Disc 01 01. "An Introduction to # DVORAK Symphony No. 9, "From the New World": A quiet beginning: sorrow, syncopation, and sequence"
02. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Instrumental colour as a prime element: clarinets and"
03. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The opening tune again, with different instrumental co"
04. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The first big surprise: strings, shattering drumbeats,"
05. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Cellos and basses take us into a new key while flutes"
06. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Horns, violas, and cellos introduce a new idea, soon t"
07. "An Introduction to # DVORAK Symphony No. 9, "From the New World": A tiny detail from the opening culminates in a wild dr"
08. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Introduction complete"
09. "An Introduction to # DVORAK Symphony No. 9, "From the New World": A solo horn introduces the main theme, perkily answere"
10. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The theme moves to G major"
11. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Long crescendo, tremolo strings, back to tonic and big"
12. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Transition to the secondary theme through the use of s"
13. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Three-bar groupings and again the use of sequence, spe"
14. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The sequence continues to rise, and the four-bar phras"
15. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The first violins start off the next phrase, but the m"
16. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The violins fall silent"
17. "An Introduction to # DVORAK Symphony No. 9, "From the New World": So now we have a two-bar group, made up of statement a"
18. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The same thing again (though not quite the same)"
19. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Transition complete. The secondary theme arrives, with"
20. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The 'bagpipe drone' is taken over by cellos, with thei"
21. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The tune is taken up by cellos and double-basses, 'sha"
22. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The violins continue a pattern of steady pairs, and th"
23. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Unexpectedly, we find ourselves back with the secondar"
24. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Again we hear the shortened version of the secondary t"
25. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The suspense is heightened as everything slows down"
26. "An Introduction to # DVORAK Symphony No. 9, "From the New World": This beautiful flute tune is said to resemble 'Swing L"
27. "An Introduction to # DVORAK Symphony No. 9, "From the New World": A big crescendo leads to a final statement of the clos"
28. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The development section begins with a conversation bet"
29. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The beginning of the closing theme is taken up in turn"
30. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Sequential chirping from the oboes based on the 'answe"
31. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Much of the development comes from a diminution of the"
32. "An Introduction to # DVORAK Symphony No. 9, "From the New World": A tiny detail becomes a major ingredient, giving an ag"
33. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Through a sequence of keys so quickly that it is hard"
34. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The main theme from massed cellos and double-basses, t"
35. "An Introduction to # DVORAK Symphony No. 9, "From the New World": After that major climax, we arrive at the threshold of"
36. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Dvorak flouts tradition by setting the secondary theme"
37. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The tumultuous convulsion of the coda brings the first"
38. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Humpty Dumpty: putting the bits back together again"
39. "An Introduction to # DVORAK Symphony No. 9, "From the New World": First movement (complete)"
40. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The very opening chords unmistakably herald the arriva"
41. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The role of instrumentation in setting the scene..."
42. "An Introduction to # DVORAK Symphony No. 9, "From the New World": ...and in enhancing the quality of one of the most fam"
43. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The cor anglais is joined by the clarinet, creating a"
44. "An Introduction to # DVORAK Symphony No. 9, "From the New World": For the closing part of the tune, there is another new"
45. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The closing bar is repeated by clarinets and bassoons,"
46. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Back to the start to hear the whole of the story so fa"
47. "An Introduction to # DVORAK Symphony No. 9, "From the New World": A change of scoring: the slow opening chords return, t"
48. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The changes in scoring are just beginning."
49. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The flutes and oboes introduce a new tune, over hushed"
50. "An Introduction to # DVORAK Symphony No. 9, "From the New World": A memorable combination of continuous, asymmetrical me"
51. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Back in that woodland glade, the light and shadows hav"
52. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The next section is new and forward-looking, yet also"
53. "An Introduction to # DVORAK Symphony No. 9, "From the New World": An abrupt change of mood, much discussion and embellis"
54. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Subjectivity and expertise"
55. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Cue to whole movement"
56. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Second movement (complete)"
Disc 02 01. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Dvorak, Beethoven, and the Scherzo. Dvorak purposely c"
02. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Using a little fanfare, Dvorak further builds up expec"
03. "An Introduction to # DVORAK Symphony No. 9, "From the New World": When the theme is revealed, we find that it is not exa"
04. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Two little bursts of rhythm provide the seeds from whi"
05. "An Introduction to # DVORAK Symphony No. 9, "From the New World": It is the second half of the theme that dominates."
06. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Back to the beginning to hear the whole of this openin"
07. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Without ever being remotely 'academic' or 'intellectua"
08. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Dvorak's very Czech love of combining conflicting rhyt"
09. "An Introduction to # DVORAK Symphony No. 9, "From the New World": A clearly transitional passage, obsessed with the rhyt"
10. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Sooner than we may have expected, we seem to have arri"
11. "An Introduction to # DVORAK Symphony No. 9, "From the New World": A new kind of tone quality sheds a subtly different li"
12. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The flutes and oboes now chime in with an answering va"
13. "An Introduction to # DVORAK Symphony No. 9, "From the New World": ...and the cellos and bassoons take up the original ve"
14. "An Introduction to # DVORAK Symphony No. 9, "From the New World": A false alarm: it was not the traditional Trio section"
15. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Soon, after a very rapid build, the Scherzo proper doe"
16. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The orchestral texture thins dramatically, and we appr"
17. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The Trio section is reminiscent more of the 'Old World"
18. "An Introduction to # DVORAK Symphony No. 9, "From the New World": In the second half of the Trio, a new tune emerges, a"
19. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The main theme of the Trio returns against a much full"
20. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Then it is all a matter of repeats, until we reach the"
21. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Third movement (complete)"
22. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Like the first movement, the fourth begins not with it"
23. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The main theme: an imposing march, introduced by trump"
24. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The main theme, part two. A codetta-like passage close"
25. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The 'transitional' theme, while outwardly contrasting,"
26. "An Introduction to # DVORAK Symphony No. 9, "From the New World": A point of future obsession"
27. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The second half of this 'transitional' theme is given"
28. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The 'obsession' takes root, with a ten-fold repetition"
29. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The hidden traps in sonata-form terminology: 'second m"
30. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The unexpected entry and subsequent ubiquity of 'Three"
31. "An Introduction to # DVORAK Symphony No. 9, "From the New World": We meet the mice again, now in the cellos and double-b"
32. "An Introduction to # DVORAK Symphony No. 9, "From the New World": More 'Three Blind Mice' material" 33. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The mice return to the basement, where the bassoons ha" 34. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Next, they are back with the clarinets who pass them b" 35. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Now they return to the high winds, delicately trilling" 36. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Relief, at last: the mice back off, making way for a r" 37. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The mice yield to woodpeckers" 38. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The triplets of the 'transitional' theme are now hande" 39. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Reminders of past movements begin to fly by, thick and" 40. "An Introduction to # DVORAK Symphony No. 9, "From the New World": In fact there are three bits of quotation going on her" 41. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The violas react every time the 'Goin' Home' theme is" 42. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The rhythm of the opening of the 'Goin' Home' theme do" 43. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The march theme reappears as a Mendelssohnian fairy" 44. "An Introduction to # DVORAK Symphony No. 9, "From the New World": We reach an interesting point: have we heard the begin" 45. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Perhaps this is it? Back for a reminder of the theme p" 46. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Tovey places the start of the recapitulation here." 47. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The main theme recast in pathetic rather than heroic t" 48. "An Introduction to # DVORAK Symphony No. 9, "From the New World": This unexpected crisis in confidence plays a major rol" 49. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The main theme returns - not complete, but chopped up" 50. "An Introduction to # DVORAK Symphony No. 9, "From the New World": A glorious thematic stew" 51. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The dramatic highpoint of the mov., an astonishing tra" 52. "An Introduction to # DVORAK Symphony No. 9, "From the New World": The same chords again, this time blasted out by the en" 53. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Now we are into the finishing stretch, but the surpris" 54. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Summary, context, and cue into the whole movement" 55. "An Introduction to # DVORAK Symphony No. 9, "From the New World": Fourth movement (complete)"
