphony No. 9, "From the New World": In fact there are three bits of quotation going on her"
41. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The violas react every time the 'Goin' Home' theme is"
42. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The rhythm of the opening of the 'Goin' Home' theme do"
43. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The march theme reappears as a Mendelssohnian fairy"
44. "An Introduction to # DVORAK Symphony No. 9, "From the New World": We reach an interesting point: have we heard the begin"
45. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Perhaps this is it? Back for a reminder of the theme p"
46. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Tovey places the start of the recapitulation here."
47. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The main theme recast in pathetic rather than heroic t"
48. "An Introduction to # DVORAK Symphony No. 9, "From the New World": This unexpected crisis in confidence plays a major rol"
49. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The main theme returns - not complete, but chopped up"
50. "An Introduction to # DVORAK Symphony No. 9, "From the New World": A glorious thematic stew"
51. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The dramatic highpoint of the mov., an astonishing tra"
52. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The same chords again, this time blasted out by the en"
53. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Now we are into the finishing stretch, but the surpris"
54. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Summary, context, and cue into the whole movement"
55. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Fourth movement (complete)"
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